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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

And, the focus of MEL is generally on evaluating grantee projects or organizations, rather than on the grantmaker and its practices. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. It promotes mutuality instead of extraction.

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Grantmaking: What’s Participation Got to Do with It?

sgEngage

Lots of grantmakers are intrigued by participatory grantmaking. Participatory grantmaking invites to decision-making tables people who have historically been excluded. Why Would a Grantmaker Choose a Participatory Grantmaking Approach? So, what does participatory grantmaking look like in practice? Those at the top decide.

professionals

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The community approach to problem solving

Candid

Participatory grantmaking [i] is no longer new. To be clear, participatory grantmaking has never been new. One of the first projects I was assigned to after joining Candid (then Foundation Center) was the guide on participatory grantmaking, now a seminal work in the growing body of literature on participatory grantmaking.

Problem 119
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Applications are now open for the Community Climate Transitions Innovation Fund

Charity Village

As part of the Community Climate Transitions Innovation Fund, Tamarack Institute is offering funding for six climate-related projects in communities across Canada. Eligible projects will help communities mitigate and/or adapt to climate change, focusing on innovative, participatory, equitable, and multisolving approaches.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Better yet, the graduate student who led this project, Anna Greco, documented the whole project and did in-depth analysis of the visitor contributions. What was it?

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The Johnny Cash Project: A Participatory Music Video That Sings

Museum 2.0

This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. The project is designed to scale. What's the "use" of visitors' comments?

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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). One of the things I always focus on in participatory exhibit design is ensuring that everyone has the same tools to work with.