Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2016

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. A mature employee knows how to manage up.

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Causes Change Museum Social 50

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

JANUARY 29, 2014

I had a vague sense of how conservation fit into their educational missions, but I didn''t realize the extent of the direct advocacy and activism happening every day. In museums (and zoos), we frequently stop the conversation with visitors when it comes to action--especially political action. I certainly didn''t.

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Action People Conservancy Africa 46

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Portland Artist 22

Museum 2.0

OCTOBER 30, 2013

The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community. Implicit Associations test.

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Measure Arts People Museum 47

Museum 2.0

NOVEMBER 27, 2012

Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. The election season, as well as a recent research study on museum membership, has change my perspective on this.

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Product Build Museum Arts 51

Museum 2.0

DECEMBER 5, 2008

Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums. Here's what they did.

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Case Study Participatory Studies Museum 20

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Job 52

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. It was an evening meeting with beer and chips.

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Program Community Design Museum 49

Tech Soup

JANUARY 31, 2012

This is a participatory live video show - come ready with your questions for our experts! Productions in 2006 to produce dramatic, engaging, life-changing documentaries, films and media in the San Francisco Bay Area and around the world. Santa Cruz, the British Museum, Apple, Google, Adobe, and numerous other.

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Storytelling Collaboration Video Thailand 67

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Participatory Museum Teen Voice 20

Museum 2.0

APRIL 15, 2015

We were discussing the potential for cultural organizations to have significant impact across communities: on planning, health, education, and quality of life. But I couldn''t fully imagine how a museum or an arts center could embody it. A fitness trail for urban life. Last week, I got to see Deborah''s vision in action.

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San Francisco Arts Design Marketing 20

Museum 2.0

SEPTEMBER 24, 2019

This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. I’ve worked in them my whole adult life. Does that make me the best judge of museums? People are the defining characteristics of museums. Shaelyn Amaio, a museum worker, agreed, as do I.

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Museum Place Life Ohio 36

Museum 2.0

MARCH 21, 2011

This expresses itself most powerfully in museums when we talk about building relationships with visitors over time. But museums are one-night stand amnesiacs in the relationship department. This is terrible, both for the visitor and for the museum. I expect you'll remember some basic things about me--say, my name. We hang out.

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Relationship Museum Game Personal 46

Tech Soup

JANUARY 20, 2012

This is a participatory live video show - come ready with your questions for our experts! Productions in 2006 to produce dramatic, engaging, life-changing documentaries, films and media in the San Francisco Bay Area and around the world. Aaron Bramley is the Co-founder and Director of Communication/Education for Lights.

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Collaboration Storytelling Video Thailand 44

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

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Build Community Museum Artist 20

Museum 2.0

OCTOBER 29, 2009

Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.

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Facilitation Reflection Museum Participatory 32

Museum 2.0

DECEMBER 14, 2009

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. Or maybe education staff are not willing to engage real-time visitors in dialogue around controversial issues.

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Project Museum Teen North Carolina 22

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 15, 2006

These posts have sparked some thoughtful reflections, from a folks on the Second Life Educator's List and I'm going to quote and summarize a few: The Second Life Doubter's Club. This is why there is a current increase in educators coming to SL. Why did these and others fail and why is Second Life really pointing the.

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Environment Teach Second Life Learning 50

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. It also focused the experience.

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Virtual Tech Lesson Develop 21

Museum 2.0

JUNE 10, 2010

I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door.

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Participatory Museum Arts Artist 46

Museum 2.0

DECEMBER 2, 2008

They demonstrate that the blog is a more participatory vehicle than other kinds of media. Museum 2.0's The top three most commented-on posts on this blog are: What I Learned on My Summer Vacation (or, I am an Elitist Jerk) Warning: Museum Graduate Programs Spawn Legions of Zombies! They prove that the conversation is two-way.

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Comment Museum Blogger Reflection 20

Museum 2.0

JUNE 2, 2010

This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.

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Slides Museum Los Angeles San Jose 22

Museum 2.0

DECEMBER 28, 2007

Welcome to the second in the four-part series on comfort (and its boundaries) in museums, a day late but just as tasty. This week, we tackle educational programs and this question: what program could compel you to dress in carrots and hit the streets? The Spy Museum puts on extraordinary educational programs.

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Program People Museum Lecture 20

Museum 2.0

MAY 15, 2008

Radiolab does what I hope all great museum exhibitions can do--take a deep topic and make it compelling on many levels. We have a show coming up right now about synthetic biology, where engineers are building life forms that are new to existence, new to the history of life. Which brings me to museums and how we present content.

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Conversation Arts Museum Voice 20

Museum 2.0

MAY 28, 2014

Contrasting that rich human narrative with the kind of gleamy tweaky technology narrative that was emerging from the NISE-NET meeting made me realize that generally speaking, science museums ignore many of the aspects of life that are the most resonant--mortality, sex, humor, tragedy, pity, joy. So we had the key players. If so, whom?

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Help Museum eBook Project 45

Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? My story is about radical educational philosophy. I don't work in museums because I love them. When I visit a new city, I don't clamor to visit museums. Yes, there are some extraordinary museum experiences that have changed my life, but they are the exception, not the norm.

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Museum Alternative Education University 29