ASU Lodestar Center

AUGUST 9, 2011

My favorite historian, Peter Dobkin Hall , wrote a defining essay in one of his books that describes the "invention" of the nonprofit sector in the United States. In a recent chapter on the history of the U.S. I can understand why somebody interested in museums wouldn't want to cover ground on health sector management.

Museum 100

Museum Nonprofit Policy Professional 100

Museum 2.0

NOVEMBER 4, 2015

Over the past few months, I've been doing research for a forthcoming book on relevance. One of the best parts of developing a book is learning new stories. For me, the early stage of writing a book is a treasure hunt--an excuse to seek out new examples and ideas that strengthen the story. Want to know more?

Culture 20

Culture Work Museum New York City 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s. Most of my work involves museums, but these categories can be useful in any project that involves user participation.

Model 98

Model Activities Active Activism 98

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 2, 2014

It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. We had tripled our attendance.

Process 20

Process Change Develop Museum 20

Museum 2.0

JULY 7, 2010

It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. This is incredibly scary. You can't always do "and."

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 and watched the Museum 2.0

Museum 20

Museum Voice Minnesota Participatory 20

Museum 2.0

AUGUST 25, 2009

Many institutions do this unintentionally--by providing post-its or comment books, pens or crayons. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." A lone "What do you think?"

Design 31

Design Goal Difference Platform 31

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

EveryAction

MARCH 16, 2017

Whether quietly spearheading some of the world's most groundbreaking scientific and medical research or not-so-quietly leading revolutions on the battlefield, our history is ripe with stories of ferocious, adventurous, enlightened, and persistent women. Gabriela Mistral. Do you love ladies in literature? Rosalind Franklin. Roxane Gay.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

OCTOBER 21, 2007

Frank Warren has released the third PostSecret book, A Lifetime of Secrets. I was struck, looking at the Amazon page for the book, by one of its negative reviews. The reviewer, madhatter, wrote: This project ran its course two books ago. Most visitor-generated museum experiences are about creating, not curating, content.

Experiment 20

Experiment Create Museum Amazon 20

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. Andrea has been a leader in the museum technology field.

Museum 22

Museum Detroit Arts Leadership 22

Media Cause

JUNE 16, 2022

—Young, Black & Lit was started by book lovers who understand the critical importance of reading and representation in the lives of children. Their mission is simple, to increase access to children’s books that center, reflect, and affirm the experiences of Black children. . Books: Me & White Supremacy.

Resource 52

Resource United States Movie Louisville 52

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 13, 2017

And, if they do, they need to read my book, The Happy Healthy Nonprofit , to find out why that is not a great idea.). Museum Visitor Experience. Museums have been all over bots on other platforms, see the Momabot on Twitter for example. The Australia Democracy Museum also has a Facebook Messenger Bot, with similar objectives.

South Africa 90

South Africa Facebook Impact Africa 90

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. This week, we'll look at the overview of the process of the creation of the book and some overall statistics for user participation. Many of the book sections started as blog posts on Museum 2.0.

Participatory 21

Participatory Museum Statistics Process 21

Museum 2.0

JULY 31, 2007

This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. As Elaine puts it in the essay, When I was last involved in such an endeavor, it was when the Boston Children's Museum was small, insignificant, and unselfconscious.

Culture 20

Culture Storytelling Challenge Museum 20

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? It lets you be the only expert with a voice.

Authoring 42

Authoring Platform Museum YouTube 42

Museum 2.0

JUNE 2, 2010

This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.

Slides 22

Slides Museum Los Angeles San Jose 22

Museum 2.0

FEBRUARY 23, 2010

It showcases diverse voices. I think of 3six5 as a coffee table book that is being written one day at a time. Participating in this made me wonder: could a museum or library run a project like 3six5? The reasons to do so are many, particularly for a history-focused institution. Complexities of project management.

Participatory 34

Participatory Project Museum Journal 34

Museum 2.0

JUNE 18, 2007

In honor of tomorrow’s book club post on Elaine Gurian’s essay, Free at Last, a preliminary post on the ecomonics of high quality interactive experiences. Live facilitation has a varied role in museums. In children’s and science museums, explainers are everywhere. Why aren’t there such staff members in art or history museums?

Facilitation 20

Facilitation Museum Interaction Denver 20

Have Fun - Do Good

JANUARY 16, 2009

Whether it's my posters in the street, or books that I'm publishing that are getting out to bookstores, or workshops, or my speaking in different universities with different young people, I really see art as a way of changing our communities. And all the graphics in the book are royalty-free, which means that you could reuse them.

Artist 40

Artist Digital Arts San Francisco 40

Connection Cafe

JANUARY 5, 2016

Best Looking Emails: This is a tie between the Museum of Modern Art and charity: water for showing that you can still design beautiful emails despite all the constraints. Closing the books. Be part of our heroic history. Sinatra: Voice for a Century. Your voice is needed — Refugee Resettlement vote approaching!

email 20

email Fundraising Gift Children 20

Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. When I visit a new city, I don't clamor to visit museums. I don't work in museums because I love them. I go on hikes.

Museum 29

Museum Alternative Education University 29

Museum 2.0

MARCH 6, 2019

letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? It lets you be the only expert with a voice.

Authoring 44

Authoring Share Museum YouTube 44

Museum 2.0

JULY 17, 2008

Traditional exhibition design, in which the museum has a specific story or message to tell, doesn't easily accommodate visitor co-creation. But there are other times when the message isn't simple, and in those cases, visitor voices can help strategically shape multi-dimensional exhibitions. Do you think he’s worth nominating? ”

Interview 21

Interview Minnesota Museum History 21