AccelEvents

JUNE 3, 2020

The numbers will need to be adjusted to match what is allowed in each jurisdiction but it is possible to host an event with a small number of physical attendees/participants and broadcast the happenings online to a much wider audience. It will help reduce potential spread AND keep the audience lively and engaged.

Industry 52

Industry Virtual Platform Broadcast 52

Beth's Blog: How Nonprofits Can Use Social Media

MAY 9, 2013

When I started out, the “broadcast, festival, and screenings” model of distribution dictated community engagement strategies that were more linear, and limited. Knowing your audience remains essential, because each platform is a new arena for expression, and a new avenue to engage different targets and users.

Change 104

Change New Zealand Homeless Australia 104

Beth's Blog: How Nonprofits Can Use Social Media

JULY 30, 2012

It means communicating through a network model, rather than a broadcast model—finding where the conversations are happening and taking part. She made her point by doing a quick poll of people in the audience. Next, she started tossing balls at people in the audience. It means sharing by default.

Network 122

Network Social Media Detroit Nonprofit 122

NTEN

NOVEMBER 12, 2009

We can use these tools to build real relationships in a way that broadcast tools like email, direct mail, and advertising do not. If anything, it's helping us reach new audiences. For example, when I talk about RSS readers to nonprofit audiences, I generally share my reader, with over 250 feeds. Short term, maybe; long term, no.

Social Media 98

Social Media Impact Media Social 98

NTEN

AUGUST 3, 2011

We were approached by this newly formed department to work on a game to support a television series the broadcaster was making, set in Georgian London. Part of Channel 4's remit is Public Service Broadcasting. This audience spends a great deal of time online, often playing games.

Game 68

Game Change Interview Broadcast 68

ASU Lodestar Center

DECEMBER 5, 2012

According to Daren Brabham, crowdsourcing consultant and author of Crowdsourcing: A Model for Leveraging Online Communities , crowdsourcing is the organization of online communities to utilize their combined resources. Using crowdsourcing, nonprofits can now broadcast their message to a nearly-infinite audience.

El Paso 87

El Paso Community Phoenix Participatory 87

Bloomerang

MAY 26, 2022

One study by Jen Shang and Rachel Croson informed callers to a public broadcasting pledge drive that a previous donor had given $75, $180, or $300. This shows that there are exceptions to everything, and you’ll only know what works for you if you run similar tests with your organization’s audience. Suggesting monthly giving.

Donation 73

Donation Donor Gift Nonprofit 73

Non Profit Quarterly

DECEMBER 14, 2021

They solicit community members to volunteer, bring them into mission activities, and broadcast their work to the public. A prominent theme, coming up over and over, was how engaging audiences remotely removes some barriers to access while creating others. Here’s what they had to say.

Accessibility 100

Accessibility Technology Language Oregon 100

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 17, 2010

Kanter will bring together a group of highly visible free agents working on important social change causes and representatives from different nonprofits for a lively discussion with the audience. What should we be building to help artists make and sell art, engage their audiences, and connect to other artists? Trust me. Think again.

Comment 97

Comment Artist Social Media Hype 97

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2013

Identify Your Unique Value Proposition & Broadcast it to Your Audience. They hit on three major pain points for nonprofit donors: Most donors prefer to know that their money goes directly to helping people rather than to operating costs (hence the “100% model”).

Charity 128

Charity Lesson Marketing Digital 128

Museum 2.0

SEPTEMBER 19, 2007

This story highlights the existence of the audience for visitor input exhibits. What is the relationship between visitors and their audiences? But the audience can't be ignored. At Stanford, the kids were the inputters/performers, and the guard was the audience--an audience who didn't like what s/he was seeing.

Audience 20

Audience Museum Music Awareness 20

Connection Cafe

FEBRUARY 8, 2018

Think about the iconic advocacy/activist tactics of the industrial broadcast era: A march is just a long, crowded walk on a noisy day unless media organizations are there to cover it. It isn’t just that you can now reach large audiences without the help of the mainstream media (that’s technically true, but generally overstated.).

Analytics 31

Analytics Advocacy Chapter Environment 31

Museum 2.0

AUGUST 20, 2009

When people share their photos of your museum, they promote and spread your content to new audiences in authentic ways. At the conclusion of Jenkins' paper, the team claims: "So what is spreadable media good for?

Museum 54

Museum Photo Policy Open 54

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

The envisioned twenty-first-century model, however, is more level. Making our artworks accessible and connecting them with Americans’ lives has been our director’s long-term goal, and we’ve noted the cultural shift from a broadcast mode of communication (that one-way, top down dissemination of info) to a more conversational one.

Museum 82

Museum Arts Artist Conservancy 82

Museum 2.0

APRIL 1, 2008

I thought that Twitter was for broadcasting—a different but related kind of broadcasting from blogging. But now that I’m a Twitter user, I realize that Twitter is not (mostly) about broadcasting. The format (I write a lot, you get to respond at the end) is a standard push content model. It’s about conversations.

Twitter 24

Twitter Participatory Broadcast Museum 24

NTEN

OCTOBER 28, 2008

The successful campaigns are using e-commerce, video, photos, blogging, mobile action, widgets, event management and more to augment the traditional (and extremely effective) precinct organizing model. They present a quick and effective way to communicate details to a large audience. But of course mapping has gone public.

Social Media 62

Social Media Lesson Develop Media 62

Nonprofit Tech for Good

DECEMBER 9, 2022

A rise in this type of membership or subscription model has primed supporters to make monthly commitments. To connect the online and in-person experience, so it feels like one event instead of two, utilize auction management live event broadcast software to project your auction status at your gala events in real time.

Fund 320

Fund Pledge Nonprofit Gift 320

Museum 2.0

APRIL 1, 2009

I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it. We aren’t reaching all the audiences we’d like to. This isn’t just a change in youth culture.

Museum 20

Museum Conversation Columbus Local 20

Have Fun - Do Good

OCTOBER 9, 2005

Although the Foundation is going to make transcripts of all of the sessions available and I believe video from the conference will be broadcast on www.ibaglobal.com as well, some people on a list serv that I am on, Young Nonprofit Professionals Network (YNPN) , wanted to share notes virtually so I decided to post some of my notes here.

Foundation 40

Foundation San Francisco Green Nonprofit 40

Museum 2.0

AUGUST 29, 2007

I was a little surprised at this conclusion; after all, museum websites have arguably a broader, large audience than the physical museums themselves. To me, this is the least interesting model, in which museums provide standard computer stations for visitors to explore web-based content. Blogs and social networks fall in this category.

Museum 20

Museum Web Arts Internet 20

Museum 2.0

NOVEMBER 14, 2007

Let’s say you wanted to find a model museum using Web 2.0 Do you think of your efforts as trying to draw new audiences into the museum or reach out to meet them where they are? I think about it as going to them rather than the audience coming to us. to support programs and exhibits. We were on Blip.tv

Museum 27

Museum Interview Flickr YouTube 27

Museum 2.0

NOVEMBER 13, 2007

The Exploratorium's Nanoscape project, in which visitors and volunteers built giant walk-through models of nanoscale structures, had a different kind of impact; instead of displaying visitors' unique expressions of self, it displayed the power of collective action by visitors, harnessed by an institution.

Voice 20

Voice Create Museum Arts 20

EveryAction

APRIL 1, 2016

and discover how to reach your audiences more directly through social and digital media, while still landing placements through the national press or your local newspapers and broadcast stations. Council for Advancement and Support of Education (CASE) / Washington, DC / Not available. Join us in Washington, D.C., Technology.

Calendar 177

Calendar Conference San Diego DC 177