Audience Broadcast Model Museum 
Museum 2.0
AUGUST 20, 2009
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.
Museum 2.0
APRIL 1, 2009
On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Museum 2.0
SEPTEMBER 19, 2007
She told me an anecdote about an experience with the Stanford Art Museum exhibition, Question , which included a keyboard where visitors could type their own thoughts about art, to be projected on a wall along with quotes by famous people. This story highlights the existence of the audience for visitor input exhibits. It depends.
Museum 2.0
NOVEMBER 14, 2007
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.
Museum 2.0
AUGUST 29, 2007
Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?
Museum 2.0
APRIL 1, 2008
Last year, I wrote a post explaining what Twitter is and how it might be applied in museums. Now, a year later, I’m using Twitter on a daily basis, and it’s brought up some new observations about participation on websites and in interactive venues like museums. I’d love Museum 2.0 It’s about conversations. Twitter is different.
Museum 2.0
NOVEMBER 13, 2007
The essays in this section, on “Expressing and Co-Creating,” present projects in which visitors create exhibition content, contribute to its creation, or get a heavy done of meaning-making in their experience of museum content. Who controls the content in the museum? Who controls the museum experience? First, museum content.
Expert insights. Personalized for you.
54 
Let's personalize your content