Museum 2.0

OCTOBER 23, 2018

Two years ago, our team at the MAH embarked on our most challenging co-creation project ever. We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. We wrote a toolkit about our process. What did we learn?

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Issue Childhood Community Create 45

Museum 2.0

JULY 23, 2014

In the fall of 2013, they launched Re:Make , an ambitious project to redevelop the museum, live, on the floor, with a mix of staff, guest artists, and community members. And perhaps most ambitiously, they see it as a community-based project. It''s a shared space and process. They see it as the future of their museum.

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Museum Product Participatory Community 53

Museum 2.0

OCTOBER 1, 2014

It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. So what did you do next?

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Museum Story Project Design 43

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." " He describes what Ian observed what happened with his youth audience. Expressions (media creation, mashups, etc). and discovery.

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Participatory Teen Vlog Mashup 50

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

The creative process of making films is opening up and the outreach efforts to spark social change through documentary media are becoming much more dynamic and collaborative. With a project like Granito, the film is only the beginning and serves as an invitation for everyone to share their story.

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Guatemala Movie Artist Award 93

Museum 2.0

SEPTEMBER 21, 2016

They were there for artist talks. They were there for project brainstorming. It encourages process-driven performances and art projects. They live their mission, working in questions and projects rather than exhibitions and programs. This makes Temple Contemporary excel at responsive, relevant projects.

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Process Share Philadelphia Arts 20

Museum 2.0

JULY 11, 2012

That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above). He is an authoritative artist of the social web with a slew of accolades and a suite of diverse projects under his belt.

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Museum Participatory Artist History 45

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The program operates like a camp that is co-led by the teens involved.

Teen 24

Teen Participatory Experiment Museum 24

Museum 2.0

OCTOBER 10, 2012

Let's look at the statistics from three big participatory projects that wrapped up recently. This citywide festival showcased work by 1,517 artists competing for a $200,000 top cash prize awarded by public vote. The Brooklyn Museum just finished the public stage of GO , a "community-curated open studio project."

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Arts Artist Museum Award 47

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. Museum programs need to then actively respond to their communities through a variety of ongoing discursive, collaborative and inclusive formats that address needs and assets but also invite communities to be active participants in this process.

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Museum Program Participatory Community 49

Museum 2.0

FEBRUARY 29, 2012

In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process. It's a working document, and we mean to put it to work planning new projects with our partners. But we weren't explicitly making those goals public.

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Museum Artist Participatory History 38

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Museum Question Participatory Evaluation 45

Museum 2.0

DECEMBER 14, 2011

These are both busy people, and while they are very artistic, neither is a crack drawer. This experience reminded me of how much confidence it takes to say yes to any new activities (this isn't limited to participatory projects) because of unfamiliarity with the process.

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Participatory Classroom Help Artist 43

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

NOVEMBER 11, 2008

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."

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Participatory Arts Design Museum 20

Museum 2.0

OCTOBER 30, 2013

It''s impossible to process everything I am learning from these four psychologists in just one blog post. Reducing intergroup bias isn''t a primary goal in all of our work, but in some projects, it''s of particular interest. inclusion Museum of Art and History research social bridging Unusual Projects and Influences'

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Measure Arts People Museum 47

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

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Museum Difference Participatory History 29

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

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Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. s Blog about?

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Arts Social Media Examples Artist 74

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

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Arts Museum Artist Tucson 45

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

What if they used a design thinking process to not only get feedback from grantees but as a way to develop a more agile way of working? Here’s what I learned about the facilitating design thinking processes: What Is A Design Lab? In some ways, a design lab can be thought of as “participatory research and testing.”.

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Design Strategy Facilitation Advocacy 50

Museum 2.0

APRIL 16, 2008

This post provides an overview of the project, what makes it stand out, and some analysis of the strategic implications. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

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Museum Participatory Artist Arts 24

Museum 2.0

DECEMBER 26, 2012

I found the article to be a clear starting point for thinking in a fresh way about how our museum can best intersect with schools and artists (and students, in our participatory setting) to develop strong programs. EMCArts put out a brief report from their recent study on how arts organizations deal with conflict around new ideas.

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Denver Museum Arts Participatory 33

Museum 2.0

MARCH 28, 2012

We don't want to wear them out on standing meetings or ongoing projects that may not draw on their talents. We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. Moving from community needs out to possible projects/collaborators.

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Program Community Design Museum 49

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? And the projects themselves are brilliant.

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Artist Museum Project Public 39

Museum 2.0

MAY 3, 2011

Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way.

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Story Interview Museum Audio 53

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! This spanned all the projects. being as transparent as possible about the selection and production process.

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Slides Participatory Museum Children 20

Museum 2.0

FEBRUARY 20, 2013

It’s not unusual for us to meet with an environmental activist, a balloon artist, a farmer, and the Mayor of Santa Cruz all in one day. Every time we collaborate, we learn new ways to improve our process, organization and communication. Each month we work with 50-100 individuals to co-produce our community programs. Make time for them.

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Collaboration Community Tools Museum 55

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. How do you acknowledge their participation in a way that helps subsequent visitors connect with the passion and hard work that went into the process? to create a successful product.

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Participatory Process Museum Children 48

Museum 2.0

SEPTEMBER 20, 2010

How did this project start? And so, we started a major research project--the first one we've done that focuses on membership. We heard loud and clear that these members really want to know more about the curatorial process and how the museum operates. Seeing the installation process was a big one.

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Interview Director Museum Arts 46

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. It was like getting paid to process the day in a lovely setting.

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Museum Boston Participatory Job 52

Museum 2.0

JUNE 12, 2009

Is this a research project? Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA. When those spaces are factored in, there are more than 250 works by female artists on view now.

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Conversation Museum Artist Minneapolis 21

Museum 2.0

JUNE 6, 2008

I was the project manager/curator for the exhibition, leading both the Second Life-based community exhibit design process and the real world translation of virtual exhibits. We shrunk the exhibit design process (concept to floor) from 2 years to five months. On many levels, The Tech Virtual experiment was a success.

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Virtual Tech Lesson Develop 21

Museum 2.0

JULY 22, 2008

Feminists, Disabled People, Muslims, Police, Goths, Gays) Readers, who check out the Books for 45-minute to 2-hour discussions Librarians, who facilitate the whole process Since 2000, Living Libraries have been produced primarily in Europe at festivals and libraries with support from the Council of Europe youth sector. well, you know.

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Library Model Museum Europe 20

Museum 2.0

SEPTEMBER 29, 2010

The artists come from all over (though many are based in the Midwest), and anyone can enter. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober. Then get yourself to Grand Rapids for Artprize. It's the social experience.

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Arts Experiment Artist Social 52

NTEN

MARCH 16, 2011

We received some excellent nominations and the voting process was exciting to watch. 5 Macon Money Macon Money is an innovative project that aimed to unite social, racial, cultural, gender, and economic gaps - all while boosting the local economy!

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Game Impact Libya Social 88

Museum 2.0

JUNE 24, 2015

This project is funded by Bloomberg Philanthropies as part of their Bloomberg Connects program. I’ve been particularly interested in ASK, the mobile app component of the project. We began with a series of internal meetings to evaluate our current visitor experience and set a goal for the project. frequently!).

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Museum Arts Interview Test 20