Museum 2.0

OCTOBER 24, 2012

We actively seek participation and develop structured opportunities for visitors to collaborate with us. Community members, artists, and organizations increasingly see our museum as a place where they can advance their own goals, and so they approach us. Visitors can comment on how we can improve or what they would like to see.

Platform 41

Platform Open Museum Participatory 41

Forum One

OCTOBER 12, 2010

I see plenty of examples of where foundations could today tap the wisdom and insights from “crowds” online in valuable ways. Crowd-funding New Ideas: Funding platforms for artists, musicians, and inventors: Kickstarter and IndieGoGo. " Tags: Influence Collaboration Communication. Foundation application?

Reflection 47

Reflection Conference Communication Network 47

Museum 2.0

JANUARY 24, 2011

In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform. Can you give me an example? We just had a situation with an artist collective that came for a site visit and decided they wanted to build an igloo.

Arts 46

Arts Interview Teen Artist 46

Nonprofit Tech for Good

DECEMBER 14, 2022

You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. Consult with an attorney if you plan to do this. Get creative.

Donor 343

Donor Sponsor Accessibility Music 343

Museum 2.0

APRIL 29, 2015

We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

Mission: Possible focuses on a 100% clean power future achieved by investing in a new set of power brokers: moms, artists, workers, and communities of color who care passionately about the futures of their communities and are working together to achieve a safer, healthier, more prosperous Northwest. Making: Ideation and Rapid Prototyping.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MAY 3, 2011

There hasn’t been a history of collaboration between the museum and the film center and we wanted the chance to partner more deeply, and build a platform where we could continue to do so. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. So what did you do next? Who was there?”

Story 53

Story Interview Museum Audio 53

Museum 2.0

MARCH 8, 2011

Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. I wanted the details of the residency to be shaped by the people who got involved with it, so it needed a structure with an edge that could be pushed against in different directions.

Interview 37

Interview Museum Badge Game 37

Museum 2.0

FEBRUARY 12, 2009

This week, an interview with Brooklyn Museum 1stfans managers Will Cary (membership) and Shelley Bernstein (technology) and artist An Xiao. For example, on February 7, we had a free 1stfans behind-the-scenes event with conservator Lisa Bruno talking about animal mummies. T he Twitter Art Feed features a new artist every month.

Museum 24

Museum Audience Program Artist 24

Museum 2.0

SEPTEMBER 18, 2013

Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. For more on the differences among different types of museums (with examples), check out this post. QUESTIONS ABOUT WORKING WITH COMMUNITIES 8.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. For more on the differences among different types of museums (with examples), check out this post. QUESTIONS ABOUT WORKING WITH COMMUNITIES 8.

Question 49

Question Participatory Museum Evaluation 49

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 68

Celebrate Award Colorado Museum 68

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

JUNE 16, 2020

At large, I am proud of the countless hours of cross-departmental and community collaborations that will inspire me forever, hand-in-hand with colleagues who have invested their best efforts on behalf of the people we are committed to serving. There are numerous examples of the consequences of ignoring and dismantling our best practices.

Museum 22

Museum Detroit Arts Leadership 22

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

Recently, I presented a high level overview of crowdsourcing , including examples from the lens of funding and doing. Here’s an overview of the different types and some examples for each in philanthropy and doing. (1) There are several learning cohort groups, including one on better understanding network impact.

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

MAY 14, 2007

Several were created or conceived by a single person, often an artist/non-museum professional. Is this an example of Kathy Sierra's observation that groups of people can only create a watered-down, muddled shadow of what an individual can envision? What's the deal here? Exhibit designers' jobs are to develop exhibitions on topics.

Life 20

Life Create Change Museum 20

Have Fun - Do Good

JUNE 7, 2006

We also work with groups like Oxfam and their Make Trade Fair Campaign , Doctors without Borders , the ACLU , Global Exchange and this summer will be collaborating with Witness , Greenpeace , the NRDC and others. I’m responsible for the building and maintenance of relationship with artists, artist management and tour production crews.

Teach 40

Teach Campaign Info Volunteer 40

Have Fun - Do Good

JULY 16, 2007

Community and opportunities for collaboration can be lost when it is just you sitting down to work each day. I guess I got involved in coworking originally because I was working out of cafes and wanted a more collaborative, productive environment to go to and work around other people in.

Green 40

Green Interview San Francisco Environment 40

Have Fun - Do Good

OCTOBER 1, 2006

We've been friends since we were seven, so we already had a very long collaborative history. Louis is a traditional artist and I was in the journalism field. That was a really good example of not just raising consciousness, which The Meatrix did, but actually kind of making change happen on the ground.

Storytelling 40

Storytelling Causes Interview Free 40