Media Cause

SEPTEMBER 29, 2021

What were structures in places at the time? . To look at design’s diversity problem without discussing current and former power structures is to ignore the root causes and only treat the symptoms. Many people can’t afford the things we make, and our imagined users are molded by our biases and current power structures.

Design 52

Design System Structure Ratio 52

Tech Soup

JULY 6, 2012

With that in mind, Zero1's community engagement manager Danielle Siembieda-Gribben organized HackFlux : a weekend hackathon bringing together a mix of coders, developers, designers, artists, and thinkers this past June. Siembieda-Gribben structured the hackathon to maximize learning and shared knowledge.

Arts 58

Arts Tech San Francisco Proposal 58

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 20, 2007

Here's the email announcement from Alan Levine: The NMConnect Visual Symposium will be the largest collaborative art event ever created in Second Life! Connect the Dots with hundreds of artists as we Illuminate and innovate together to weave new networks. Download NMConnectCallforArtists.pdf.

Second Life 50

Second Life Arts Life Artist 50

Tech Soup

JUNE 8, 2012

Games structure participation in vital civic actions like voting, budgeting, advocacy, movement-building, solving major challenges, and simulations for disaster preparedness. (BS). Farmville and FoldIt (showing the architecture of the AIDS virus) are related in terms of collaboration, crowdsourcing solutions through social play. (JD).

Game 55

Game Lesson Create New York City 55

Museum 2.0

MARCH 28, 2012

After several months of planning massively collaborative programs (a typical monthly event might involve 50 partners), we've realized that the people who are best at helping us come up with ideas are not necessarily the people who are best to help us execute them. Moving from community needs out to possible projects/collaborators.

Program 49

Program Community Design Museum 49

Museum 2.0

NOVEMBER 18, 2014

As one African-American artist on a prominent museum board told me, "I felt even more tokenized than if I had been part of some kind of Artists'' Council or African-American Council." Our work would become more relevant, our collaborations more timely, our network more diverse.

Community 39

Community Story Museum Map 39

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. The event involved over fifty artists throughout the building helping visitors make their own paper, write poems, stitch books, etc.

Activities 50

Activities Active Activism Participatory 50

Museum 2.0

JANUARY 24, 2011

In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform. That said, the fact that we work with contemporary artists can also create a lot of stress in our institutional systems.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

OCTOBER 24, 2012

We actively seek participation and develop structured opportunities for visitors to collaborate with us. Community members, artists, and organizations increasingly see our museum as a place where they can advance their own goals, and so they approach us. Visitors can comment on how we can improve or what they would like to see.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

FEBRUARY 15, 2012

Our internships have generally gotten more structured. Community programs interns work with artists and historians, families and adults, to make everything from mini-participatory exhibitions to full-blown concert series. But I would be remiss if I did not say that the community programs internships are all rocking.

Museum 34

Museum Participatory Arts Attitude 34

Museum 2.0

OCTOBER 17, 2012

We invited local artists and community groups to perform. We experimented with everything--hours, front desk staffing structure, community programs. and we've tried to internalize a mindset of perpetual beta and modular support for community collaboration. We scrounged for free couches. But we got it going anyway.

Museum 47

Museum Artist Remix Professional 47

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

Creating a sustainable engagement platform within your existing structure takes time, creativity and dedication. Lina Srivastava is a strategist who works with nonprofit organizations, artists, filmmakers, activists and for-profits to focus on strategy, communication, design and media engagement to create social change.

Culture 84

Culture Build Change Media 84

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. We have prioritized opening up to as many partners as possible through collaborative structures that scale.

Museum 49

Museum Director History Teen 49

Forum One

OCTOBER 12, 2010

Crowd-funding New Ideas: Funding platforms for artists, musicians, and inventors: Kickstarter and IndieGoGo. " Tags: Influence Collaboration Communication. Philanthropic institutions might embrace “input from crowds” but then reject the wisdom if it did not conform to the opinions of their leadership.

Reflection 47

Reflection Conference Communication Network 47

Museum 2.0

APRIL 29, 2015

We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

Mission: Possible focuses on a 100% clean power future achieved by investing in a new set of power brokers: moms, artists, workers, and communities of color who care passionately about the futures of their communities and are working together to achieve a safer, healthier, more prosperous Northwest. Making: Ideation and Rapid Prototyping.

Design 50

Design Strategy Facilitation Advocacy 50

Nonprofit Tech for Good

DECEMBER 14, 2022

You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. Sometimes a nonprofit has access to world-class chefs, celebrities, artists, or architects or well-known lawmakers. Consult with an attorney if you plan to do this. Get creative.

Donor 341

Donor Sponsor Accessibility Music 341

Museum 2.0

MARCH 8, 2011

Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. I wanted the details of the residency to be shaped by the people who got involved with it, so it needed a structure with an edge that could be pushed against in different directions.

Interview 37

Interview Museum Badge Game 37

Museum 2.0

JUNE 27, 2008

The VSA has replaced their keynotes with structured group dialogue. But the VSA has taken an intentional approach to these structured conversations with the goal of putting the (arguably) best part of conferences—the side conversations and hallway discussions—front and center. My first reaction was skepticism.

Studies 20

Studies Associations Houston Museum 20

Museum 2.0

MAY 3, 2011

There hasn’t been a history of collaboration between the museum and the film center and we wanted the chance to partner more deeply, and build a platform where we could continue to do so. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. So what did you do next?

Story 53

Story Interview Museum Audio 53

Museum 2.0

APRIL 23, 2009

And their unique structure and bottom-up approach offers some instructive lessons for museums that want to really embrace visitors and members as co-creators of the institutional experience. Most hackerspaces have very transparent legal structures and operate on a consensus model. This isn't just a geek thing.

Museum 24

Museum North Carolina San Francisco Structure 24

Museum 2.0

FEBRUARY 12, 2009

This week, an interview with Brooklyn Museum 1stfans managers Will Cary (membership) and Shelley Bernstein (technology) and artist An Xiao. So you weren't targeting "Brooklyn artists" or some other demographic group. T he Twitter Art Feed features a new artist every month. How are you selecting and rewarding these artists?

Museum 24

Museum Audience Program Artist 24

Museum 2.0

JUNE 6, 2008

Our job was to provide a structured environment in which to develop ideas and the expertise to build the best of them. However, the contest also prevented us from legitimately fostering collaboration. To produce that content, I put an ad on craigslist and invited artists down to The Tech to be videotaped while creating art.

Virtual 21

Virtual Tech Lesson Develop 21

Have Fun - Do Good

JANUARY 30, 2009

Jennifer is a certified coach, artist and yogini based in Oakland, California. Figure out how you can collaborate with them, and tap into them in a way that is going to serve your purpose. I know you particularly work with entrepreneurs and artists, yes? I am an artistic, creative person. How long have you been coaching?

Brain 41

Brain Life Artist Advice 41

Museum 2.0

SEPTEMBER 18, 2013

Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. This kind of engagement ladder provides a structured framework for participation without overly constraining how people get involved.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. This kind of engagement ladder provides a structured framework for participation without overly constraining how people get involved.

Question 49

Question Participatory Museum Evaluation 49

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 67

Celebrate Award Colorado Museum 67

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

JUNE 16, 2020

At large, I am proud of the countless hours of cross-departmental and community collaborations that will inspire me forever, hand-in-hand with colleagues who have invested their best efforts on behalf of the people we are committed to serving. The entire system and structure of this country has been built on racism.

Museum 22

Museum Detroit Arts Leadership 22

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

While it is probably difficult to absolutely prove cause and effect, implementing a crowd artistic creation requires a discussion about letting go of control or at least being explicit about how creative contributions will be accepted or curated or added to the work. Do you accept everything or is there curation? .

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

NOVEMBER 9, 2007

But last week, I took a new job with The Tech Museum of Innovation in San Jose, working on a very different kind of project involving collaborative distributed exhibit design. So what does this collaborative platform look like? How much structure is motivating and how much becomes a chore?

Open Source 22

Open Source Museum Game Open 22

Museum 2.0

MAY 14, 2007

Several were created or conceived by a single person, often an artist/non-museum professional. Yes, an individual can bring clarity of vision to any project that might otherwise be sullied by the ups and downs of collaboration and compromise. Exhibit designers' jobs are to develop exhibitions on topics.

Life 20

Life Create Change Museum 20

Have Fun - Do Good

JUNE 7, 2006

We also work with groups like Oxfam and their Make Trade Fair Campaign , Doctors without Borders , the ACLU , Global Exchange and this summer will be collaborating with Witness , Greenpeace , the NRDC and others. I’m responsible for the building and maintenance of relationship with artists, artist management and tour production crews.

Teach 40

Teach Campaign Info Volunteer 40

Have Fun - Do Good

JULY 16, 2007

Community and opportunities for collaboration can be lost when it is just you sitting down to work each day. I guess I got involved in coworking originally because I was working out of cafes and wanted a more collaborative, productive environment to go to and work around other people in.

Green 40

Green Interview San Francisco Environment 40

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. Collaborator. Museums are changing. It took a group of us to make our blog a success.

Museum 82

Museum Arts Artist Conservancy 82

Have Fun - Do Good

OCTOBER 1, 2006

We've been friends since we were seven, so we already had a very long collaborative history. Louis is a traditional artist and I was in the journalism field. Jonah: I started Free Range with a friend of mine, Louis Fox, when we were 22 years old. We wanted to combine our talents and felt graphic design would be a good place to start.

Storytelling 40

Storytelling Causes Interview Free 40