AccelEvents

JULY 14, 2021

Games with incentives or prizes can allow your audience members to display their talents and vote for those who perform the game the best! The audience was then asked to vote on their favorite one, with the winner announced the following day on Twitter. . This will engage the audience but also provide the speaker (and you, as host!)

Virtual 98

Virtual Ideas Online Movie 98

Connection Cafe

AUGUST 3, 2015

” How is this influx of new people influencing Austin’s Arts & Cultural community? The event is definitely a hit, and Thinkery has enjoyed increased revenue, an expanded audience, and an increase in their supporter base. That way we get audience buy-in before we’ve even started planning an event.

Audience 20

Audience Austin Test Portland 20

Museum 2.0

MAY 7, 2010

Imagine asking audience members to participate in your work. There are five female dancers, but there are also three audience members pulled up during the show to perform and to become metaphoric kisaeng. The audience participation was essential, not incidental, to the piece. Women from the audience were dressed up in costumes.

Audience 37

Audience New York Instruction Instructional 37

Museum 2.0

AUGUST 1, 2012

Here's what happened: In 2010, amidst severe financial woes and declining audiences, the Museum of Contemporary Art in LA (MOCA), hired Jeffrey Deitch, a NYC gallery owner, to be their new director. Deitch--and to an even greater degree, Eli Broad--have expressed clearly that they want to expand the audience at MOCA.

Artist 52

Artist Museum Arts Director 52

Achieve

JUNE 21, 2015

The theme of MCON 2015 is “The Power of Influence: Art, Media, Business and Place” and an incredible lineup of speakers from the corporate, nonprofit and public sectors will share stories of the successes and failures they’ve encountered while changing the world. MOVING DOCUMENTARIES FOR THE ONLINE AUDIENCE. Museum of Contemporary Art.

Chicago 52

Chicago Museum Arts Influence 52

Tech Soup

DECEMBER 12, 2011

Engaging Audiences at Yerba Buena Center for the Arts. artist's influences and the exhibit, in the artist's own words. For example, YBCA's audiences loved having access to artists' own unfiltered words. They found that audiences wanted more education on using the particular app.

Arts 63

Arts Omaha Organization Artist 63

Museum 2.0

OCTOBER 29, 2014

Said person goes on read every absurd word aloud, fighting with the book, pleading to stop reading the book, casting asides to the audience that he is NOT actually a robot monkey even though the book says he is. They recall other artistic work that breaks fourth walls--classically in theater, and more recently in new media projects.

Press 46

Press Children Museum Artist 46

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

Many of them, like the lightbulb , the phonograph , and the motion picture camera , were brilliant creations that have a huge influence on our everyday life. Participants had to answer these questions: -What were the objectives, audience, and how did integrate with your marketing or audience development plan?

Social Media 99

Social Media Media San Jose Social 99

Museum 2.0

MAY 22, 2013

Negotiated agency" strikes me as a really useful framework in which to talk about visitor/audience participation in the arts. Negotiation" implies a respectful relationship between institution (or artist) and user. Sometimes the negotiation can be exploited for artistic means. Patrons clap between movements.

Game 40

Game Artist Museum Participatory 40

Whole Whale

APRIL 14, 2022

Email system like Mailchimp or Emma to message a larger audience and collect attendee information. Plan ahead and recruit some Instagram influencers to support the cause. Bonus points if the artist does an entire custom flash related to your cause. Way to accept donations or money from the event. And now, for the ideas: 1.

Ideas 98

Ideas Fundraising Movie National 98

Museum 2.0

JULY 26, 2010

I'm fascinated by these places because of their ability to attract diverse audiences to idiosyncratic experiences, and I'm curious how they stay afloat. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

JULY 11, 2012

That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above). He is an authoritative artist of the social web with a slew of accolades and a suite of diverse projects under his belt.

Museum 45

Museum Participatory Artist History 45

Museum 2.0

NOVEMBER 23, 2011

An exhibiting artist approached me recently at an evening event at the museum. Imagine if a theater or jazz club was only open during the day, and what conclusions one might draw about audience type and preferences based on that decision. Who would be "core" audiences if our institutions were open from 3-9pm instead of closing at 5?

Museum 55

Museum Open Artist Audience 55

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2012

Time Magazine provocatively named “The Protester” as its 2011 “Person of the Year” for its riveting influence on last year’s social and political events. Chalk up my vote for 2011’s “Best Debut Artist” and “Best Supporting Actor.”. Can justice roll down like waters, propelled by viral? originality, empathy, integrity and courage.

Social 108

Social Organization San Francisco California 108

Media Cause

AUGUST 9, 2021

We develop our skills by seeking, absorbing, questioning, adapting, and experimenting, oftentimes bringing diverse influences together to create something that’s unique for our clients’ needs, but with connections to other relevant spaces.

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

FEBRUARY 13, 2013

But this month, it's as if there was a subliminal email sent to a crew of bloggers in the arts suggesting a salon about audience diversity, and how/why to move in that direction. Diane Ragsdale responds with some thoughts on how funders could influence these issues, whether they should, and how organizations might respond.

Arts 48

Arts Question North Carolina Museum 48

Museum 2.0

FEBRUARY 26, 2008

Ze Frank recently posed this question to several designers, filmmakers, and artists here , asking: When you make things with an audience in mind, do you have internal representations of that audience to help guide you in the process? Alas, for designers then, "the imagined audience" is both blessing and curse.

Audience 20

Audience Artist Design Language 20

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Neon CRM

AUGUST 25, 2023

Auction an Artistic Experience Auctions are popular fundraising events that all kinds of nonprofits use to engage and connect with their supporters. Get creative and host an auction for your arts organization where the artistic experience itself is what’s up for bidding. Which CRM is right for me?

Arts 98

Arts Ideas Organization Artist 98

NonProfit Hub

JUNE 17, 2015

The theme of MCON 2015 is “The Power of Influence: Art, Media, Business and Place” and an incredible lineup of speakers from the corporate, nonprofit and public sectors will share stories of the successes and failures they’ve encountered while changing the world. Moving Documentaries for the Online Audience.

Chicago 28

Chicago Museum Arts Influence 28

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

Arts 45

Arts Museum Artist Tucson 45

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

Here are the three most basic: 1) Who's the audience ? The fact is that the more people are exposed to stories around a cause and the ideas behind theories of change, the more likely that change will be effected or you'll influence the people who can help create impact.

Culture 84

Culture Build Change Media 84

Museum 2.0

NOVEMBER 16, 2015

The quest for relevance begins with knowing your audience. Ultimately, any approach to answering these questions is limited at some point by the size of the audience involved. When you are dealing with an audience of hundreds or thousands of people, you have to make assumptions. But what if you only had an audience of one?

Arts 20

Arts Artist Audience Project 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s

Arts 74

Arts Social Media Examples Artist 74

Forum One

OCTOBER 12, 2010

Use competitions and contests to generate new ideas from new audiences. Use a predictive market to tap a global audience of experts to develop projections for likely problems – such as where the next pandemic will occur. Crowd-funding New Ideas: Funding platforms for artists, musicians, and inventors: Kickstarter and IndieGoGo.

Reflection 47

Reflection Conference Communication Network 47

Museum 2.0

AUGUST 5, 2016

I've learned so much from my dad about making art, putting on a great show, inviting audience participation , and navigating celebrity. When writing The Art of Relevance , I knew I wanted to share a bit of his story and the ways artists negotiate the relevance of their own work. The Beastie Boys name-checked them as influences.

Arts 20

Arts North America Music Hawaii 20

Connection Cafe

JANUARY 14, 2014

Who is served by your organization and who is the audience? Knowing more about your audience from who they are to what they want from you organizationally is critical to success. Define how can each staff member influence or impact the results. Successful organizations are using the following themes to set up their goals: 1.

Goal 33

Goal United Kingdom North America Arts 33

Connection Cafe

AUGUST 25, 2017

Find your influencers and get them more involved in the process. Younger audiences have been shown to appreciate short videos, they have to be under 2-3 minutes but it can be a good way to get information out there to broader audiences. I also think you should steal like an artist.

Design 35

Design Websites Practice Philadelphia 35

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2010

My teaching style has been influenced by constructivism in short - less "sage on the stage" and "more guide on the side" and that learners should be actively involved in their learning process. The scenarios clearly outline the social media objective and audience definition. Put Your Learners on the Stage and Hand Them the Mic!

Social Media 94

Social Media Reflection Learning Social 94

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Museum 2.0

JUNE 10, 2015

The "love locks" are not a project with an institutional or artistic director. It reminds me of that moment in a wedding when the officiant turns to the audience and says "all of you are here to bear witness to this commitment." Nor are they historic. They started to proliferate on bridges around the world in the mid-2000s.

Participatory 20

Participatory Project Artist Instruction 20

Museum 2.0

SEPTEMBER 29, 2009

And if you make design choices that intentionally keep your experiences secret, aren't you doing a disservice to institutional goals to serve broad audiences? Easter eggs are never practical to design, but they bring pleasure both to their designers and to the small percentage of audience who find and are rewarded by them.

Museum 34

Museum Los Angeles San Francisco Model 34

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. 50-100 passionate geeks may not be a compelling audience when you have 1.2 Tags: programs Unusual Projects and Influences membership.

Museum 24

Museum North Carolina San Francisco Structure 24

Museum 2.0

NOVEMBER 30, 2009

However, by the end of the first week it was clear that the majority of our audience was hooked. As well as our existing audience, new visitors came just because they wanted to be part of it. It was clear that their publicity had more impact with our audience than our tweeting and Flickr posts.

Museum 23

Museum Chart Picture Arts 23

M+R

AUGUST 11, 2021

They provide direct access to an international audience of investors—and potential new donors. Are there artists or other influencers who might be interested in partnering with your organization to support you through NFTs? Admittedly, NFTs could just be a flash in the pan. What types of content might have value?

Game 98

Game Stream Disaster Digital 98

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. Who are some of your influences?

Artist 40

Artist Digital Arts San Francisco 40

Museum 2.0

AUGUST 8, 2010

That means we collect university press, handmade artist books, zines made by sixth graders, poetry chapbooks from big names published in tiny local presses, and self-published poetry chapbooks sold for a dollar on the street. Tags: guestpost Unusual Projects and Influences. This Pop Up Library just returned from a folk music festival.

Chicago 48

Chicago Library Public Culture 48