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Press Here: Breaking the Fourth Wall in Children's Books. and Museums?

Museum 2.0

Novak''s book uses the basic structure of reading aloud to subject the reader (presumably an adult) to proclaim ridiculous things about him/herself. This makes me wonder: how do we break the fourth wall in museums? How do we use the essential tools of museum-ness to disrupt, surprise, and delight people?

Press 46
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Nonprofit Membership Models: The What, Why, and How

Neon CRM

Every membership program needs a structure that appeals to its intended audience. Membership Models: The What and Why A membership model is an organizational structure where a nonprofit offers a valuable set of benefits in exchange for a recurring membership fee. What does your audience get out of joining forces with your organization?

Model 52
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Guest Post: Restoration Artwork

Museum 2.0

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

Artist 49
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Four Models for Active User Engagement, by Nina Simon

Beth's Blog: How Nonprofits Can Use Social Media

Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. They have some influence over the direction of the project but don’t steer it themselves. Wiki users are often collaborators.

Model 98
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What Cross-Platform Gaming is Doing for Books. and Can Do for Museums

Museum 2.0

This problem is analagous to the repeat visit problem for museums. Museum visits, like book reading, can be an intense and wonderful experience. But is one museum visit enough to compel a second visit? How do you encourage visitors to have a sense of pervasive experience with the museum? But the approach is valuable.

Museum 23
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What Are the Most Important Problems in Our Field?

Museum 2.0

I'm working on a keynote address for next week's Mid-Atlantic Association of Museums conference in Baltimore. The speech is in memory of Stephen Weil, one of the giants of contemporary American museum thinking--a radical in a bowtie who strove to "make museums matter." What would you add to this list?

Problem 53
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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.