Museum 2.0

OCTOBER 29, 2014

Press Here is a "normal" book that uses book-ish tools--pacing, spatial arrangement of images on the page, text as instruction--to break the fourth wall and create an interactive experience. Novak''s book uses the basic structure of reading aloud to subject the reader (presumably an adult) to proclaim ridiculous things about him/herself. (For

Press 46

Press Children Museum Artist 46

NTEN

JUNE 12, 2012

The official selections will be announced by the end of July and the festival will take place at the Spirit of Texas Theater at the Bob Bullock Texas State History Museum in Austin, Texas on September 12-14. They are accepting films through June 30, though it's only free to submit through June 15th. Submit now! Anything we missed?

Texas 54

Texas NTEN Austin Camera 54

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Technology Tools Worth Checking Out Unusual Projects and Influences' That''s expected.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

MAY 19, 2016

For example, when we held community meetings about the development of a new creative town square next to our museum, a group of middle/upper-class moms talked about not feeling safe downtown. Create a structure that values peoples' participation. not feeling "welcome") or don't mention their safety concerns at all.

Build 35

Build Community Museum Participatory 35

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. They are more than just workshop spaces--they are member institutions, like museums. Isn't this one of our dreams for museums?

Museum 24

Museum North Carolina San Francisco Structure 24

Museum 2.0

JULY 24, 2012

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. Museums no longer showed human horns alongside historic documents; theaters made differentiations among types of live entertainment. I can't wait.

Greece 51

Greece Arts Industry Participatory 51