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Embedding Purpose-Driven Communications into Email Marketing

sgEngage

Why does your museum open its doors each day? Every arts and culture organization has a brand and that brand has a purpose. For arts and culture organizations, brand purpose is often about facilitating learning and engaging visitors in unforgettable experiences that provide educational and social value. open rate, CTR.

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Games and Cultural Spaces: Live Blog Notes from Games for Change

Amy Sample Ward

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. People are now coming to the library to see it as it includes content by all the 500 participants from that night. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image.

Game 140
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Games and Cultural Spaces: Live Blog Notes from Games for Change

NTEN

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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The Great Good Place Book Discussion Part 1: Can Cultural Institutions Be Third Places?

Museum 2.0

You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. This is the only post written by me, Nina Simon.

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Museum 2.0 Book Club: The Great Good Place

Museum 2.0

While it hasn't happened here in awhile, a new Museum 2.0 Many museum and library professionals use the concept of the third place to describe the idealized vision of a cultural institution as a place for community use and civic engagement. For four weeks starting June 1, each Tuesday there will be a Museum 2.0

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How Different Types of Museums Approach Participation

Museum 2.0

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Empathy-Informed Balance in the Age of Coronavirus and Beyond

Museum 2.0

Cultural institutions aren’t always the best at this—we are often all in or all out. Megan Smith incisively covered the sad state of staffing in the museum industry pre-coronavirus, as well as her fears for staffers post-coronavirus, in a previous post for Museum 2.0 , so I won’t belabor this one.

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