Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.

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Reflection Community Museum Participatory 43

Museum 2.0

SEPTEMBER 3, 2014

Whoever wrote this comment card: thank you. They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. You made my month.

Participatory 45

Participatory Museum History Arts 45

Museum 2.0

OCTOBER 23, 2007

One of my most exciting moments of ASTC this year was picking up a copy of the newly released Visitor Voices in Museum Exhibitions , a collection of essays ten years in the making, edited by Kathy McLean and Wendy Pollock. The book opens with a list of reasons why museums might use "visitor-response elements in exhibitions."

Museum 20

Museum Voice Case Study Discussion 20

Museum 2.0

FEBRUARY 1, 2012

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

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Arts Museum Artist Tucson 45

Museum 2.0

DECEMBER 2, 2008

When people ask about blogging, the question of comments comes up more frequently than any other. There are many good ways to measure a blog's value , but somewhere inside ourselves, we feel that comments are the thing that validate a blog's existence. So when people ask, "Why don't more people comment?," Museum 2.0's

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Comment Museum Blogger Reflection 20

Museum 2.0

JUNE 17, 2015

Last week, I sat on the jury for the first Cultural Innovation International Prize given by the Center for Contemporary Culture in Barcelona , and this week, I'm offering a workshop for museum professionals across Poland participating together in a "Museum Lab" in Warsaw. The second post , in which Museum 2.0

Difference 20

Difference Poland Museum Minnesota 20

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. At the same time, our community relevance was limited.

Museum 55

Museum Learning History Arts 55

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. Blog commenters are contributors, as are people who engage in contests.

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Model Activities Active Activism 98

Museum 2.0

NOVEMBER 20, 2007

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. The best visitor voices projects don’t come out of marketing blitzes or grudging concessions to visitors. They don’t have anything interesting to say.

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Voice Case Study Museum Analysis 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. Feel free to add your own questions and answers in the comments! The Museum 2.0 For more on the differences among different types of museums (with examples), check out this post.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 11, 2015

I''m not sure how well this is working for us in museum-land. As our culture explodes in embracing creativity across the professional/amateur spectrum, museums have two choices: we can sharpen the line. and his voice getting lost in the waves. Being included in a museum exhibition used to be a sign of real achievement.

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Professional Artist Museum Arts 20

Museum 2.0

MAY 2, 2007

Hierarchy of Social Participation , and Institutional Blogs: Different Voices, Different Views The top posts by comments are: Warning: Graduate School Spawns Legions of Zombies! Gaming in Museums And a few of my favorites you might have missed are: Better by the Dozen? Well, folks, we've reached that point.

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Museum Wiki Tech Flickr 20

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

Museum 21

Museum Game Structure South America 21

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

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Build Community Museum Artist 20

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. Who's sharing authority and how? Their task is both especially important and challenging.

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Museum Web Teen Flickr 20

Museum 2.0

MARCH 3, 2011

This post shares my reflections on the projects and five things I learned from their work. Background: Why They Did What They Did The Henry Art Gallery exhibition we worked with, Vortexhibition Polyphonica , was intended to explore three big ideas: Different voices “intervene” or add new points of view to the exhibition at periodic intervals.

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Participatory Arts Audience Museum 51

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.

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Arts Social Media Examples Artist 74

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.

History 74

History Accessibility Museum Award 74

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 And when I think back on the last year and how it compared to year one of blogging, the shining difference is you--your interest, your comments, and most of all, your extraordinary example. I started the Museum 2.0 I started the Museum 2.0 and watched the Museum 2.0 and watched the Museum 2.0

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Museum Voice Minnesota Participatory 20

Museum 2.0

AUGUST 25, 2009

Many institutions do this unintentionally--by providing post-its or comment books, pens or crayons. I encourage you to share your own rules and thoughts on this in the comments. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

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Design Goal Difference Platform 31

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. For three years, we hit the gas at my museum—hard.

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Process Change Develop Museum 20

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Participatory Museum Teen Voice 20

Museum 2.0

DECEMBER 5, 2008

Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums. Here's what they did.

Case Study 20

Case Study Participatory Studies Museum 20

Museum 2.0

JANUARY 11, 2010

Three examples: In the late 1980s, the Brooklyn Children's Museum created an exhibit called Send a Letter to Snoopy. As Kathy McLean noted in Visitor Voices in Museum Exhibitions , while staff were afraid that typing on the typewriter would be too hard for some young children, "kids lined up to carefully and slowly type their letters."

Museum 20

Museum Library Images Children 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

What follows below is no doubt incomplete and I sure I've gotten ages wrong too -- so please make additions and corrections in the comments. Her writing is reflective and brilliant. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0 blog, but you don't have to be a museum person to get a lot of value from it.

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Blogger Change Social Philanthropy 50

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

Museum 20

Museum Teen Second Life Discussion 20

Qgiv

OCTOBER 27, 2021

They take care of your facility, give tours of your museum, welcome attendees to your annual gala, and pass out medals at fundraising races. You could even comment on your followers’ posts with a link to your sign-up sheet and an invitation to get involved. Volunteers are the backbone of any nonprofit organization.

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Volunteer Strategy Guide Local 98

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. We inspired a community and got real results.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation. Check out the other parts here.

Participatory 33

Participatory Museum Process Experiment 33

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Each of these articles--and the comments around them--are fascinating artifacts of a debate that has been behind the scenes for too long.

Participatory 53

Participatory Museum Arts History 53

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

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Participatory Museum Blackboard Game 51

Museum 2.0

NOVEMBER 16, 2011

When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. I didn't want to do anything fancy--just make the site more functional, lively, easy to update, and reflective of the new institutional vision of being a community hub. It's an evolving site--just as the museum is evolving.

Museum 43

Museum Websites History Arts 43

Museum 2.0

APRIL 30, 2007

James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 How will the endeavor reflect on the museum’s brand image?

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Museum Advice Interview Web 20

Museum 2.0

JULY 31, 2007

This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. As Elaine puts it in the essay, When I was last involved in such an endeavor, it was when the Boston Children's Museum was small, insignificant, and unselfconscious. have portrayed Indians inaccurately."

Culture 20

Culture Storytelling Challenge Museum 20

Museum 2.0

MAY 14, 2007

Was it a museum professional or an outsider? I'm kneedeep in the final run-up to the opening of Operation Spy at the Spy Museum, but in the fleeting moments between disasters and near-disasters, I'm thinking about AAM. Several were created or conceived by a single person, often an artist/non-museum professional.

Life 20

Life Create Change Museum 20

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

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Virtual Museum North Carolina Evaluation 20