Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. In 2008, the conversation started shifting to "how" and "what." This post shares some of the most interesting questions I've heard throughout these experiences.

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Question Participatory Museum Evaluation 49

Museum 2.0

DECEMBER 15, 2014

Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” How do these issues relate to the mission and audience of your museum? Are there civic organizations in your area that are hosting conversations?

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Museum Blogger Cleveland Missouri 52

Museum 2.0

DECEMBER 23, 2014

They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations. Who is the audience for Museum Hack? Today on Museum 2.0,

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Museum Interview New York Interaction 55

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 20, 2009

It is also a Twitter term that describes a keyword, prefixed by that symbol, that helps people track conversations on Twitter. A Brief History of Hash Tags Chris Messina ( @chrismessina) is credited with starting hashtags and has written about how to make them most useful. Photo by Mansikka. What is a #HashTag?

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Twitter Foundation Effective San Diego 95

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in. We want to break out.

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Public Museum Arts History 27

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.

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Museum Director Participatory Culture 55

Museum 2.0

DECEMBER 3, 2019

I love alternative history novels. I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without Nina Simon ’s Participatory Museum , I felt sad about all the visitors whose voices (and post-it note comments) weren’t honored.

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Museum Work Social Media History 21

Museum 2.0

MAY 9, 2012

It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise.

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Reflection Columbus Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 20, 2015

” The following games are expanding the reach of various nonprofits and helping them connect with audiences in meaningful ways. government and encouraging participatory democracy. ” Senate Immersion Module. Kennedy (EMK) Institute to support it in educating the public about U.S.

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Game Tech Support Module 50

Museum 2.0

FEBRUARY 25, 2015

to experiment with different kinds of events (time of day, audience, size, type) and get a sense of how we can best program the space in the longterm. The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show.

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Public Activities Active Activism 20

Museum 2.0

NOVEMBER 27, 2012

A national election is the ultimate participatory project. I realize as I write this list that we do invite certain people to participate in these conversations, but not our onsite audience. These conversations are the basis for institutional partnerships and much of our funding.

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Product Build Museum Arts 51

Museum 2.0

JULY 31, 2013

You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. folk through comments, emails to me, and hallway conversations. I''ve never taken a break from blogging before. To me, Museum 2.0

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Museum Participatory Reflection Conference 35

Museum 2.0

OCTOBER 31, 2012

We will also offer a half-day series of workshops on July 10 for a wider audience for $50. We're working with participatory online artist Ze Frank on an exhibition at the MAH this winter that features the missions, creations, and explorations of his current web series, A Show. Registration will be $150 and by application only.

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Professional Develop Museum Arts 35

Museum 2.0

AUGUST 16, 2010

It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect. This museum was unusual in that the lobby area had a high concentration of pop art meant to appeal to a wide audience. Read about the Human Library in chapter 3 of The Participatory Museum by searching that term here.)

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Museum Technique Taiwan Social 41

Museum 2.0

OCTOBER 19, 2009

They edit the conversations into radio shows, which are then made available as a podcast (you can listen to episode featuring me, #89: Museum Secrets, here ). The conversations are often long--20 minutes or more--and Mercedes and Zachary only get to the question at the end of a meandering conversation with the guest.

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Reflection Museum Podcast Participatory 20

Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. You have an audience need and an institutional value, and now you just need a verb that connects them. Tags: participatory museum professional development.

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Slides Process Video Open 20

Museum 2.0

AUGUST 18, 2008

If museums get involved in these online-offline partnerships, we can bring new audiences through our doors, familiarize them with museum-going in a comfortable way, and reap the benefits of their online musings about their real-life experiences. But these events have benefits both in terms of audience development and word-of-mouth marketing.

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Museum Hosting Model Community 22

Museum 2.0

AUGUST 25, 2009

We have different conversations on the phone than we do in person or in internet chat rooms. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. If you feel that your audience needs monitoring or social support, position the talkback stations in open settings.

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Design Goal Difference Platform 31

Museum 2.0

MAY 3, 2011

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. In the education department, we have some key values around slowing down, conversation and participation around art, and deep looking.

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Story Interview Museum Audio 53

Museum 2.0

NOVEMBER 5, 2013

--Elaine Heumann Gurian, The Importance of "And" Recently, I''ve been embroiled in local and national conversations about the relationship between active participation and quiet contemplation in museums. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Staffing: We have 2.25

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Participatory Museum Arts History 53

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

I'll be using a new online learning platform that I haven't used before and the participants are a slightly different audience than nonprofit staff or at least I think. Extension programs track blog conversations and respond. Social Interaction - People can have conversations and create content together. I'm nervous.

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Remix Professional Technorati Wiki 50

Museum 2.0

MAY 15, 2008

Near the end of the talk, an audience member asked, How do you choose which level to approach a topic when your listeners range from people who know nothing to people who know all too much? We have a show coming up right now about synthetic biology, where engineers are building life forms that are new to existence, new to the history of life.

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Conversation Arts Museum Voice 20

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. It is our turn to make history. General / #NI16 / @netimpact.

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Conference Calendar DC Washington 111

Museum 2.0

JUNE 2, 2010

Kathleen McLean (Independent Exhibitions), Dan Spock (Minnesota History Center), and Kris Morrissey (University of Washington) all shared thought-provoking and useful insights on visitor participation in museums, but Mark Allen and Emily Lacy brought down the house with their bluegrass rendering of the Machine Project and its engaging, quirky work.

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Slides Museum Los Angeles San Jose 22

Connection Cafe

NOVEMBER 1, 2018

Read through the below condensed excerpt below for Jeremy’s insight into new power versus old power, how it’s used as a currency, and how it affects the world around us: Rachel: We are going to start today, Jeremy, by having you explain, because we are working with a live audience here who weren’t all necessarily in his keynote.

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Social Game Model Fun 22

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" One of the primary fears museum professionals (and all professionals) have about entering new relationships with audiences is the fear of losing control. Me: "Sort of."

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Authoring Platform Museum YouTube 42

Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. There are many different models, including The Pop-Up Museum of Queer History , The New York Met , SF Mobile Museum , and even a Pop Up Prison Museum. For example, we had a pop up at an arboretum on Growth.

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Museum Grant Lesson History 49

Museum 2.0

MARCH 30, 2016

Our entire strategy at the Santa Cruz Museum of Art & History is rooted in community participation. They can attend first as audience members or spectators, checking out the space and getting comfortable. That means offering clear, visible, appealing participatory experiences that enhance the destination experience.

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Community Museum Local Participatory 20

Museum 2.0

MARCH 6, 2019

This week, I've had multiple conversations with colleagues in the arts, symphonies, and urban planning about the fear professionals have about "losing control" when opening up new opportunities for people to participate. While I originally wrote this post to advocate for more participatory practice (i.e. Me: "Sort of."

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Authoring Share Museum YouTube 44

Museum 2.0

JULY 17, 2008

MN150 is a newish permanent exhibition (opened in Oct 2007) at the Minnesota History Center that marks the sesquicentennial of Minnesota with 150 of “the most influential forces in the state’s history.” I was really surprised by the range and just how much people know about history. None of that made sense. It has to be there.”

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Interview Minnesota Museum History 21