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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

MEL, as it turns out, is not neutral, but yet another place where power differentials show up. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. As the art critic John Berger said in his book Ways of Seeing , “We only see what we look at.

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Celebrate, Educate, and Fundraise: Planning Winning AAPI Heritage Month Events

The Modern Nonprofit

Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. The theme should clearly reflect the purpose of honoring and highlighting AAPI cultures. Consider featuring traditional music, dance, theater, or martial arts groups from the community.

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Getting from “no” to “yes” for climate justice

Candid

It also explains how the McKnight Foundation is connecting its participatory democracy work with climate justice efforts in historically marginalized communities. . Invest in, support, and learn from intermediary organizations, many of which can help you adopt participatory approaches to grantmaking. . Not reinventing the wheel.

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The ongoing revolution in philanthropy: An open-ended reading list

Deborah Elizabeth Finn

Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. A Place Where You Can Speak Your Mind to That Foundation. Justice over greatness: A new year’s reflection. Tools: Reflective structured dialogue.

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Participatory Moment of Zen: Diverse Visitor Contributions Add Up to Empathy

Museum 2.0

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. We created a "pastport" - a small booklet with evocative prompts related to identity and place. We created a simple wheel with open-ended questions about identity and place, setting it in a lounge area.

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Our Museum: Extraordinary Resources on How Museums and Galleries Become Participatory Places

Museum 2.0

Most participatory projects were short-term, siloed innovations, not institutional transformations. Interestingly--for good and ill--this transformative funding program coincided with a national funding crisis in the arts in the UK. Bernadette Peters' provocative 2011 report, Whose Cake is it Anyway? didn't mince words. and realistic.

Museum 20
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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.