Museum 2.0

OCTOBER 30, 2013

When the music video was focused on Mexican culture, the researchers found that the white and Asian participants demonstrated a decrease in prejudice against Latinos, both immediately after the activity and six months later. When the music video was not focused on Mexican culture, no such change occurred.

Measure 47

Measure Arts People Museum 47

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein.

Museum 51

Museum Arts History Columbus 51

Museum 2.0

MAY 10, 2011

It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. And despite the fact that I've enjoyed being at the museum for 12 hours plus for ten days in a row, I'm quickly realizing that if I want to really get some fun participatory projects going, I need some help.

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Museum History Participatory Arts 53

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

Place 27

Place Museum Discussion Pennsylvania 27

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

JUNE 6, 2018

The Santa Cruz Museum of Art & History keeps growing and experimenting in our quest to build a stronger, more connected community. In this job, you will recruit and work closely with a local committee of senior citizens, advocates, artists, and community members to co-create an exhibition and related events.

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Job Community Build Work 20

Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.

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Museum Maslow Facilitation Personal 28

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

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Collaboration Community Tools Museum 55

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

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Interaction Design Museum Participatory 47

Museum 2.0

NOVEMBER 30, 2009

This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009. In my experience, museum professionals aren’t big reality TV viewers. Just like live reality TV, Top 40 felt like a risk at times.

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Museum Chart Picture Arts 23

Neon CRM

AUGUST 25, 2023

This includes summer art camps, museums, theaters, art galleries, and more. Auction an Artistic Experience Auctions are popular fundraising events that all kinds of nonprofits use to engage and connect with their supporters. This may be some of your lead performers, popular visual artists, or directors. Don’t be discouraged.

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Arts Ideas Organization Artist 98

Museum 2.0

NOVEMBER 29, 2016

That's why our museum, the MAH in Santa Cruz, focuses on social bridging. Artists and activists exhibiting their work. Business leaders and street performers designing a new community plaza on the museum's front porch. Cultural institutions, and museums in particular, have traditionally been bubbles of privilege.

Museum 20

Museum History Arts Celebrate 20

Museum 2.0

MARCH 9, 2009

I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. He commented that as non-profits, museums are built to survive, not to succeed. Unlike startups and rock stars, museums aren't structured to shoot for the moon and burn up trying.

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Model Business Los Angeles Museum 55

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

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Support Museum St. Louis NSF 41

Museum 2.0

JUNE 17, 2010

This morning, I gave the keynote address for the Washington Museums Association annual conference. It features lots of museum-based examples. But in this post, I wanted to highlight a goofy little (non-museum) project that inspires me in its simplicity and openness to mass collaboration. It's called One Million Giraffes.

Collaboration 34

Collaboration Museum Minneapolis Oakland 34

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2010

He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. Both organizations have demonstrated leadership in embracing social media. I said yes.

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Social Media Reflection Learning Social 94

Museum 2.0

MARCH 21, 2008

It's been awhile since I've shared the progress of The Tech Virtual , the web and Second Life-based virtual exhibit workshop that The Tech Museum of Innovation opened in December of 2007. Some of these people are professional artists or exhibit designers, but most are just talented folks with an interest in museums.

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Museum Virtual Tech Second Life 20

Museum 2.0

FEBRUARY 29, 2020

One evening not so long ago, I was sitting in the lobby of work watching a printmaking demonstration. The artist was masterful not only in her technical skill but also in her way with people. And to end this month of positivity, I thought we could all think about all the amazing things are jobs teach us.

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Artist Knowledge Skills Lesson 20

Have Fun - Do Good

MAY 14, 2007

I wanted to share with you the blurb about him from the New Mexico Business Weekly : Tom Aageson, Executive Director of the Museum of New Mexico Foundation , has been named the Allen Stamm Humanitarian of the Year by the United Way of Santa Fe County.

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New Mexico Mexico Award Arts 40

Nonprofit Tech for Good

MARCH 25, 2022

You might try reaching out to businesses, artists, or other people in your neighborhood to see if they’d be willing to list things on your store (either as a donation or for a share of the profits) or produce branded items like mugs and hats based on popular products. 10) Hybrid concerts. 13) Scavenger hunts. 27) Virtual Walks and Runs.

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Virtual Ideas Fundraising Stream 351

Museum 2.0

MARCH 22, 2007

I created a directional pyramid to make a point about social content in museum; namely, that museums are not offering networked, social experiences—and therefore will have a hard time jumping to initiating meaningful social discourse. And I’m not advocating that the dream museum would be all level 5 experiences, all the time.

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Taxonomy Museum Social Wikipedia 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Museum 2.0

JUNE 6, 2011

This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. Simply, I'm shifting my perspective from an exhibit-driven model to an event-driven one.

Museum 55

Museum Arts History Artist 55

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. The kind of art I do is art that gets engaged into the public.

Artist 40

Artist Digital Arts San Francisco 40

Museum 2.0

OCTOBER 16, 2013

When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? If a kid gets dragged to a museum with their parents, do they count?

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St. Louis Impact Museum Denver 55

Museum 2.0

JUNE 10, 2010

I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. The rules are clear: anyone who lives in Minnesota and considers her/himself an artist can contribute one piece.

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Participatory Museum Arts Artist 46

Museum 2.0

DECEMBER 15, 2008

Both of these attributes are of great interest to museums, which are trying to figure out how to monetize the Web and how to use the Web to draw more people to their physical locations. You come to the museum, and THEN you post your photo in the Flickr group. Dating, like museum-going, is more about niche preferences than mass volume.

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Museum Netherlands Artist Virtual 20

Museum 2.0

JANUARY 19, 2009

Advertisements for the skull blanketed Amsterdam, and other museums even tried to get in on the buzz generated by its presentation. By positioning the feedback stations outside the flow of the museum (and within a solely skull-branded structure), the resultant videos were more topical and focused than museum standard.

Interaction 20

Interaction Video Hype Museum 20

Museum 2.0

MAY 21, 2007

It's late at night at the Museum Curator smackdown. Museum folks often talk about the time decades ago when museums began to shift from places for objects to places for visitors. My background is in science and children's museums, where it's relatively easy to keep visitors in the foreground. Is the fix in?

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Museum Donor Arts Artist 20

Museum 2.0

OCTOBER 26, 2010

I’ve long been interested in the intersection between maker culture and museums. Maker Faire is a massive public event, hosted by Make Magazine annually in San Mateo, that brings together hackers, crafters, and do-it-yourself scientists for a weekend of demonstrations and explosions. Why at NYSCI?

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New York Madagascar Museum New York City 39

Museum 2.0

APRIL 19, 2010

"How often do we hear colleagues from museums and galleries stating as their fundamental reason for working co-creatively with audiences that they want to make a great piece of museum work, rather than primarily for reasons of social inclusion or democracy?" was the most overwhelming answer.

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Arts Participatory Museum Artist 22