Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. Assess and Respond to Community Assets and Needs If you want to activate community engagement in your programs, you first need to work together with your communities to determine their diverse needs, assets and interests.

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Museum Program Participatory Community 49

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Each month we work with 50-100 individuals to co-produce our community programs. Every time we collaborate, we learn new ways to improve our process, organization and communication.

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Collaboration Community Tools Museum 55

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Collaborative Problem Solving - (working toether in teams - informal/formal to comlpete tasks and develop new knowledge.

Participatory 50

Participatory Teen Vlog Mashup 50

Media Cause

AUGUST 9, 2021

Within Media Cause’s Creative, Brand, and Design team, one of our favorite things to do— besides creating incredible work for our clients—is sharing inspirational and educational resources with each other: articles, POVs, webinars, classes, books, case studies, blogs, tutorials, cheese. Community is key: working with, not for.

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

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Artist Museum Proposal Participatory 49

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. The event involved over fifty artists throughout the building helping visitors make their own paper, write poems, stitch books, etc.

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Participatory Activities Active Activism 50

Museum 2.0

MARCH 16, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. You get to contribute to a collaborative project that produces something beautiful. This is a problem for two reasons.

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Participatory Experiment Museum Teen 44

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. In 2003, my collaborator Stephanie and I began an excavation, declaring nothing for sale. George will respond to comments on this post and is also reachable here.

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Collaboration North Carolina Museum Artist 36

Museum 2.0

OCTOBER 23, 2018

We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. This project wove together many different participatory threads. We commissioned new collaborative artwork. And we see the magic working again.

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Issue Childhood Community Create 45

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

The creative process of making films is opening up and the outreach efforts to spark social change through documentary media are becoming much more dynamic and collaborative. Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts.

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Guatemala Movie Artist Award 93

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity.

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Teen Participatory Experiment Museum 24

Museum 2.0

FEBRUARY 29, 2012

In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process. It's a working document, and we mean to put it to work planning new projects with our partners.

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Museum Artist Participatory History 38

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

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Museum Participatory Artist History 45

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Artists work incredibly hard to produce their work. This isn't even participatory.

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Design Participatory Learning Instruction 45

Museum 2.0

APRIL 26, 2018

The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward. This weekend was thrilling for me.

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Audience Washington Museum Intergenerational 49

Museum 2.0

NOVEMBER 11, 2008

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."

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Participatory Arts Design Museum 20

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. Over 800 people volunteered their talents to support our programs, with the majority collaborating on our monthly themed 3rd Friday events. were shamelessly resourceful.

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Museum History Arts Artist 47

Museum 2.0

FEBRUARY 15, 2012

This internship is for the truly self-motivated person out there with a brilliant idea for making museums more participatory, welcoming, community spaces who just lacks an institution at which to try it out. Special Projects interns, who will do, well, whatever you want. Our internships have generally gotten more structured.

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Museum Participatory Arts Attitude 34

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. They can contribute their own stories, objects, and creative work to exhibitions. We actively seek participation and develop structured opportunities for visitors to collaborate with us. Visitors can comment on how we can improve or what they would like to see.

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Platform Open Museum Participatory 41

Museum 2.0

SEPTEMBER 18, 2013

Granted, I live in an increasingly narrow world of people who are exploring these topics and want me to work with them, but I still learn a lot from the questions and struggles I hear from colleagues and people who comment on the blog. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

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Museum Question Participatory Evaluation 45

Museum 2.0

OCTOBER 30, 2013

I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. My biggest question for these social psychologists is this: how do we apply their lessons to our work? But how do we know whether these efforts are working?

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Measure Arts People Museum 47

Museum 2.0

MAY 29, 2013

Sarah and some of her colleagues in visitor services feel disconnected from the work that happens "upstairs" in the office and in our creative project development. Any place with people working different schedules in different parts of the building suffers from it. Would enough people use it to make it work?

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Facebook Museum Participatory Adopt 55

Museum 2.0

FEBRUARY 11, 2015

We''re offering internships this summer in: Participatory Exhibition Design. We''ve been working for two years to redevelop our History Gallery to be a more dynamic, diverse, engaging space. Help take the participatory elements of this permanent gallery to the finish line. Community Programs. You can help make the magic happen.

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Participatory Community Museum History 20

Museum 2.0

APRIL 25, 2011

Granted, I live in an increasingly narrow world of people who are exploring these topics and want me to work with them, but I still learn a lot from the questions and struggles I hear from colleagues and people who comment on the blog. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MAY 3, 2017

Working with creative people taught me to think like an artist: observe, explore, dive in, look out. The “we” isn’t always staff; in most cases, our staff work with community partners in a participatory, co-creative model. One guy will only work in specific municipalities. We develop the ideas.

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Develop Artist Participatory Blended 20

Museum 2.0

OCTOBER 31, 2012

Ever wish for a low-cost, energizing professional development experience where you can work intensely with diverse colleagues in a risk-tolerant environment? I've always loved helping run events where participants can really work together on something meaty and challenging. You Can't Do That in Museums Camp - July 10-12, 2013.

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Professional Develop Museum Arts 35

Museum 2.0

APRIL 15, 2015

Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. The result was a true experiment in designing the future--right here, right now--with artists and planners and civic leaders at the helm together. They were heading to work, going home, running errands.

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San Francisco Arts Design Marketing 20

Museum 2.0

MAY 21, 2014

LinkedIn has a new feature where people can congratulate each other on work anniversaries. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary. Participatory work can be very labor-intensive.

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Museum Director History Teen 49

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

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Museum Difference Participatory History 29

Museum 2.0

MARCH 28, 2012

After several months of planning massively collaborative programs (a typical monthly event might involve 50 partners), we've realized that the people who are best at helping us come up with ideas are not necessarily the people who are best to help us execute them. Moving from community needs out to possible projects/collaborators.

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Program Community Design Museum 49

Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." It was even more useful to learn how participatory writing visions can be. What's different about your life, your work? That's the story a vision tells.

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History Pennsylvania Michigan Indiana 26

Museum 2.0

SEPTEMBER 21, 2016

They were there for artist talks. It opens up new conversations about the work of art in our communities. They live their mission, working in questions and projects rather than exhibitions and programs. I left Temple Contemporary energized and inspired by their work. The question drives the work.

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Process Share Philadelphia Arts 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

What if they used a design thinking process to not only get feedback from grantees but as a way to develop a more agile way of working? I was thrilled to work with the Brainerd Foundation staff to help design and facilitate a design lab using techniques based on Luma Institute methods earlier this month.

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Design Strategy Facilitation Advocacy 50

Museum 2.0

JUNE 12, 2012

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

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Participatory Museum Blackboard Game 51

Museum 2.0

APRIL 29, 2015

When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. Right now, we're working hard to empower Latino residents to see themselves in our museum.

Build 20

Build Community Museum Artist 20

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

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Artist Museum Project Public 39

Museum 2.0

MAY 3, 2011

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. Then we started working with our local design and technology firms— Ziba Design and Fashionbuddha —and in the prototyping, it became clear we had to go another way.

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Story Interview Museum Audio 53