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Telling the story in a new way: Should arts leaders use impact evaluation?

ASU Lodestar Center

posted by Christopher Haines Artistic Director & Co-Founder, iTheatre Collaborative. To borrow from the song: “Art is a many splendored thing.” Art is also very subjective. Again borrowing: “One man’s trash is another man’s art.” So, what is the value of art? Recently, I attended a conference on arts education.

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12 Ideas for a Virtual Fundraiser or Online Event

Get Fully Funded

Here are some of the benefits of virtual fundraisers: Reach a far wider audience, introducing your cause to people worldwide. Spend time using the platform you choose, and familiarize yourself with their tech support so you’ll feel confident when the big day arrives.The best fundraiser ideas always start with the audience in mind.

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Turning Visitors into Customers: Maximising Retail Potential for Museums

sgEngage

With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. . The Mütter Museum has focused on their primary audience and tailored their shop to maximise retail potential.

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The Diversity Question in the Arts Blogosphere

Museum 2.0

But this month, it's as if there was a subliminal email sent to a crew of bloggers in the arts suggesting a salon about audience diversity, and how/why to move in that direction. This never seems like a good idea. The posts are meaty and the commenting is robust. In some ways, what's more interesting is the world beyond this bubble.

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Is it OK to Smash That? The Complications of Living Art Museums

Museum 2.0

The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. It also complicates the question of what is acceptable in a museum. If an artist can come into a museum and smash stuff, what does that tell visitors? He smashes a sculpture of an animal.

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Equity in Arts Funding: We're Not There Yet. We're Not Even Close.

Museum 2.0

This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. The majority of foundation funding for the arts goes to large, established organizations that present work that is based in the European canon for a primarily white, upper-income audience.

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Getting in on the Act: New Report on Participatory Arts Engagement

Museum 2.0

Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. It is framed as a kind of study guide; pop-outs provide questions that tease out opportunities and tensions in the narrative.