Museum 2.0

NOVEMBER 20, 2017

Courageous speakers from dozens of countries described bold, participatory projects. Everyone seemed to agree on two basic concepts: that museums should embrace community co-creation AND that museums can play significant roles in city-making. Even the conference itself was a model of social bridging. There wasn't one.

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Museum America South America Participatory 40

Museum 2.0

MAY 3, 2010

Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. The idea is that you specify your values, relationships, and assets, and then match those up with potentially fruitful legal structures, financing models, and growth potential.

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Structure Model Social Profit 31

Museum 2.0

MAY 2, 2012

We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. THINGS I’M MOST PROUD OF: Redefining our role in the community. THINGS THAT SURPRISE ME: The central role of event-driven experiences.

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Museum Director Participatory Culture 55

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.

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Public Research Participatory Report 36

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Museum 2.0

FEBRUARY 5, 2008

There’s a thriving debate about the role computers should play in children’s museums, with many professionals sounding the alarm about the negative impact of exchanging screen time for tactile environments. All of these have gone through a series of movements in the last 30 years reflecting cultural shifts and expectations.

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Classroom Children Museum Model 22

Museum 2.0

JUNE 18, 2014

Who their role models are. When we talk about embracing participatory experiences at non-professional levels, arts professionals often get worried that the best work will get drowned out in mediocrity. School is only one of many venues where cultural experiences can happen. What kinds of tools and media they can access.

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Arts Build United States Audience 47

Museum 2.0

SEPTEMBER 7, 2010

Since 2003, Elsewhere Collaborative has been exploring the role that collaboration plays at the intersection of the store and museum through its living museum and international residency program set in a former thrift store in downtown Greensboro, North Carolina.

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Collaboration North Carolina Museum Artist 36

Museum 2.0

NOVEMBER 27, 2012

Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. A national election is the ultimate participatory project. It seems wonky and possibly confusing to talk strategy with visitors.

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Product Build Museum Arts 51

Museum 2.0

MAY 22, 2012

The majority of the book is a tour of the conceptualized physical institution, with smaller sections devoted to the political history of the project and the activities (mostly participatory, distributed, and digital) that the team undertook from 2009-2011 to start building their constituency. The early participatory projects are terrific.

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Museum History Netherlands Create 36

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 7, 2007

I have a strong interest in the future of my work and participatory culture. As an activist and evangelist for Creative Commons' values and tools, I want to do my part in helping to ensure that our culture remains as free and accessible as possible. Maybe we all need to be role models. How do we inspire?

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Profile Causes Burma Darfur 50

Museum 2.0

MAY 19, 2010

How can cultural professionals encourage feelings of complicity among visitors to our institutions? When visitors feel confident about their roles and opportunities, they are more likely to feel able to extend their experience in a social direction. Tags: Talking to Strangers participatory museum comfort.

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Community Museum Participatory Relationship 21

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Artists and administrators grapple with the shifting roles of institutions as hosts and incubators for creative work. It's philosophy and business model rolled into a messy package.

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Artist Museum Project Public 39

EveryAction

APRIL 1, 2016

This year, the Yale Philanthropy Conference will explore the evolving role of philanthropy within this ecosystem of change. DRIVE/ is the preeminent event for professionals who are determined to be subject matter experts in the fields of data, reporting, information, analytics, modeling, visualization and beyond. Nonprofit FundCon.

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Calendar Conference San Diego DC 177

Connection Cafe

NOVEMBER 1, 2018

You see them in business models like Airbnb, right? So that’s an extraordinary model and the reason it’s been able to scale so quickly is because of new power. You have housing, markets change, you have rental markets all too and so it’s these models that are able to do that so quickly.

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Social Game Model Fun 22

Museum 2.0

JUNE 2, 2010

This session was participatory in several ways, including interactive music-making machines in the audience and half the time reserved for Q&A. A few things I learned from the presentations and discussion: Dan shared a useful 4-step mental model for the progression of how institutions move towards participatory engagement.

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Slides Museum Los Angeles San Jose 22

Saleforce Nonprofit

JULY 12, 2022

For funders, nonprofits, and institutions across industries to effectively participate in the global movement to break the cycle of intergenerational poverty, they must first transform internal organizational culture and capacity to advance access, equity, and justice. Disrupt Power Imbalances.

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Intergenerational Culture Accessibility Global 52

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 20, 2014

It is open, participatory, and peer-driven. To be sure, new power funding models are not without their downside: The campaigns, projects, or start-ups that are most rewarded by the crowd may not be the smartest investments or those that benefit the most people. It is closed, inaccessible, and leader-driven. It is made by many.

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Collaboration Social Model Channel 116

Museum 2.0

JUNE 29, 2010

We share an abiding interest in exploring the community-enhancing roles of libraries, archives, and museums (LAMs), especially in terms of the practice of hospitality and service within the institution. It is crucial that LAMs be considered public civic spaces, but Oldenburg's model leaves a lot to be desired. In the 1930s, W.E.

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Place Discussion Library Museum 30

Museum 2.0

JULY 14, 2008

One of the most promising models for doing so (and a potential way to structure the NAS report) is scenario-based planning. In this model, rather than trying to answer a set of broad questions, you look at the spectrum of viable conditions and extrapolate useful strategies from those. But that requires acknowledging their existence.

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Library Museum Reflection Alternative 20

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. It's based on creation and delivery of experiences.

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Authoring Share Museum YouTube 44