Museum 2.0

SEPTEMBER 26, 2012

Since then, Stacey has become an indispensable member of our staff, leading our community programs and inspiring us to think in new ways about how we can build social capital in our community. Visitors bond and bridge through participatory experiences at MAH.

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Museum Program Participatory Community 49

Connection Cafe

APRIL 21, 2014

Working with arts organizations there are often concern that your constituent stories aren’t as impactful. million likes surely someone touting the effect of music and art on their lives can get just as many. Would you like to share this with others that may contribute to our program? to participate in an event. Make it easy.

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Arts Story Org Personal 37

Museum 2.0

AUGUST 22, 2012

At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.

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Participatory Museum Photography Unconference 37

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! The Museum 2.0

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Museum Question Participatory Evaluation 45

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Participatory Museum History International 44

Museum 2.0

AUGUST 25, 2016

The result, Our Museum , is an extraordinary funding program with a focus on community participation. Most participatory projects were short-term, siloed innovations, not institutional transformations. No Longer Us and Them describes organizations that have changed dramatically, from top to bottom and across program areas.

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Museum Participatory Resource Place 20

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

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Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. and "why?" to "how?".

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Participatory Museum Empowerment Facilitation 20

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Denver Museum Arts Collaboration 35

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

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Arts Museum Artist Tucson 45

Museum 2.0

JANUARY 25, 2018

For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. Come share your projects, challenges, questions, wild successes and epic failures with creative changemakers from around the world. Develop compelling, powerful participatory offers and promises for your prospective partners.

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Community Participatory Museum Registration 31

Museum 2.0

OCTOBER 30, 2013

My biggest question for these social psychologists is this: how do we apply their lessons to our work? At my museum, we pride ourselves on developing programming in a collaborative way that emphasizes diversity and intentionally encourages social bridging by bringing people together from different walks of life around cultural experience.

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Measure Arts People Museum 47

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Arts Social Media Examples Artist 74

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Scientists design the test questions, steer the data collection, and analyze the results. Science has an answer.

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Model Activities Active Activism 98

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. But I left uneasy, grappling with questions that plagued me throughout the conference. Instead, I found a standard art museum. Lovely grounds.

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Participatory Museum Web Indianapolis 35

Museum 2.0

NOVEMBER 11, 2008

George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. We didn’t need a staff member or a program to meet each other. The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works.

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Participatory Arts Design Museum 20

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.

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Participatory Design Difference Museum 27

Museum 2.0

APRIL 21, 2011

I'm reaching the end of my consulting days, with just one more day on the road before I dedicate myself to Santa Cruz and The Museum of Art & History. On Monday, April 25, I'll be participating in an online video chat with Andrew Taylor and James Undercofler to explore new business models for arts organizations.

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Arts Model Wisconsin Business 26

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 3, 2015

They started WAKE after working together for 15 years designing and leading global programs at the intersection of technology, civil society and women’s empowerment. The program is called Tech2Empower and you can learn more about it here. We allowed people to move from group to group once they go their questions answered.

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Facilitation Training Train International 50

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" but I didn't have numbers to back it up. They all have in concert, and they build on each other.

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Audience Museum Participatory History 47

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Over 13,000 photographs were submitted by 102 photographers at the fifteen different institutions, documenting about 6,200 pieces of art.

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Wikipedia Arts Museum Images 40

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. The busiest day in both 2011 and 2012 is our longtime community program, Free First Friday.

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Museum History Arts Artist 47

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. To that end, our exhibitions are full of participatory elements. How do community members make your institution better? Visitors can comment on how we can improve or what they would like to see.

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Platform Open Museum Participatory 41

Museum 2.0

DECEMBER 15, 2014

Schools and other arts organizations are rising to the challenge. Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.”

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Museum Blogger Cleveland Missouri 52

Museum 2.0

DECEMBER 23, 2014

They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations. I imagine that there are a lot more presumed barriers to break down at an art museum than a science museum.

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Museum Interview New York Interaction 55

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. The debriefing question encouraged us to reflect on points of connection and reciprocity. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.

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Network Build Yemen Morocco 95

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.

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Artist Museum Proposal Participatory 49

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

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Arts Community Online Intergenerational 50

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

OCTOBER 1, 2014

It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. How did you get the gallery?

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Museum Story Project Design 43

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. When I look back at some recent projects that I''m most excited about (like this teen program ), I realize that I had very little to do with their conception or execution.

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Museum Director History Teen 49

Museum 2.0

MAY 9, 2012

While I'm always inspired by stories of how we take risks to make programming more relevant and dynamic (thanks, Lisa Lee and the Jane Addams Hull-House Museum ), I was particularly struck by Kathy's thoughtful framing of the session. Our curator writes labels about licking the art. Merilee Mostov and the Columbus Museum of Art.

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Reflection Columbus Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 21, 2015

And, finally, with the rise of data and automated generation, leaders need to ask and answer questions with data, and faster. As the book points out, while fast, frequent, and informal makes it all sound easy, there is an art to it. Sharing has to help spread authenticity, emotion, and point of view.

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Digital Strategy Chapter Advice 50

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. It’s been a wild and wonderful year—without question, my most challenging and stimulating yet. I'm open to any questions you want to raise in the comments. It is incredibly rewarding work. I feel lucky.

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Museum Director Participatory Culture 55

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? This isn't just a rhetorical question. The various definitions of participatory projects can lead to confusion and misunderstandings. How do we define and talk about these different kinds of participation? Fortunately, science has a (partial) answer.

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Public Research Participatory Report 36

Museum 2.0

DECEMBER 5, 2008

Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA). I've struggled thinking about the answer to that question.

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Case Study Participatory Studies Museum 20

Museum 2.0

FEBRUARY 25, 2015

to experiment with different kinds of events (time of day, audience, size, type) and get a sense of how we can best program the space in the longterm. The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show.

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Public Activities Active Activism 20