Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).

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Museum Difference Participatory History 29

NTEN

AUGUST 16, 2011

” Presented by filmmaker Chelo Alvarez-Stehle, SOS_Slaves aims to raise trafficking awareness in teens while empowering them with the tools to take responsibility and speak out against this issue. Frontiers is a “first person shooter” style experience surrounding Europe’s migration policies. JURY FEEDBACK.

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Game Change Classroom Machinima 81

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Participatory Museum History International 44

Museum 2.0

NOVEMBER 7, 2010

Part 2: It's How Aggressive You Are My first year in museums, I tried to get as much broad experience as possible. At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. I survived the first half of 2003 financially on art modeling and poetry gigs.

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Museum Boston Participatory Job 52

Have Fun - Do Good

NOVEMBER 25, 2009

Kimberly has authored two books: Hip Tranquil Chick: A Guide to Life On and Off the Yoga Mat , and Tranquilista: Mastering the Art of Enlightened Work and Mindful Play. Do you have any favorite Tranquil Teens success stories? Below is an edited transcript of my November 3rd interview with Kimberly for the Big Vision Podcast.

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Interview Costa Rica Teen Green 42

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 6, 2007

That's when I was working with the New York Foundation for the Arts on its technology capacity building programs, including offline/online workshops for online skill building called SpiderSchool. She suggests that if organizations are targeting young people, particularly teens and 20 somethings that platforms like Myspace can be a good tool.

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Afghanistan Program Offline Profile 50

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. It was refreshing to see a wide array of projects and presentations that put sharing authority at the center of the visitor experience. Sharing Authority.or

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Museum Web Teen Flickr 20

Museum 2.0

DECEMBER 14, 2009

I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” What new projects might allow you to better reflect those aspirations? I worked on one project in which the client institution thought they wanted unfettered teen expression.

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Project Museum Teen North Carolina 22

Museum 2.0

AUGUST 25, 2009

Here are a few design rules I use to think about what kinds of designed dialogue environments are right for different experience goals. If your goal is to encourage visitors to perceive themselves as partners in the content co-creation experience, make room for their thoughts sooner rather than later. A lone "What do you think?"

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Design Goal Difference Platform 31

EveryAction

MARCH 16, 2017

We also like to believe she was one of the first proponents of the "shine theory" with her quote, " There are two ways of spreading light: to be the candle or the mirror that reflects it. ". Sheroes in the Arts. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

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Story Angola Sierra Leone Artist 133

Museum 2.0

JULY 24, 2007

The New York Hall of Science’s Career Ladder successfully recruits and advances neighborhood teens as floor explainers, and their full-time staff includes many people who have come “up through the ranks.” The Brooklyn Museum of Art found that skateboarders were using their entrance plaza and invited them to continue.

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People Museum San Jose Chapter 20

Museum 2.0

AUGUST 18, 2008

If museums get involved in these online-offline partnerships, we can bring new audiences through our doors, familiarize them with museum-going in a comfortable way, and reap the benefits of their online musings about their real-life experiences. Consider the experience of the Computer History Museum and their Yelp! Other person: Nope.

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Museum Hosting Model Community 22

Museum 2.0

SEPTEMBER 4, 2013

This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. Guards staring at black teens and grumbling about their clothes. blog posts from the past.

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St. Louis Museum Audience Teen 45

Museum 2.0

JULY 23, 2013

We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions. How should we think about the role of onsite museum experiences in future educational partnerships?

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Program Museum Work History 39

Museum 2.0

JUNE 12, 2012

Going to MAH and seeing the LOVE exhibition on First Friday was a wonderful experience. It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. The inclusion and prominence of amateur art in the museum makes a complicated statement that is worth a whole other blog post.

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Participatory Museum Blackboard Game 51

Museum 2.0

OCTOBER 22, 2008

This is not to say that science centers are more censored than art or history museums—every kind of museum has its own hang-ups. Imagine an art museum that allowed patrons to bang on the exhibits the way you can in a science center. Our desire to "protect kids"--which reflects twenty years of clamping down (at least in the U.S.)

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Museum Professional Teen Map 20

DNL OmniMedia

OCTOBER 22, 2020

Let’s walk through a selection of unique nonprofit websites that not only incorporate these elements but go above and beyond to impress visitors and inspire donations: Interlochen Center for the Arts. Top Nonprofit Website: Interlochen Center for the Arts. North Shore Animal League. Mustard Seed Communities. Gooley Hemophilia Center.

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Websites Organization Nonprofit Site 52

Museum 2.0

DECEMBER 19, 2008

Changing lives is expensive whether you do it with at-risk teen staff members or at-risk teen virtual partners. Or are you primarily interested in reflecting and presenting local content and perspectives? If your goal is for art lovers worldwide to identify with your institution, the opposite is true.

Virtual 20

Virtual Museum North Carolina Evaluation 20

Museum 2.0

AUGUST 27, 2014

In the past few months, we''ve started to experiment with sharing documentation on the e-blast. But this documentation is also a direct showcase of our mission to ignite shared experiences and unexpected connections. marketing Museum of Art and History web2.0' This documentation often languishes in corners of the social web.

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Museum Teen Language Help 38

Museum 2.0

FEBRUARY 24, 2011

I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.

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Voice Los Angeles Denver Museum 42