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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

A few years and a few hundred open mics into that experience, it became obvious that some venues fostered amazing poetry communities, others, not so much. One of my favorite open mics was at the Cantab in Cambridge, MA. Compare that with any number of lousy open mics. The process is incredibly open and equal.

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One Simple Question to Make Your Work More Participatory

Museum 2.0

Wes is an artist, and this is his first time running a museum exhibition development process. This is the question I ask myself anytime I'm working on something with a participatory intent. The obvious start was to think about how we recruit the artists--using an open call to invite anyone, anywhere to participate.

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The Johnny Cash Project: A Participatory Music Video That Sings

Museum 2.0

This question is a byproduct of the reality that most participatory projects have poorly articulated value. What's the "use" of visitors' comments? When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. The site gives credit to contributors.

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Guest Post by Nina Simon -- Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Beth's Blog: How Nonprofits Can Use Social Media

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. Submitted by Nina Simon, publisher of Museum 2.0.

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Traveling Couches and other Emergent Surprises Courtesy of an Open Platform

Museum 2.0

To that end, our exhibitions are full of participatory elements. Visitors can comment on how we can improve or what they would like to see. Community members, artists, and organizations increasingly see our museum as a place where they can advance their own goals, and so they approach us. The magic isn't by design.

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Making Museum Tours Participatory: A Model from the Wing Luke Asian Museum

Museum 2.0

I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). It incorporates work by local artists, old and new construction, and is completely gorgeous. But participatory facilitation can be taught.

Museum 51
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Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Museum 2.0

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. Tags: design participatory museum usercontent.