Bloomerang

FEBRUARY 21, 2024

Auctioneers have to capture the audience’s attention with eye-catching items that spark bidding wars. This guide is a great place to start to generate ideas for items and packages that will captivate your audience at your next auction event. For example, you could create a bundle with art, history, and science museum passes.

Artist 74

Artist Classes Arts Local 74

Amy Sample Ward

JUNE 21, 2011

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff. Jason Eppink – Museum of the Moving Image.

Game 140

Game Culture Museum Change 140

Museum 2.0

MARCH 6, 2013

I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They present masterpieces by white male artists and innovations by white male scientists. I never saw comparable adjectives used in the European art labels at the museum.

Museum 55

Museum St. Louis Arts Artist 55

Museum 2.0

DECEMBER 15, 2014

When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses.

Museum 52

Museum Blogger Cleveland Missouri 52

Museum 2.0

JUNE 27, 2012

A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.

Museum 53

Museum Arts Dallas History 53

Museum 2.0

NOVEMBER 23, 2011

An exhibiting artist approached me recently at an evening event at the museum. But it's a question that many museums seem to address inadequately. It's interesting to me that so many museums debate admission fees but don't get comparably riled up about open hours. he said, "I have some feedback for you. He's right.

Museum 55

Museum Open Artist Audience 55

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

SEPTEMBER 20, 2011

Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. Race Through Time was designed specifically for this audience of 30 and 40-somethings looking for fun social events with a Santa Cruz bent. I've written before about the " parallel vs. pipeline " approach to new audience development.

Audience 52

Audience Develop Museum History 52

Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Museum Artist Remix Professional 47

Museum 2.0

JULY 26, 2010

I've been spending time recently interviewing people who run unusual cultural and learning venues. I'm fascinated by these places because of their ability to attract diverse audiences to idiosyncratic experiences, and I'm curious how they stay afloat. Skill-sharing free schools. Community science workshops. PieLab (Greensboro, AL).

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

AUGUST 25, 2010

When it comes to user participation in cultural institutions and the arts, it's popular to launch projects that pit visitors against experts. at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. This isn't a direct "audience versus expert" comparison.

Audience 38

Audience Music Artist Museum 38

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

AUGUST 1, 2012

That contemporary art museum is on the front of the LA Times again," she said. I can't believe that an art museum can be front page news in LA for days." He was mandated to turn the ship around financially and to expand the reach of the museum in the community. The discussion then shifted to the overall direction of the museum.

Artist 52

Artist Museum Arts Director 52

Museum 2.0

OCTOBER 12, 2011

This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. We may say that we want to support programming and cultural opportunities for low-income and non-white people, but that's not where the money is going. The title may sound innocuous.

Arts 52

Arts Fund Artist Houston 52

Connection Cafe

AUGUST 3, 2015

” How is this influx of new people influencing Austin’s Arts & Cultural community? The team at Thinkery has done an excellent job in getting the word out in all the right publications (Austin’s Culture Map, Austin’s Social Planner, among others) since they launched this innovative idea in December 2013.

Audience 20

Audience Austin Test Portland 20

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

Museum 24

Museum Audience Program Artist 24

Tech Soup

DECEMBER 12, 2011

Engaging Audiences at Yerba Buena Center for the Arts. artist's influences and the exhibit, in the artist's own words. For example, YBCA's audiences loved having access to artists' own unfiltered words. They found that audiences wanted more education on using the particular app. The DuSable.

Arts 63

Arts Omaha Organization Artist 63

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. More audience. More money. You just get bigger.

Museum 55

Museum Learning History Arts 55

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

JANUARY 27, 2011

At a recent talk in Chicago, an audience member asked a question. His foundation supports a private museum that is rarely open to the public. The people who want that content may not be in the same city as the museum nor even aware of the museum's holdings. This is museum digitization 101. but people aren't coming.

Wikipedia 54

Wikipedia Content Museum Artist 54

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.

Museum 31

Museum History Arts Work 31

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

Arts 45

Arts Museum Artist Tucson 45

CauseVox

JUNE 9, 2021

If your audience is one that responds more positively to social media, then you might want to try a social media sharing blitz. Hosting a live-stream fundraiser is an excellent way to attract, nurture, and convert your audience over the course of a day. Have your lead artist jump on and run the class on Zoom. Live-Streaming.

Ideas 98

Ideas Online Fundraising Charity 98

Museum 2.0

FEBRUARY 13, 2013

But this month, it's as if there was a subliminal email sent to a crew of bloggers in the arts suggesting a salon about audience diversity, and how/why to move in that direction. Jada is passionate about supporting the future of African-American heritage institutions and working to diversify the museum field as a whole.

Arts 48

Arts Question North Carolina Museum 48

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

The whole idea got started a year ago when James Leventhal who is Deputy Director for the Contemporary Jewish Museum asked me if I would design some trainings for the local arts community. Participants had to answer these questions: -What were the objectives, audience, and how did integrate with your marketing or audience development plan?

Social Media 99

Social Media Media San Jose Social 99

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. But we tried never to create an event without partners or audiences who were invested in what we were making.

Museum 47

Museum History Arts Artist 47

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

SEPTEMBER 29, 2009

When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.

Museum 34

Museum Los Angeles San Francisco Model 34

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. It was an evening meeting with beer and chips. Then, we went honeycomb-crazy.

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Program Community Design Museum 49

Museum 2.0

MAY 7, 2010

Imagine asking audience members to participate in your work. There are five female dancers, but there are also three audience members pulled up during the show to perform and to become metaphoric kisaeng. The audience participation was essential, not incidental, to the piece. Women from the audience were dressed up in costumes.

Audience 37

Audience New York Instruction Instructional 37

Museum 2.0

JUNE 22, 2011

I've often argued that art and history museums should adopt this approach and encourage visitors to explore their potential as artists or historians, not just audiences for content. experiences in museums. But now I've started to question the value of this message. What does it feel like to take care of dying people?

Artist 48

Artist Museum Raise History 48

Museum 2.0

OCTOBER 31, 2012

Three of them are being hosted at my museum , and one at a mystery location. You Can't Do That in Museums Camp - July 10-12, 2013. In July of 2013, the MAH will host our first You Can't Do That in Museums Camp (or better name to be suggested by you), inviting 80 creative people to collaborate on an experimental exhibition.

Professional 35

Professional Develop Museum Arts 35

Museum 2.0

MARCH 25, 2008

I'd love to see a museum offer temporary tattoos instead of stickers at entry. I expected it to be both physically and culturally uncomfortable, something like going to a dentist in a Harley garage. They are the kind of people we can't even get to the museum door, let alone through it. but that's for another post.

Museum 23

Museum Arts Artist Culture 23

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. The Museum 2.0 Note: the title of this post pays homage to Elaine Heumann Gurian's excellent and quite different 1981 essay of the same title. Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

NOVEMBER 29, 2016

We spend most of our days with people who look like us, who share our culture, background, and class. That's why our museum, the MAH in Santa Cruz, focuses on social bridging. Artists and activists exhibiting their work. Business leaders and street performers designing a new community plaza on the museum's front porch.

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Museum History Arts Celebrate 20

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

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Place Museum Discussion Pennsylvania 27