Museum 2.0

APRIL 26, 2018

The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others.

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Audience Washington Museum Intergenerational 49

Qgiv

MARCH 25, 2024

Held annually at Carnegie Hall, this event not only invites attendees to revel in captivating musical performances but also serves as a vital platform for celebrating and safeguarding Tibetan culture. You can also leverage your personal network to find artists to participate in your concert.

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Hosting Benefit Music Registration 52

Bloomerang

AUGUST 19, 2021

Smaller arts organizations will be funded because they benefit artists and audiences from culturally rich regions and identity groups that donors often overlook. What’s been your experience in cultivating or receiving MacKenzie Scott funds? Please let us know on the blog.

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Fund Help Tips Pledge 139

Greater Giving

OCTOBER 10, 2023

This role goes beyond just ensuring the aesthetics of the event; it’s about crafting an experience that resonates with your audience, leaving them eagerly anticipating the next edition. A well-structured program keeps the audience captivated and ensures that the event flows smoothly from start to finish.

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Roles Program Captivate Structure 40

Amy Sample Ward

JUNE 21, 2011

Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff. Tracy : When we speak about cultureal spaces, we are really talking about caging and preserving culture. Elaine Cohen: The New York Public Library.

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Game Culture Museum Change 140

Achieve

JANUARY 18, 2023

With a bigger audience, you can effectively raise more money, raise awareness for your cause, and create a united push toward reaching your goals. Use this opportunity to tap into a new audience of potential supporters and to rally support around your mission, boosting donations in the process. . Social media. social media.

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Virtual Fundraising Nonprofit Hosting 97

ASU Lodestar Center

APRIL 10, 2017

posted by Christopher Haines Artistic Director & Co-Founder, iTheatre Collaborative. At the plenary panel discussion, a woman from the audience, an arts teacher, asked, plaintively, “Why do we have to justify the arts in school? As artists, we can be very insecure about our work. Difficult to objectify and quantify.

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Evaluation Arts Story Impact 56

Museum 2.0

SEPTEMBER 20, 2011

Race Through Time was designed specifically for this audience of 30 and 40-somethings looking for fun social events with a Santa Cruz bent. We saw Race Through Time as an opportunity to share our mission around engaging with history with a new and highly desirable audience of young professionals.

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Audience Develop Museum History 52

Candid

NOVEMBER 16, 2021

GuideStar provided information on several theatres’ expenses so I could explore if it was financially viable to increase actor compensation while maintaining quality audience experiences. . Additionally, GuideStar is a helpful tool for post-graduation job hunting. Grants to Individuals . Real-time response tools .

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Student Free New York City San Francisco 119

Museum 2.0

JULY 26, 2010

I've been spending time recently interviewing people who run unusual cultural and learning venues. I'm fascinated by these places because of their ability to attract diverse audiences to idiosyncratic experiences, and I'm curious how they stay afloat. Skill-sharing free schools. Community science workshops. PieLab (Greensboro, AL).

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Culture Alternative St. Louis Los Angeles 49

Museum 2.0

AUGUST 25, 2010

When it comes to user participation in cultural institutions and the arts, it's popular to launch projects that pit visitors against experts. I've been thinking about this as I prep some interactive prototypes for the Experience Music Project and Science Fiction Museum, a Seattle-based museum of pop culture. There was Click!

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Audience Music Artist Museum 38

sgEngage

NOVEMBER 19, 2021

With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. . The Mütter Museum has focused on their primary audience and tailored their shop to maximise retail potential.

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Museum Philadelphia Arts Jordan 96

Connection Cafe

AUGUST 3, 2015

” How is this influx of new people influencing Austin’s Arts & Cultural community? The team at Thinkery has done an excellent job in getting the word out in all the right publications (Austin’s Culture Map, Austin’s Social Planner, among others) since they launched this innovative idea in December 2013.

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Audience Austin Test Portland 20

CauseVox

JUNE 9, 2021

If your audience is one that responds more positively to social media, then you might want to try a social media sharing blitz. Hosting a live-stream fundraiser is an excellent way to attract, nurture, and convert your audience over the course of a day. Have your lead artist jump on and run the class on Zoom. Live-Streaming.

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Ideas Online Fundraising Charity 98

AccelEvents

JULY 14, 2021

Games with incentives or prizes can allow your audience members to display their talents and vote for those who perform the game the best! The audience was then asked to vote on their favorite one, with the winner announced the following day on Twitter. . This will engage the audience but also provide the speaker (and you, as host!)

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Virtual Ideas Online Movie 98

Museum 2.0

MAY 7, 2010

Imagine asking audience members to participate in your work. There are five female dancers, but there are also three audience members pulled up during the show to perform and to become metaphoric kisaeng. The audience participation was essential, not incidental, to the piece. Women from the audience were dressed up in costumes.

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Audience New York Instruction Instructional 37

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

The same constructs which were discussed around combating issue fatigue can be used in creating a cultural movement around an issue. There are a few foundational questions to be asked before building a cultural movement through the use of media and storytelling. Here are the three most basic: 1) Who's the audience ?

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Culture Build Change Media 84

Connection Cafe

NOVEMBER 29, 0002

Over the past eight years, Michael has been specifically focused on the Arts and Cultural marketplace and is an active participant in delivering speaking engagements and contributing to trade publication articles. Membership Arts & Cultural stewardship ticketing' Capture Data. Make it a point to capture data. Good luck out there.

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Build United Kingdom Community North America 33

Museum 2.0

OCTOBER 12, 2011

This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. We may say that we want to support programming and cultural opportunities for low-income and non-white people, but that's not where the money is going. The title may sound innocuous.

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Arts Fund Artist Houston 52

Museum 2.0

AUGUST 1, 2012

Here's what happened: In 2010, amidst severe financial woes and declining audiences, the Museum of Contemporary Art in LA (MOCA), hired Jeffrey Deitch, a NYC gallery owner, to be their new director. Deitch--and to an even greater degree, Eli Broad--have expressed clearly that they want to expand the audience at MOCA.

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Artist Museum Arts Director 52

AccelEvents

NOVEMBER 17, 2020

A music festival, food festival, or cultural festival, to name a few, can bring people together in some of the best ways. . However, with the rise of COVID-19, festivals all over the world were put on hold, and the events industry, artists, and festival vendors were forced to find other ways of sharing their passions with the world. .

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Movie Music Stream Virtual 98

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts.

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Guatemala Movie Artist Award 93

Tech Soup

DECEMBER 12, 2011

Engaging Audiences at Yerba Buena Center for the Arts. artist's influences and the exhibit, in the artist's own words. For example, YBCA's audiences loved having access to artists' own unfiltered words. They found that audiences wanted more education on using the particular app. Learn More.

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Arts Omaha Organization Artist 63

NTEN

JUNE 21, 2011

Goal of the centennial project was to shine the light on the library's resources and get new audiences engaged in the collections and connected to the curators and staff. Questions and Discussion Tracy : When we speak about cultureal spaces, we are really talking about caging and preserving culture.

Game 52

Game Culture Change Museum 52

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

Participants had to answer these questions: -What were the objectives, audience, and how did integrate with your marketing or audience development plan? As one participant said during her presentation, “The rest of the staff at our organization is like our audience in some ways. What were some tactics that you tried?

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Social Media Media San Jose Social 99

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 30, 2009

Using the internet and social media as a vehicle to tell stories is an approachable, inexpensive, and effective way to engage your audience (Check out NTEN's social media and storytelling web seminars series for the juicy details.) These artists are all great examples of how media can be used for social change - as a vehicle for storytelling.

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Chad Storytelling Lesson Artist 90

Museum 2.0

MARCH 6, 2013

They present masterpieces by white male artists and innovations by white male scientists. When non-white stories are told, they are always flagged as such--an exhibition of Islamist scientific inventions or women pioneers or African-American artists. Not as humans, or artists, or scientists, or dancers.

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Museum St. Louis Arts Artist 55

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Arts Museum Artist Tucson 45

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2012

Chalk up my vote for 2011’s “Best Debut Artist” and “Best Supporting Actor.”. In this sound bite culture, social justice organizations must carve out nuanced positions on complex social issues, from racial and gender equity to immigration reform. Can justice roll down like waters, propelled by viral?

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Social Organization San Francisco California 108

Museum 2.0

FEBRUARY 12, 2009

The main audiences for memberships are value members, who think of it as a good deal, lifelong learners, who want to come to as many programs and exhibits as possible, and donors, who support the museum. This week, an interview with Brooklyn Museum 1stfans managers Will Cary (membership) and Shelley Bernstein (technology) and artist An Xiao.

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Museum Audience Program Artist 24

Museum 2.0

DECEMBER 15, 2014

When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses. Things must change.

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Museum Blogger Cleveland Missouri 52

Museum 2.0

NOVEMBER 23, 2011

An exhibiting artist approached me recently at an evening event at the museum. Imagine if a theater or jazz club was only open during the day, and what conclusions one might draw about audience type and preferences based on that decision. Who would be "core" audiences if our institutions were open from 3-9pm instead of closing at 5?

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Museum Open Artist Audience 55

Museum 2.0

JANUARY 27, 2011

At a recent talk in Chicago, an audience member asked a question. While there are many ways for museums to reach new audiences, when it comes to specialized knowledge, it's often a question of reaching the niche who care deeply about German watches from 1822 or the evolutionary shift in raccoon striping over time.

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Wikipedia Content Museum Artist 54

Museum 2.0

JUNE 27, 2012

There are still many museums in large tourist centers with a hefty one-time audience. Zoos, aquaria, science and children's museums boast a significant "anytime" audience of families who return again and again. These events don't just increase audience. This isn't true for every museum. It's less about the event than the timing.

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Museum Arts Dallas History 53

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. These collaborators brought their own audiences along with their abilities, which introduced a lot of new people to the museum. were shamelessly resourceful.

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Museum History Arts Artist 47

Tech Soup

JULY 6, 2012

As recently noted by Frank Barry of Blackbaud, technology plays a key role as the art and culture sector engages its audience. The app should: be accessible to the widest possible audience. Spread over three months and six cities, the festival presents a big challenge in keeping visitors engaged and informed.

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Arts Tech San Francisco Proposal 58

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

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Collaboration North Carolina Museum Artist 36