Museum 2.0

SEPTEMBER 26, 2012

I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you. Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. full description here , photos from the event here ).

Activities 50

Activities Active Activism Participatory 50

Museum 2.0

APRIL 14, 2011

As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0

History 55

History Museum Arts Consultant 55

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. With a project like Granito, the film is only the beginning and serves as an invitation for everyone to share their story. Guest Post by Vincent Stehle.

Guatemala 93

Guatemala Movie Artist Award 93

Museum 2.0

APRIL 15, 2015

"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. But I couldn''t fully imagine how a museum or an arts center could embody it. A fitness trail for urban life.

San Francisco 20

San Francisco Arts Design Marketing 20

Museum 2.0

JUNE 10, 2015

Last week, the international press lit up with a story from Paris : the city is removing the "love locks" from the Pont des Arts bridge. And so, one of the most successful, accidental, and fraught participatory projects of the past decade comes to an end. The "love locks" are not a project with an institutional or artistic director.

Participatory 20

Participatory Project Artist Instruction 20

Museum 2.0

OCTOBER 30, 2013

This blog is about shared learning, and I went to engineering school. We have some strategies for tackling this: convening diverse content advisors, incorporating anti-bias educational approaches in our design, developing participatory opportunities for visitors to connect past to present.

Measure 47

Measure Arts People Museum 47

Museum 2.0

OCTOBER 23, 2018

We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. This project wove together many different participatory threads. Today, I'm thrilled to share that format with you. Short story: we learned a lot.

Issue 45

Issue Childhood Community Create 45

Museum 2.0

SEPTEMBER 21, 2016

The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. They were there for artist talks. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take.

Process 20

Process Share Philadelphia Arts 20

Museum 2.0

APRIL 26, 2018

One that has found remarkable success is California’s Santa Cruz Museum of Art & History. Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others.

Audience 49

Audience Washington Museum Intergenerational 49

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. In the fall of 2013, they launched Re:Make , an ambitious project to redevelop the museum, live, on the floor, with a mix of staff, guest artists, and community members. It''s a shared space and process. It''s serious.

Museum 53

Museum Product Participatory Community 53

Have Fun - Do Good

NOVEMBER 2, 2006

It is an art form completely dependent upon the creative potential of each audience member in relation to the events on stage. Over a month ago I told Emily from the Nonprofit Blog Exchange that I would participate in the most recent exchange and write about The Artful Manager. Be sure to share your coments with Andrew here.

Arts 40

Arts Web Wisconsin Social 40

Museum 2.0

FEBRUARY 29, 2012

We wanted to share with people, in as clear and transparent a format as possible, our approach to developing exhibitions. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.

Museum 38

Museum Artist Participatory History 38

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Please share yours in the comments. Artists work incredibly hard to produce their work.

Design 45

Design Participatory Learning Instruction 45

Museum 2.0

FEBRUARY 11, 2015

INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Community Programs.

Participatory 20

Participatory Community Museum History 20

Museum 2.0

OCTOBER 31, 2012

The Arts Dinner-vention Project - date TBD. This one was cooked up by Barry Hessenius, former director of the California Arts Council and public art blogger extraordinaire. Barry is asking the universe to send him names of "unheralded arts sector leaders" to be considered for an all-star dinner party in 2013.

Professional 35

Professional Develop Museum Arts 35

Museum 2.0

DECEMBER 26, 2012

I LOVE the way the James Irvine Foundation presents their lessons learned from grant-making in the Arts Innovation Fund program. This is just a super-interesting review of an exhibition of damaged art. What happens to objects when they are no longer art? What happens to objects when they are no longer art?

Denver 33

Denver Museum Arts Participatory 33

Museum 2.0

DECEMBER 15, 2014

Schools and other arts organizations are rising to the challenge. Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.”

Museum 52

Museum Blogger Cleveland Missouri 52

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. You can learn more about her work here.

Museum 51

Museum Arts History Columbus 51

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. This post shares some of the most interesting questions I''ve heard throughout these experiences. In 2008, the conversation started shifting to "how" and "what." Yes and no.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

OCTOBER 1, 2014

It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. So what did you do next?

Museum 43

Museum Story Project Design 43

Museum 2.0

JULY 23, 2019

Today, I wanted to think about participatory elements, something so essential to this blog. As important as excellence is, shared success is equally important in this field. Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums.

Museum 35

Museum Participatory Interaction Classroom 35

Museum 2.0

JANUARY 18, 2012

There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. There's a huge difference between the edgy, DIY beauty of Candy Chang 's participatory urban artworks and the dayglow colors, exclamatory language , and preschool fonts of most museum interactives.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

MAY 3, 2017

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. Working with creative people taught me to think like an artist: observe, explore, dive in, look out. We develop the ideas. We explore the possible programs.

Develop 20

Develop Artist Participatory Blended 20

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. Ellen shared the brilliant work at Conner Prairie to make finances transparent to all staff. Merilee Mostov and the Columbus Museum of Art. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. I host dating games.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions. Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

Collaboration 55

Collaboration Community Tools Museum 55

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 11, 2006

The above powerpoint is from 1999 and excerpted from day-long workshops I used to lead when I worked at NYFA and design and ran a program called "KIT: Knowledge in Technology - Technology Planning for Arts Organizations." He defines participatory culture as a culture: 1. With strong support for creating and sharing one???s

Social Network 50

Social Network Network Guide Participatory 50

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. Here are the slides so you can see what we shared.

Program 49

Program Community Design Museum 49

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County.

Museum 49

Museum Director History Teen 49

Museum 2.0

FEBRUARY 25, 2015

The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show. If you are reading this via email and would like to share a comment, you can join the conversation here. multiple times per week.

Public 20

Public Activities Active Activism 20

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 Beck is the brain behind the risk-taker/space-maker paradigm I''ve shared here in the past. We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with.

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. It is a group of people connected by something shared.

Build 20

Build Community Museum Artist 20

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

Museum 24

Museum Participatory Artist Arts 24

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." I don't know - and I hope you'll share your thoughts in the comments. We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically."

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

MAY 3, 2011

Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. Who was there?”

Story 53

Story Interview Museum Audio 53