Top Nonprofits

DECEMBER 6, 2021

Not only does she understand social media very well and stays on top of all the changes, but she also has a very deep background in nonprofit work. We can use our voice and our economic power and our political power to actually make changes to the platform. Amy DeVita, TopNonprofits : I’m really excited to have Ms.

Facebook 52

Facebook Report Podcast Platform 52

EveryAction

MARCH 16, 2017

Whether quietly spearheading some of the world's most groundbreaking scientific and medical research or not-so-quietly leading revolutions on the battlefield, our history is ripe with stories of ferocious, adventurous, enlightened, and persistent women. Shero Thought Leaders. Roxane Gay. Anika Rahman. Groups like the Lady Parts Justice , Ms.

Story 133

Story Angola Sierra Leone History 133

Museum 2.0

NOVEMBER 13, 2007

This week, a look at the third section of Visitor Voices , the excellent book coedited by Kathy McLean and Wendy Pollock. In his piece about interaction design for StoryCorps, Jake Barton comments that "for most people the value of the experience will be in making and submitting a story, not seeing it shared with everyone else."

Voice 20

Voice Create Museum Arts 20

Connection Cafe

JULY 8, 2015

There are other examples that I have discovered this summer on my travels in corporate social responsibility, stories born of inspiration, imagination and a desire to drive social change. Some favorites: Daniel Lee, Levi Strauss Foundation – Former divinity school student not advancing social change in HIV/AIDS.

Help 20

Help Chicago Teen Blackbaud 20

ASU Lodestar Center

AUGUST 3, 2016

Also, the importance of telling your own story with your own voice. When they leave here, I want my students to continue to question, learn, teach, and continue to use their education to change the world. I got a group of 8 teens together and I taught them a simple Photoshop project. Any secondary interests?

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Baltimore Student Arts Lecture 40

Museum 2.0

FEBRUARY 18, 2010

They exploded, speaking all in one voice: "I don't even like ordering food in a restaurant." "I While they had mostly developed performative approaches to the task, by the end, they were more interested in developing listening approaches - for example, constructing a "tell me a story" booth. What's your experience?

Life 21

Life Teen Culture Attitude 21

Museum 2.0

MARCH 26, 2014

We''ve kept in touch over the years as our careers evolved--mine in museums, his in journalism--and I called David to learn more about the story behind the article. NS: Why did you want to write this story? Programmatic engagement is a very different story. I’ve known Bob for 15 years now. He likes that intimacy.

Museum 54

Museum Generation Interview Donor 54

Beneblog: Technology Meets Society

AUGUST 6, 2009

You can read a summary of the report and more about our methodology here [link] I was inspired by the staff’s ongoing commitment to processing as many stories presented to the TRC as possible -- as accurately as possible. Surprisingly, older men were at greater risk for being killed or subject to looting violations than younger men.

Liberia 100

Liberia Statistics Analysis United States 100

Museum 2.0

MARCH 28, 2008

Your friend who tells fascinating, colorful stories may not be the person you turn to for the straight dope. You may remember the NPR stories in 2007 about changes in the way that doctors acknowledge mistakes and offer apologies. And then there's the value of primary voices for interestingness. Be honest about mistakes.

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

APRIL 7, 2009

Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation. The exhibit is dynamic and changes somewhat in response to visitors' actions. This is incredibly hard, and very different than changing your exhibit design process.

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Participatory Design Difference Museum 27

Museum 2.0

MARCH 27, 2009

Side Trip is an immersive environment full of interactive experiences that let visitors share their own stories of the 1960s, make their own rock posters, and explore the music and vibe of the time. There is no dissonance between the museum’s formal voice and laminate and the visitors’ pens and paper. Magical, simple, surprising.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

NOVEMBER 7, 2010

This seems like an appropriate time to share the story. My story is more a case of "Getting Hired: It's What You Want, How Aggressive You Are, and What Ideas You Can Offer." I'd always believed in engineering as a creative path to changing the world, and my professors encouraged that mindset. Anna accepted my proposal.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

APRIL 18, 2008

Because of the dynamic and changing nature of the internet this conference serves as a good barometer of new and innovative approaches in the museum world. The Walker Art Center is turning its teen website over to the teens. Recognizing the power of the mullet, they put the business-end up front and the party in the back.

Museum 20

Museum Web Teen Flickr 20

Museum 2.0

AUGUST 7, 2008

Yes, the Exploratorium is also present in these arenas as a "talker" (more on that next week), but it is just one voice among thousands. When I watch the videos teens created at the Exploratorium and post on YouTube, I see the aspects of the exhibits they thought were most important to share with their classmates.

Museum 20

Museum Teen Second Life Discussion 20

Museum 2.0

MAY 5, 2009

how do you set clear criteria for participation when the project is experimental and ever-changing? In that case, my personal interaction with the users allowed me to honestly and openly share the changes that were affecting all of us. How do you tell an unfinished story of the aftermath? you can do a lot with a storefront.

Slides 20

Slides Participatory Museum Children 20

Nonprofit Tech for Good

FEBRUARY 8, 2021

That’s why we added in a general profile picture and some text around the organization’s impact beforehand, all in the voice of the fundraiser, so that the page is engaging even if it’s not updated by the individual fundraisers. your connection to soccer, teens, nonprofits, Classy, etc.). Lean on your team captains.

Goal 306

Goal Fundraising Help Africa 306

NonProfit Hub

JULY 12, 2017

Although their power may be limited as adolescents and young teens, their habits will become increasingly important as they enter the workforce and explore their ability to make an impact on the world around them. Realistic narratives and stories they can connect to will outperform a nonprofit trying to be something it’s not.

Teen 38

Teen Tips Pennsylvania Voice 38

Bloomerang

JULY 17, 2021

Full Transcript: Steven: You’ll hear a robot voice. So one of the things that I’ve talked about a ton over the last year has been about wellness and wellbeing and what it means to lead in a changing time. I’m just going to change it on the. Kishshana: Go ahead. Steven: All right, Kishshana. Steven: All right.

Management 87

Management Work Video Slides 87

M+R

DECEMBER 23, 2021

In 2020, the election—and just as important, the stories told about the election —took on exceptional significance. First there were stories of the historic voter turnout, and people forced to line up for hours across the country to cast their vote. Community stories trickled up to national attention. Read time: 8 minutes.

Media 88

Media Voice Teen Celebrate 88

Bloomerang

APRIL 2, 2021

COVID-19, even though things are opening up and hope is kind of on the horizon, it has changed how, and why, and how much we are online. Now, this might be changing. Maybe it will change this summer. We’re trying to change hearts and minds. And it’ll be reminding me, “Hey, this person has posted a story.

Social Media 77

Social Media Trend Video Marketing 77