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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

They are created with the biases and worldviews of those who developed them. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. As the art critic John Berger said in his book Ways of Seeing , “We only see what we look at.

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Getting from “no” to “yes” for climate justice

Candid

A philanthropy insider once shared during a presentation that foundations develop guidelines so they know to whom to say “no.” It also explains how the McKnight Foundation is connecting its participatory democracy work with climate justice efforts in historically marginalized communities. . Not reinventing the wheel.

professionals

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Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This post shares my reflections on the projects and five things I learned from their work.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Dangerous/Ridiculous: Reflections on AAM

Museum 2.0

Our curator writes labels about licking the art. Merilee Mostov and the Columbus Museum of Art. This woman is killing it when it comes to developing in-gallery interactive experiences around permanent collections. In particular, we had a great group of 15 talking about participatory history experiences on Sunday.

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Guest Post: Weaving Community Collaborations into Permanent Installations at the Denver Art Museum

Museum 2.0

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

Denver 35