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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

And, the focus of MEL is generally on evaluating grantee projects or organizations, rather than on the grantmaker and its practices. All too frequently, the grantmaker alone is determining, leading, and benefiting from MEL processes with no input or collaboration from the people, organizations or community impacted.

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A look back at Issue Lab’s top philanthropic resources in 2022

Candid

With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

Issue 98
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Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. You can explore the projects in full on the class wiki.

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Guest Post: Weaving Community Collaborations into Permanent Installations at the Denver Art Museum

Museum 2.0

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Upcoming Nonprofits Live: Storytelling and Collaborative Video

Tech Soup

Our ability to collaborate effectively in the cloud and create meaningful media together is quickly evolving as more nonprofits expand their borders. On February 8, Nonprofits Live will explore how to collaborate on video stories across borders and office boundaries. Guests for Nonprofits Live: Collaborative Video.

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Our Museum: Extraordinary Resources on How Museums and Galleries Become Participatory Places

Museum 2.0

While there was evidence of plenty of community engagement work across museums and galleries, most of it was funded project by project. Most participatory projects were short-term, siloed innovations, not institutional transformations. This made the work more urgent, fragile. and realistic.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.