Museum 2.0

SEPTEMBER 18, 2013

In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions. You can be an expert and have a strong voice--a voice visitors want to hear--without being the only voice in the room.

Museum 45

Museum Question Participatory Evaluation 45

M+R

OCTOBER 13, 2023

In recent years, we have seen artists like Beyoncé and U2 experiment with new ways to launch music. But we really saw those special, viral moments come to life with her fans when Taylor communicated with her fans in their own voice. She showed that sometimes it is okay to drop the formalities.

Communication 88

Communication Professional Learning Press 88

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

This approach would also create capacity for new voices and new ideas to be engaged in the environmental movement. Making: Ideation and Rapid Prototyping. This part of the process is the most because everyone gets to unleash their creative thinking. Concept 2: Mission: Possible.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

JULY 7, 2010

As Peter wrote: If someone enjoys Arts Event A because it’s social, informal, energetic, fun, and hip, why should we expect her to also enjoy Arts Event B if B is individual, formal, quiet, serious, and traditional (at least in its presentation, if not artistically)? Dias de las Muertos or Chinese New Year to attract new audiences.

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

APRIL 25, 2011

In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions. You can be an expert and have a strong voice--a voice visitors want to hear--without being the only voice in the room.

Question 49

Question Participatory Museum Evaluation 49

Have Fun - Do Good

JANUARY 30, 2009

Jennifer is a certified coach, artist and yogini based in Oakland, California. That's the voice inside your head, or the many voices that say, "I can't," or "You don't have enough degrees," or "How are you going to earn a living with that?" I know you particularly work with entrepreneurs and artists, yes?

Brain 41

Brain Life Artist Advice 41

EveryAction

MARCH 16, 2017

American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

Story 133

Story Angola Sierra Leone History 133

Museum 2.0

JUNE 6, 2008

Our job was to provide a structured environment in which to develop ideas and the expertise to build the best of them. Had we held onto an authority voice rather than presenting ourselves as individuals engaged in the project, people would not have been willing to weather the storms with us.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

MAY 5, 2009

which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment. Their use of the web to connect independent artists all over the world was striking and very surprising. being as transparent as possible about the selection and production process.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. The entire system and structure of this country has been built on racism.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

MAY 14, 2007

Several were created or conceived by a single person, often an artist/non-museum professional. It speaks in a distinctive, unapologetic voice--whether that voice reflects a single person or a team. So if a group can tell a story in one voice, why are so many of the exhibitions that change our lives created by individuals?

Life 20

Life Create Change Museum 20

Have Fun - Do Good

OCTOBER 19, 2006

The 3rd Annual Artivist Film Festival & Awards ' mission is to strengthen the voice of international activist artists and raise public awareness of global issues. Youth Network My country was at war for 36 years and community structures and resources have been destroyed. Barbra Streisand. DIANA'S STORY (0:06) Dir - Listen Up!

Award 40

Award Senegal San Francisco India 40

Museum 2.0

NOVEMBER 9, 2007

The concept is practical: cut the time and expense of exhibit development by creating a social space where exhibit developers from many museums—along with scientists, artists, visitors—can collaborate to design concepts for exhibits. How much structure is motivating and how much becomes a chore?

Open Source 22

Open Source Museum Game Open 22

Have Fun - Do Good

JUNE 7, 2006

And hopefully, at the end of the day, we’re helping them realize their ability to positively impact the world around them – that it doesn’t take much, that you don’t have to call yourself an activist or whatever, but that you do have a stake in this world, your voice is powerful and can be easily used. Getting to DO something!

Teach 40

Teach Campaign Info Volunteer 40

Museum 2.0

JULY 10, 2007

Many design firms--from architecture to video games--have structured ways for staff to engage in a variety of projects, teams, and disciplines to learn the business, develop strong working relationships, and understand the stakeholders better. But what about the soul of the exhibition?

Team 20

Team Museum Chapter Design 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. Organizations used to one honed public voice may find this difficult to fathom.

Museum 82

Museum Arts Artist Conservancy 82

Non Profit Quarterly

AUGUST 10, 2022

18 In this world of management by algorithm, many workers feel that they have lost dignity and voice. For instance, Stocksy United, a platform cooperative for photographers, videographers, and artists generally, has a fair wage distribution system for members. 9</sup). 4 (November 1995): 487–523. George Akerlof and Robert J.

Platform 139

Platform Technology United States New York 139

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. That's not to say these structures came easy. was the most overwhelming answer.

Arts 22

Arts Participatory Museum Artist 22