Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building.

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Participatory San Diego Museum History 48

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Participatory Museum History International 44

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Raymond raised some good reflective questions about backchannels that are still very relevant four years later as back channels goe more mainstream and search for best practices on how to incorporate them into our conferencing experience. One of the reflections.

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Reflection Conference Resource Arts 69

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. Merilee Mostov and the Columbus Museum of Art. This woman is killing it when it comes to developing in-gallery interactive experiences around permanent collections. Testing, refining, experimenting, and doing it all with style. Participatory art and co-creation on the rise.

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Reflection Columbus Museum Participatory 43

Museum 2.0

APRIL 15, 2015

"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. Deborah''s vision for the arts leading the way to stronger future inspired me. A fitness trail for urban life.

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San Francisco Arts Design Marketing 20

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Arts Museum Artist Tucson 45

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Arts Social Media Examples Artist 74

Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.

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Reflection Community Museum Participatory 43

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Denver Museum Arts Collaboration 35

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? Instead, I found a standard art museum.

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Participatory Museum Web Indianapolis 35

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. Tags: Art Sector Arts & Technology engagement.

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Model Activities Active Activism 98

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Over 13,000 photographs were submitted by 102 photographers at the fifteen different institutions, documenting about 6,200 pieces of art.

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Wikipedia Arts Museum Images 40

Museum 2.0

NOVEMBER 16, 2010

I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. I'd had a good experience earlier asking a guard what he recommended--it had taken me into a gallery I otherwise would have missed completely. Do you interrogate the map?

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Experiment Lesson Learning Museum 44

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! Yes and no.

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Museum Question Participatory Evaluation 45

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. Her blog, "Museum 2.0," is one of the leading forces working to remake the museum experience.

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Museum History Arts Work 31

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 14, 2007

The question forced me to reflect on my experience last summer. It made me curious about the art of mircoblogging - and how you develop the technique of saying it in 140 characters. I just discovered a new site called " Great Nonprofits " another participatory philanthropy site.

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Reflection Conversation Develop Cambodia 50

Museum 2.0

JULY 23, 2019

In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Today, I wanted to think about participatory elements, something so essential to this blog. Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums.

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Museum Participatory Interaction Classroom 35

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.

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Artist Museum Proposal Participatory 49

Museum 2.0

JANUARY 11, 2012

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. This community was ready for a museum that reflected the unique creative identity of Santa Cruz.

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Audience Museum Participatory History 47

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions. Yes and no.

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Question Participatory Museum Evaluation 49

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. The contributions that are the "best" may be a narrow reflection of your own personal preferences.

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Design Participatory Learning Instruction 45

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Experience with Middle Eastern Culture and no experience. Experience with Middle Eastern Culture and no experience. What opportunities for reciprocity? Efficiency.

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Network Build Yemen Morocco 95

Museum 2.0

JULY 31, 2013

You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. Reflective time is important, especially when your work is hectic. It is this community--you--that I want to reflect a bit more on.

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Museum Participatory Reflection Conference 35

Museum 2.0

OCTOBER 29, 2009

Unconference sessions , featuring topics as diverse as "playing an ARG" (with real labyrinth adventures ), "engaging visitors who were dragged to the museum," and "measuring and defining success in participatory projects." Facilitator bits. If you are working for several hours, slot it over two days.

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Facilitation Reflection Museum Participatory 32

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.

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Public Museum Arts History 27

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

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Arts Community Online Intergenerational 50

Museum 2.0

MAY 21, 2014

It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.

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Museum Director History Teen 49

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. I promise--after this post, I'll stop writing about this. actively sought out community needs to respond to.

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Museum History Arts Artist 47

Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. day event in July of 2013 at which participants work in teams to create an exhibition full of intriguing, unusual, risky experiences. If you are interested, please apply soon ! This camp will be a 2.5 Join the conversation.

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Participatory Museum Blended History 32

Museum 2.0

DECEMBER 5, 2008

This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums. I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA). Not all viruses go viral.

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Case Study Participatory Studies Museum 20

Museum 2.0

OCTOBER 19, 2009

I still get fidgety listening to the podcast, but now I see it as an artifact of a supremely conducted participatory project rather the sole product of the process. Dial-A-Stranger was one of the best participant experiences I've ever had. Now that I have been a Dial-A-Stranger, my perspective on this has changed.

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Reflection Museum Podcast Participatory 20

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Experience working with a wide variety of age groups or teaching in general. Help them learn from the experience. Can't wait to hear what you think. Large and small (or no) followings.

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Collaboration Community Tools Museum 55

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

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Children Museum Create Project 46

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. The art will be displayed in order of the average juried scores.

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Museum Participatory Artist Arts 24

Museum 2.0

JUNE 12, 2012

Going to MAH and seeing the LOVE exhibition on First Friday was a wonderful experience. It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Participatory Museum Blackboard Game 51

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. Six goals for MAH community programs.

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Program Community Design Museum 49