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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.

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New Approach, Historic Mission: Remaking a Factory Museum via Community Co-Production

Museum 2.0

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. The Mill itself claims fame as the world''s oldest factory, a UNESCO world heritage site, and a birthplace of mechanized silk production. Or silk production. design inclusion institutional change participatory museum'

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Balancing Engagement: Adventures in Participatory Exhibit Labels

Museum 2.0

The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. Maybe this person was writing about his or her preference for neon paper products, but I doubt it.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.

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Blueprint Book Club Part 1: How Do You Create a Future-Thinking History Museum?

Museum 2.0

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Where would you start?

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Selling a Product vs. Building a Movement

Museum 2.0

A national election is the ultimate participatory project. I talk a lot about the "why" behind our work at the Santa Cruz Museum of Art & History when I'm with donors, at conferences , or presenting at Rotary Clubs. Who's really going to read the fine print to find out why?

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Guest Post: Community and Civic Engagement in Museum Programs

Museum 2.0

Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH). You can download and read the full version of my thesis here.

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