Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Chicago Underground Library (Chicago, IL). is in conflict with (currently, Iran).

Culture 49

Culture Alternative St. Louis Los Angeles 49

NonProfit Hub

JUNE 17, 2015

People from across the country will gather at the Museum of Contemporary Art in Chicago to experience MCON in person and over 20,000 people will stream the event online. Media is one of the content industries we’re specifically highlighting this year, and these individuals truly represent “the power of influence.”

Chicago 28

Chicago Museum Arts Influence 28

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

JANUARY 30, 2007

I've been thinking recently about ways to represent issues (social, political, scientific) in museum settings. Museums often pursue the dual goals of presenting accurate, objective information while encouraging visitors to think for themselves, take a stand, engage with the issue at hand. But is stand-taking always right for museums?

Issue 20

Issue Design Question Museum 20

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. Every non-spammer editor who signed up was granted full access to change and comment on the content.

Participatory 33

Participatory Museum Process Experiment 33

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2013

Many of you, especially those in greater Chicago, may be familiar with the Data Analysts for Social Good group that Andrew Means founded in May 2012. By the time we all arrived at the event, Heidi had created a separate collaborative note-taking doc for each session, and one that served as a table of contents.

Conference 111

Conference Data Attention Report 111

Museum 2.0

OCTOBER 26, 2009

Here's the basic idea: while you are at the museum, you save digitizable content--either content you make (photos of yourself) or content you collect (museum-supplied text or media of interest). It's an outpost for some cheap content, and that's immediately obvious to me when I get there.

Personal 34

Personal Museum Pledge San Jose 34

Museum 2.0

MARCH 2, 2009

Many museums are experimenting with “back channel” platforms that allow visitors and staff to chat and share content while onsite at the museum. To investigate a content experience more deeply using a different set of tools than those used to convey the content. The back channel isn’t just a social space.

Channel 20

Channel Museum Conference Education 20

Museum 2.0

FEBRUARY 2, 2009

Here's a problem many museums would like to solve: How do you design an intuitive way to give visitors unique IDs so that visitors can receive personalized content and feedback and institutions can receive real-time data tracking on visitor behavior? It's not a new problem. Define the core technology that aligns to your mission.

Personal 24

Personal Program Museum Project 24

Museum 2.0

FEBRUARY 27, 2013

I just finished listening to This American Life 's incredible two-part series about gun violence at Harper High School in Chicago. All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects.

Museum 53

Museum Story Captivate Artist 53

Museum 2.0

JULY 17, 2008

Traditional exhibition design, in which the museum has a specific story or message to tell, doesn't easily accommodate visitor co-creation. This realization--that a single museum voice was not the best way to tell a particular story--formed the basis for MN150 , the exhibition explored in this post.

Interview 21

Interview Minnesota Museum History 21