Media Cause

SEPTEMBER 29, 2021

What were structures in places at the time? . To look at design’s diversity problem without discussing current and former power structures is to ignore the root causes and only treat the symptoms. By stripping away extra details and embellishments, we ultimately create the ideal user experience. But At What Cost?

Design 52

Design System Structure Ratio 52

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

The same constructs which were discussed around combating issue fatigue can be used in creating a cultural movement around an issue. Creating a sustainable engagement platform within your existing structure takes time, creativity and dedication. that effective cultural movements move. 3) What are you trying to change?

Culture 84

Culture Build Change Media 84

Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

Artist 49

Artist Museum Proposal Participatory 49

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 22, 2013

Is it only used by people with artistic talents and graphic design skills? Anyone can be a designer! His response: Looking: Observing human experience. Using structured brainstorming methods can lead to innovative ideas for nonprofit programs, platforms, and strategies in any area. What was your experience?

Design 128

Design Strategy Digital Technique 128

Tech Soup

JULY 6, 2012

As recently noted by Frank Barry of Blackbaud, technology plays a key role as the art and culture sector engages its audience. To have in place the starting point for an app to create a seamless visitor experience at the biennial. Siembieda-Gribben structured the hackathon to maximize learning and shared knowledge.

Arts 58

Arts Tech San Francisco Proposal 58

Museum 2.0

OCTOBER 17, 2012

Visitors' interactions allow them both to personalize their museum experiences and to engage with other visitors through their shared interests. From 2006-2011, I focused almost entirely on #1 and #2, playing with ways to invite visitors to actively participate with professionals to co-create powerful experiences around museum objects.

Museum 47

Museum Artist Remix Professional 47

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. How do we leverage the “rain” of culture change?3. How might we reimagine our goals so they aren’t trapped by old power values and/or culture?

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. We work hard to name and build our culture in many ways. Naming our goals and our culture. Sometimes it is.

Museum 49

Museum Director History Teen 49

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. It was an evening meeting with beer and chips. Then, we went honeycomb-crazy.

Program 49

Program Community Design Museum 49

Museum 2.0

FEBRUARY 15, 2012

I'm personally most excited about the two types of interns who will be reporting to me: Community Research interns, who will start developing a methodology for us to use to understand how people in Santa Cruz connect with arts and culture experiences and what role the museum can play in satisfying their interests.

Museum 34

Museum Participatory Arts Attitude 34

Connection Cafe

OCTOBER 8, 2013

Product Marketing Manager for Arts and Cultural Solutions. Laura’s experience working at and serving on the board of multiple arts organizations around the country shape her insights into the nonprofit community. Met the artist? Guest post by Laura Beussman , Blackbaud’s Sr. Could they have parked for free? Let them know!

Costa Rica 46

Costa Rica Tips Arts Culture 46

Museum 2.0

JANUARY 24, 2011

In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform. That said, the fact that we work with contemporary artists can also create a lot of stress in our institutional systems.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

APRIL 29, 2015

We had incredible success transforming our institution into a vibrant cultural center. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

Museum 2.0

SEPTEMBER 18, 2013

This post shares some of the most interesting questions I''ve heard throughout these experiences. I honestly think the only kind of cultural institution that cannot support audience participation is one in which staff members don''t respect visitors or what they have to contribute. Yes and no.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

SEPTEMBER 28, 2011

She doesn't have a specific idea for a partner event or exhibit, but she feels like we have a lot to offer each other in terms of publicity and a shared focus on enhancing cultural experiences in the community. And she wants to do it now--in the next two weeks. I want to say yes. In fact, I do say yes. What will we harden into?

Phase 38

Phase Library Museum Homeless 38

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. I honestly think the only kind of cultural institution that cannot support audience participation is one in which staff members don't respect visitors or what they have to contribute. Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 9, 2009

I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. Unlike startups and rock stars, museums aren't structured to shoot for the moon and burn up trying. This is the model that governs most businesses and artistic endeavors.

Model 55

Model Business Los Angeles Museum 55

Connection Cafe

SEPTEMBER 24, 2020

As we head into the final months of 2020, some parts of the country are opening up more than others, consumers are itching to get out of their homes, and arts and culture organizations are at a pivotal moment in planning for their comeback. Q: As sales and marketing restart, what do you expect will be the major changes?

Arts 30

Arts Culture Organization Stream 30

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year!

Celebrate 67

Celebrate Award Colorado Museum 67

Museum 2.0

FEBRUARY 12, 2009

This week, an interview with Brooklyn Museum 1stfans managers Will Cary (membership) and Shelley Bernstein (technology) and artist An Xiao. So you weren't targeting "Brooklyn artists" or some other demographic group. T he Twitter Art Feed features a new artist every month. How are you selecting and rewarding these artists?

Museum 24

Museum Audience Program Artist 24

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year!

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

JUNE 16, 2020

Among other highlights, it was an honor to lead the ambitious AR project Lumin , which helped us, and the field at large, to confirm that it is possible to create meaningful AR experiences , even when technology has some catching up to do. I understand the field at large is struggling to catch up with the demands of digital resources.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." From my perspective, It Is What It Is was not designed with sufficient structure to robustly and consistently support dialogue. No one approached the volunteers.

Iraq 28

Iraq Challenge Museum Library 28

Museum 2.0

MAY 8, 2009

He points out that coin operation: encourages visitors to make an "investment" in their selections and incentivizes them to really pay attention to the experience so they can "get their money's worth." Pop in your quarter, and you become the short-term owner of the experience. changes the perception of who "owns" art.

Content 20

Content Ideas Museum Model 20

Museum 2.0

NOVEMBER 9, 2007

My interest in gaming in museums was ignited by working on Operation Spy, an immersive, narrative, live-action game experience at the International Spy Museum, and fueled by the CSI:NY virtual experience. The Open Source Museum project at The Tech is a grant-funded grand experiment. Viva the distributed conversation!

Open Source 22

Open Source Museum Game Open 22

Have Fun - Do Good

JUNE 7, 2006

We also run after school programs, where we have curriculum that is based on teaching youth –mostly elementary and middle school aged kids – about community service and civics and cultural awareness. I took a few groups out on Warped Tour in the summer of 2002 as an experiment, and things have just sort of grown since.

Teach 40

Teach Campaign Info Volunteer 40

Museum 2.0

OCTOBER 22, 2008

Experimental trails on humans Historical antecedents to modern day “hot button” topics Lecture series Population growth (down arrow) What technology is developed reflects the political structure of a society and its values An exhibit of a plastinated cow or pig as part of a larger Children’s museum exhibition on agriculture.

Museum 20

Museum Professional Teen Map 20

Museum 2.0

JULY 24, 2012

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. But what if the "traditional" arts experiences is a myth? What if historic arts experiences were actually a lot more participatory?

Greece 51

Greece Arts Industry Participatory 51

Have Fun - Do Good

OCTOBER 1, 2006

Louis is a traditional artist and I was in the journalism field. We put up a website; we did not even have any practical experience in the field, but we put up a website and said that we only serve progressive non-profits. Jonah: I started Free Range with a friend of mine, Louis Fox, when we were 22 years old.

Storytelling 40

Storytelling Causes Interview Free 40

Non Profit Quarterly

AUGUST 10, 2022

The term platform cooperativism is relatively new, introduced in 2014 by Trebor Scholz, associate professor of culture and media at the New School in New York City. For instance, Stocksy United, a platform cooperative for photographers, videographers, and artists generally, has a fair wage distribution system for members. 9</sup).

Platform 140

Platform Technology United States New York 140