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A Decade of Museums and Museum Work

Museum 2.0

I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. The work is 24/7 and the pay can be 7/11.

Museum 21
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Our Museum: Extraordinary Resources on How Museums and Galleries Become Participatory Places

Museum 2.0

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. This made the work more urgent, fragile.

Museum 20
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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. and "why?"

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Making Museum Tours Participatory: A Model from the Wing Luke Asian Museum

Museum 2.0

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

Museum 51
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One Simple Question to Make Your Work More Participatory

Museum 2.0

Photo by CLoé Zarifian, MAH Photo Intern We're working with a guest curator, Wes Modes , on an upcoming experimental project at our museum. Wes is an artist, and this is his first time running a museum exhibition development process. This is the question I ask myself anytime I'm working on something with a participatory intent.

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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

Experienced poets worked hard to bring their best to the stage, and they got honest feedback from a motley gang of peers and spectators. Others lavished praise so indiscriminately that poets were never challenged to improve or bring forward new work. Some were so exclusive that it was impossible to feel welcome as a newcomer.

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Reimagining Museums with Latin America Leading the Way

Museum 2.0

Courageous speakers from dozens of countries described bold, participatory projects. El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. They were doing the work. I find North American museums to be risk-averse.

Museum 40