Museum Participatory Photography Work 
Museum 2.0
AUGUST 22, 2012
It's the end of the summer, which means we are sadly bidding farewell to our fabulous summer interns, getting lonely and scared about how we will possibly do amazing work in the coming months without their brilliance, ingenuity, and creativity. I'm particularly excited about two internships that relate to participatory exhibition design.
Museum 2.0
JULY 11, 2012
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
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Museum 2.0
APRIL 20, 2009
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. How does their work relate to their physical institutions?
Museum 2.0
NOVEMBER 8, 2011
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
Museum 2.0
AUGUST 20, 2009
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Conservation: Objects may be damaged by flash photography. Yes, some people (especially vocal museum staff!) But what about visitors?
Museum 2.0
JULY 1, 2011
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.
Museum 2.0
OCTOBER 15, 2009
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity.
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