Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 20, 2009

A Brief History of Hash Tags Chris Messina ( @chrismessina) is credited with starting hashtags and has written about how to make them most useful. Others are more formal, structured conversations that happen weekly at a particular time. #4change is a regular chat about social media change. What are your best resources about hashtags?

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Twitter Foundation Effective San Diego 95

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I wrote The Participatory Museum in response to this energy--to put together case studies in the context of a design framework so we could talk as a field about what works and why.

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Museum Question Participatory Evaluation 45

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Participatory work can be very labor-intensive. We have prioritized opening up to as many partners as possible through collaborative structures that scale. institutional change Museum of Art and History'

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Museum Director History Teen 49

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. Six goals for MAH community programs.

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Program Community Design Museum 49

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Fabulous!" "But This is incredibly scary.

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Audience Museum Oakland Participatory 40

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me.

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Build Community Museum Artist 20

Museum 2.0

NOVEMBER 2, 2011

We're seeking great folks for public programs, participatory exhibit design, online marketing, 3D design, and whatever else you might have to offer. At our museum, we don't provide a lot of structured mentorship for interns. At this time, we're not ready to offer people highly structured internships. We might never get there.

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Museum Student Participatory Structure 35

Museum 2.0

MAY 3, 2011

Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way.

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Story Interview Museum Audio 53

Museum 2.0

OCTOBER 29, 2009

Unconference sessions , featuring topics as diverse as "playing an ARG" (with real labyrinth adventures ), "engaging visitors who were dragged to the museum," and "measuring and defining success in participatory projects." That said, the phrase "structured opportunity" is where MuseumNext suffered most. Facilitator bits.

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Facilitation Reflection Museum Participatory 32

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

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Participatory Museum Arts History 53

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.

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Slides Participatory Museum Children 20

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." Tags: Talking to Strangers design participatory museum usercontent interactives. A lone "What do you think?" What have you seen work well, and what have you seen fail?

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Design Goal Difference Platform 31

Museum 2.0

NOVEMBER 2, 2008

at the Brooklyn Museum , Tech Virtual at The Tech , and MN150 at the Minnesota History Center. (By Institutions tying their online and onsite activities, as the Ontario Science Centre did when it hosted a YouTube meetup , or the Smithsonian American Art Museum did when they developed an alternate reality game. There is funding.

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Museum Voice Minnesota Participatory 20

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. It is our turn to make history. General / #NI16 / @netimpact.

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Conference Calendar DC Washington 111

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is a slim 12 pages on the common characteristics of arts organizations that successfully and continuously engage diverse audiences.

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Report Malaysia Memphis Museum 52

Non Profit Quarterly

NOVEMBER 17, 2021

a democratically structured non-profit which issues the local currency; the Schumacher Center (which retains its affiliation with BerkShares, Inc.); Beyond the direct advantage to small merchants, digital BerkShares’ competitive fee structure is meant to keep more area capital at work in the Berkshires.

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Local Digital Experiment Alternative 104

Museum 2.0

JULY 24, 2012

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. But what if the "traditional" arts experiences is a myth? What if historic arts experiences were actually a lot more participatory?

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Greece Arts Industry Participatory 51

Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. There are many different models, including The Pop-Up Museum of Queer History , The New York Met , SF Mobile Museum , and even a Pop Up Prison Museum.

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Museum Grant Lesson History 49

Museum 2.0

MAY 28, 2014

For a long time, I’ve admired their ambitious work, from exhibitions on complex topics like network science to integration of contemporary art into their galleries to incredible dedication to advancing the careers of diverse youth in Queens. I was struck by how this is partly interactive, but within a structured, linear narrative.

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Help Museum eBook Project 45

Museum 2.0

NOVEMBER 25, 2008

I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. Much to my mom's relief, I stayed in school but remained deeply suspicious of the artificial structure of grades and gold stars. There are many parallels between free-choice learning and participatory design.

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Museum Alternative Education University 29