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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

And, the focus of MEL is generally on evaluating grantee projects or organizations, rather than on the grantmaker and its practices. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. It promotes mutuality instead of extraction.

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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). One of the things I always focus on in participatory exhibit design is ensuring that everyone has the same tools to work with.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

How do you measure the value of that experience? Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. This post shares some of the highlights from the project and from Anna''s research. THE BASICS The Memory Jar project was simple.

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Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. You can explore the projects in full on the class wiki.

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The Art of Relevance is Now Available For Free on the Web (and Here's Why)

Museum 2.0

You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. Take five minutes and learn how the Science Museum in London created better experiences for deaf visitors. It's finally here!

Arts 40
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Is it OK to Smash That? The Complications of Living Art Museums

Museum 2.0

His project, Is It Necessary? It''s a powerful experience for those who participate. I thought about all of this when reading about the recent incident at the Perez Art Museum Miami, where artist Maximo Carminero smashed a vase by Chinese artist Ai Wei Wei in an unauthorized act of visitor participation. Absolutely.

Museum 50
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What Happens When a Viral Participatory Project is Too Successful? Diagnosing the Power of the Love Locks

Museum 2.0

Last week, the international press lit up with a story from Paris : the city is removing the "love locks" from the Pont des Arts bridge. And so, one of the most successful, accidental, and fraught participatory projects of the past decade comes to an end. Your love is memorialized forever. Payoff here is fast and powerful.