Museum 2.0

SEPTEMBER 13, 2011

I'm finding myself really enjoying fundraising because it is fundamentally about inspiring people to participate--and to do so in a way that is significant both for the organization and for themselves. As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization.

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Participatory Practice Fundraising Relationship 39

Museum 2.0

OCTOBER 18, 2011

We decided to approach the label-writing for these boards in a participatory way. note: originally, this said "we're writing a label" but with that phrasing, lots of people wrote creative titles for the surfboards (like the title for a work of art) instead of talking about content of interest.

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Participatory San Diego Museum History 48

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2019

My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience. However, when I have participants that also include physically disabled people who are wheel-chair users, have limited mobility, or blind, I make accommodations to be inclusive and, especially avoid being ableist.

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Detroit Instruction Instructional PPT 77

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Arts Museum Artist Tucson 45

Museum 2.0

JUNE 1, 2016

I've spent the past year on a quest for relevance, diving deep into how organizations can matter more to more (and more diverse) people. The result is a new book, The Art of Relevance , coming out in a few weeks. My last book, The Participatory Museum , did well. I believe The Art of Relevance can go further.

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Arts Advocacy Team Dallas 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Arts Social Media Examples Artist 74

Museum 2.0

OCTOBER 1, 2014

It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way.

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Museum Story Project Design 43

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. The people at Museums and the Web are on the forefront of web-based innovative museum practice. Instead, I found a standard art museum.

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Participatory Museum Web Indianapolis 35

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically." Audience development is not an exercise in concentric circles.

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Audience Museum Oakland Participatory 40

Museum 2.0

JUNE 10, 2015

Last week, the international press lit up with a story from Paris : the city is removing the "love locks" from the Pont des Arts bridge. And so, one of the most successful, accidental, and fraught participatory projects of the past decade comes to an end. The "love locks" are not a project with an institutional or artistic director.

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Participatory Project Artist Instruction 20

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? One hundred years ago, John Cotton Dana, founder of the Newark Museum and godfather of modern museums, famously said: “A great department store, easily reached, open at all hours, is more like a good museum of art than any of the museums we have yet established."

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Museum Audience Music Arts 20

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. The Museum 2.0

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Museum Question Participatory Evaluation 45

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. We continuously and actively respond to requests as well as invite people to be a part of our programs.

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Museum Program Participatory Community 49

Museum 2.0

JULY 23, 2014

But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. What do you do? Or silk production.

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Museum Product Participatory Community 53

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Photo by Marcopolos I'm a few weeks away from SXSW where I'll be leading a session called " Nonprofit Social Media ROI Poetry Slam " which will incorporate a lot of audience interaction. It is being used less for remote participation and more for people in the room. What does this intermediation of dialogues mean?

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Reflection Conference Resource Arts 69

Museum 2.0

DECEMBER 23, 2014

Dustin: About a year ago I met a couple of people from Museum Hack at a conference. They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations.

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Museum Interview New York Interaction 55

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Why should institutions engage with people in this way? This post shares some of the most interesting questions I've heard throughout these experiences.

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Question Participatory Museum Evaluation 49

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Over 13,000 photographs were submitted by 102 photographers at the fifteen different institutions, documenting about 6,200 pieces of art.

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Wikipedia Arts Museum Images 40

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. Photography, video, audio, text, origami, mail art.

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Museum Participatory Artist History 45

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Her mission in her blog has been to rebrand the experience of going to a museum, chasing away the old ideas of a quiet temple of tweedy art appreciation by generating new ideas of what a museum could be.

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Museum History Arts Work 31

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.

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Public Museum Arts History 27

Museum 2.0

MAY 22, 2013

Negotiated agency" strikes me as a really useful framework in which to talk about visitor/audience participation in the arts. You tell people they can''t take photographs in the gallery or the performance, but the phones sneak out , covertly or defiantly, to reassert personal control of the experience.

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Game Artist Museum Participatory 40

Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.

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Reflection Community Museum Participatory 43

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. People wanted a fire festival, so we did a fire festival. were shamelessly resourceful.

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Museum History Arts Artist 47

Museum 2.0

FEBRUARY 29, 2012

We wanted to share with people, in as clear and transparent a format as possible, our approach to developing exhibitions. If you are working with us as an artist or contributor to an exhibition, you should expect that museum staff will create multi-modal, interdisciplinary, participatory, immersive, and social experiences around your work.

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Museum Artist Participatory History 38

Museum 2.0

OCTOBER 31, 2012

In July of 2013, the MAH will host our first You Can't Do That in Museums Camp (or better name to be suggested by you), inviting 80 creative people to collaborate on an experimental exhibition. We will also offer a half-day series of workshops on July 10 for a wider audience for $50. The Arts Dinner-vention Project - date TBD.

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Professional Develop Museum Arts 35

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 20, 2009

It is also a Twitter term that describes a keyword, prefixed by that symbol, that helps people track conversations on Twitter. Nonprofit Use #2: Sharing Knowledge/Resources As Community of Practice Hashtags can create an ad hoc community of practice or a channel for people in a field to informally share resources or conversation.

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Twitter Foundation Effective San Diego 95

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. avoid superlatives - they make some people anxious). What does freedom mean to you?

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Technique Question Design Develop 50

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 21, 2015

” Her definition of an engaged leader is someone who uses digital, mobile, and social tools strategically to achieve established goals as they relate to leading people and managing organizations. Listen at Scale: How to determine what people need from them and to deepen and enhance their relationship.

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Digital Strategy Chapter Advice 50

Museum 2.0

MARCH 21, 2012

Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. We've increased attendance among people who are new to museum experiences.

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Museum Denver Artist Milwaukee 49

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults.

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Interaction Design Museum Participatory 47

Museum 2.0

SEPTEMBER 27, 2017

There is power IN the platform--power to shape the way people participate. This argument became one of the foundations of The Participatory Museum. This is the participatory platform model. They've created powerful learning experiences, diverse audiences, and new program formats. Nine years later, I still believe this.

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Platform Impact Childhood Museum 31

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. Merilee Mostov and the Columbus Museum of Art. Participatory art and co-creation on the rise.

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Reflection Columbus Museum Participatory 43

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. It is incredibly rewarding work.

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Museum Director Participatory Culture 55

Museum 2.0

NOVEMBER 27, 2012

Do you consider yourself an "activist" for your organization, avocation, or art form? Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. A national election is the ultimate participatory project.

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Product Build Museum Arts 51

Museum 2.0

MARCH 13, 2013

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. We took a HUGE risk when we trusted our audience to help us create something cool, not only on the web, but in a museum.

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Authoring Open Experiment Museum 53

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Taiwan Social 41