Artist Museum Participatory Project 
Museum 2.0
AUGUST 25, 2016
They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.
Museum 2.0
OCTOBER 1, 2014
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.
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Museum 2.0
APRIL 2, 2014
There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. Everything old is new again.
Museum 2.0
FEBRUARY 19, 2014
Every day for the past two months, a man has entered the largest gallery in my museum. The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. His project, Is It Necessary? It also complicates the question of what is acceptable in a museum.
Museum 2.0
MARCH 4, 2015
This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. and "why?"
Museum 2.0
JULY 23, 2014
But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?
Museum 2.0
JUNE 19, 2013
He casts the whole idea of a great jazz jam in the context of the tragedy of the commons--like a poetry open mic, the jazz club is a community whose experience is fabulous or awful depending on the extent to the culture cultivates and enforces a healthy participatory process. This is an issue we are actively grappling with at our museum.
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