Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. The event involved over fifty artists throughout the building helping visitors make their own paper, write poems, stitch books, etc. you tell me.

Activities 50

Activities Active Activism Participatory 50

Museum 2.0

OCTOBER 24, 2012

They can contribute their own stories, objects, and creative work to exhibitions. We actively seek participation and develop structured opportunities for visitors to collaborate with us. Visitors can comment on how we can improve or what they would like to see. That's all fabulous, but it's also all by design.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

JANUARY 24, 2011

In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform. That said, the fact that we work with contemporary artists can also create a lot of stress in our institutional systems.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. We have prioritized opening up to as many partners as possible through collaborative structures that scale.

Museum 49

Museum Director History Teen 49

Museum 2.0

APRIL 29, 2015

We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

Nonprofit Tech for Good

DECEMBER 14, 2022

You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. This can include the history of the organization, testimonials, ways to access important documents or files held by the nonprofit, stories of impact, personalized swag, and a welcome letter, or more.

Donor 343

Donor Sponsor Accessibility Music 343

Museum 2.0

MARCH 8, 2011

Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. I wanted the details of the residency to be shaped by the people who got involved with it, so it needed a structure with an edge that could be pushed against in different directions.

Interview 37

Interview Museum Badge Game 37

Have Fun - Do Good

JANUARY 30, 2009

Jennifer is a certified coach, artist and yogini based in Oakland, California. There is a story about lions in the Savannah in Africa. Figure out how you can collaborate with them, and tap into them in a way that is going to serve your purpose. I know you particularly work with entrepreneurs and artists, yes?

Brain 41

Brain Life Artist Advice 41

Museum 2.0

SEPTEMBER 18, 2013

Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. This kind of engagement ladder provides a structured framework for participation without overly constraining how people get involved.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. This kind of engagement ladder provides a structured framework for participation without overly constraining how people get involved.

Question 49

Question Participatory Museum Evaluation 49

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 67

Celebrate Award Colorado Museum 67

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

JUNE 16, 2020

At large, I am proud of the countless hours of cross-departmental and community collaborations that will inspire me forever, hand-in-hand with colleagues who have invested their best efforts on behalf of the people we are committed to serving. The entire system and structure of this country has been built on racism.

Museum 22

Museum Detroit Arts Leadership 22

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

Public Insight Network in Minnesota is a network of 75,000 people who help make Minnesota Public Radio News by sharing their observations, insights, and experiences with reporters and editors who may share these insights through a story or on the web site. Does crowdsourced creativity reach a different (younger) and new audience segment?

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

MAY 14, 2007

Two things struck me about these exhibitions: the prominence of story and the individual creator. Several were created or conceived by a single person, often an artist/non-museum professional. The exhibitions that change our lives share this same oneness of story. It doesn't avoid emotional or potentially uncomfortable content.

Life 20

Life Create Change Museum 20

Have Fun - Do Good

JUNE 7, 2006

We also work with groups like Oxfam and their Make Trade Fair Campaign , Doctors without Borders , the ACLU , Global Exchange and this summer will be collaborating with Witness , Greenpeace , the NRDC and others. I’m responsible for the building and maintenance of relationship with artists, artist management and tour production crews.

Teach 40

Teach Campaign Info Volunteer 40

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. Collaborator. Their stories are the museum. Museums are changing.

Museum 82

Museum Arts Artist Conservancy 82

Have Fun - Do Good

OCTOBER 1, 2006

We've been friends since we were seven, so we already had a very long collaborative history. Louis is a traditional artist and I was in the journalism field. Britt: That is one of your best known success stories. What's a lesser known success story? How can we tell the story in a way that's never been told before?"

Storytelling 40

Storytelling Causes Interview Free 40