Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. The program is an experimental playground that bridges artists, students, chefs, comedians, hairdressers, bartenders, dancers, wrestlers and even tattoo artists to produce a community-led event. Cardboard tube orchestra at Radical Craft Night.

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Museum Program Participatory Community 49

Museum 2.0

JULY 11, 2012

That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above). He is an authoritative artist of the social web with a slew of accolades and a suite of diverse projects under his belt.

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Museum Participatory Artist History 45

Museum 2.0

MAY 22, 2013

Negotiated agency" strikes me as a really useful framework in which to talk about visitor/audience participation in the arts. Negotiation" implies a respectful relationship between institution (or artist) and user. Sometimes the negotiation can be exploited for artistic means. Patrons clap between movements.

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Game Artist Museum Participatory 40

Media Cause

AUGUST 9, 2021

We develop our skills by seeking, absorbing, questioning, adapting, and experimenting, oftentimes bringing diverse influences together to create something that’s unique for our clients’ needs, but with connections to other relevant spaces. As we look to make an impact, how can we invite community members to create with us from the start?

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Arts Museum Artist Tucson 45

Museum 2.0

MARCH 21, 2012

I used to think these were easy questions to answer. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. Focus on family audiences. Engagement with local artists. What if you WANT them to touch certain things?

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Museum Denver Artist Milwaukee 49

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. These collaborators brought their own audiences along with their abilities, which introduced a lot of new people to the museum. Right now, all we do is count people.

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Museum History Arts Artist 47

Museum 2.0

JULY 12, 2011

This is the question I've been toying with this week. We held a free yoga class in the plaza outside the museum and invited artists to come and draw/paint the yoga-doers in motion. For me, Downward Draw provided an unusual opportunity to examine the more casual end of the participatory spectrum. How many people participated?

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Participatory Museum Measure Activities 41

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults.

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Interaction Design Museum Participatory 47

Museum 2.0

OCTOBER 1, 2014

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. And we realized of course that the majority audience would be watchers, not storytellers. Projects participatory museum storytelling usercontent'

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Museum Story Project Design 43

Museum 2.0

DECEMBER 15, 2014

Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” We urge museums to consider these questions by first looking within.

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Museum Blogger Cleveland Missouri 52

Museum 2.0

SEPTEMBER 21, 2016

They were there for artist talks. Temple Contemporary’s mission is to creatively re-imagine the social function of art through questions of local relevance and international significance. They live their mission, working in questions and projects rather than exhibitions and programs. The community drives the question.

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Process Share Philadelphia Arts 20

Museum 2.0

FEBRUARY 25, 2015

to experiment with different kinds of events (time of day, audience, size, type) and get a sense of how we can best program the space in the longterm. The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show.

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Public Activities Active Activism 20

Museum 2.0

MAY 9, 2012

It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise.

Reflection 43

Reflection Columbus Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s

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Arts Social Media Examples Artist 74

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment.

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Slides Participatory Museum Children 20

Museum 2.0

APRIL 29, 2015

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

Build 20

Build Community Museum Artist 20

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

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Artist Museum Project Public 39

Museum 2.0

MAY 3, 2011

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. And we realized of course that the majority audience would be watchers, not storytellers. How and why did Object Stories come to be?

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Story Interview Museum Audio 53

Museum 2.0

JUNE 27, 2008

They felt that replacing the keynotes gave them a real opportunity to bring the whole audience together in focused participation which would hopefully spill out and over into the conference as a whole. The groups can use three different approaches: physical, artistic, or traditional word presentation. Where do our eyes go to in art?

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Studies Associations Houston Museum 20

Museum 2.0

NOVEMBER 30, 2009

However, by the end of the first week it was clear that the majority of our audience was hooked. As well as our existing audience, new visitors came just because they wanted to be part of it. It was clear that their publicity had more impact with our audience than our tweeting and Flickr posts. Projects participatory museum.

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Museum Chart Picture Arts 23

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. I learned to appreciate the audience reach of a big institution while vastly preferring the diversity of work and lack of bureaucracy of a small one. Like slam poetry, blogging is writing for an immediate and hopefully vocal audience.

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Museum Boston Participatory Job 52

Museum 2.0

SEPTEMBER 20, 2010

Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. In some cases, the artist is not comfortable, or there are insurance and liability issues. Seeing the installation process was a big one.

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Interview Director Museum Arts 46

Museum 2.0

MARCH 22, 2007

In Chapter 3, McCloud identifies six different methods by which comic artists transition from one panel to another (for example, scene-to-scene or action-to-action). X-Men) and artists. Level 5 is a question mark in my mind. Ideas design participatory museum interactives. Why not also for social engagement?

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Taxonomy Museum Social Wikipedia 20

Museum 2.0

MAY 8, 2013

We''re more successful when we target particular communities or audiences and design experiences for them. In the past, I''ve subscribed to the theory that an organization should target many different groups and types of people to serve a constellation of specific audiences across diverse affinities, needs, and interests.

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Museum Social Arts History 55

Museum 2.0

NOVEMBER 6, 2012

In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. This coincides with the identification of 20- and 30-year-olds as an audience targeted for growth in attendance. What questions or suggestions occur to you?

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Museum Arts Problem Design 45

Museum 2.0

JUNE 24, 2015

To learn more, I interviewed Brooklyn Museum project partners Shelley Bernstein, Vice Director of Digital Engagement & Technology, and Sara Devine, Manager of Audience Engagement & Interpretive Materials. Send in your question, and it can be days before the artist or curator responds with an answer.

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Museum Arts Interview Test 20

Museum 2.0

APRIL 19, 2010

"How often do we hear colleagues from museums and galleries stating as their fundamental reason for working co-creatively with audiences that they want to make a great piece of museum work, rather than primarily for reasons of social inclusion or democracy?" It's an argument I wholeheartedly support. was the most overwhelming answer.

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Arts Participatory Museum Artist 22