Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

Artist 49

Artist Museum Proposal Participatory 49

Museum 2.0

APRIL 26, 2018

One that has found remarkable success is California’s Santa Cruz Museum of Art & History. Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others.

Audience 49

Audience Washington Museum Intergenerational 49

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

Museum 45

Museum Participatory Artist History 45

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Guest Post by Vincent Stehle. The recent passing of iconic protest singer Gil Scott Heron reminds us, as he so memorably sang, “The revolution will not be televised.”

Guatemala 93

Guatemala Movie Artist Award 93

Museum 2.0

APRIL 10, 2013

The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. Participatory Performing Artist-in-Residence program. Museum of Art and History Quick Hits' It''s the typical temperature here all spring, summer, and fall.

San Francisco 23

San Francisco Participatory Artist Museum 23

Museum 2.0

MAY 10, 2011

It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution.

Museum 53

Museum History Participatory Arts 53

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. full description here , photos from the event here ).

Activities 50

Activities Active Activism Participatory 50

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. In the fall of 2013, they launched Re:Make , an ambitious project to redevelop the museum, live, on the floor, with a mix of staff, guest artists, and community members. They see it as the future of their museum.

Museum 53

Museum Product Participatory Community 53

Museum 2.0

FEBRUARY 29, 2012

In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process. We knew internally that we wanted our exhibitions to become more interdisciplinary, more participatory, and more responsive to audience needs.

Museum 38

Museum Artist Participatory History 38

Museum 2.0

MARCH 20, 2013

This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. Perry describes me as the "conductor" of a community-programmed orchestra.

Story 31

Story Georgia Participatory Museum 31

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. design new programs with a focus on history.

Museum 47

Museum History Arts Artist 47

Museum 2.0

FEBRUARY 11, 2015

INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Video/Photo.

Participatory 20

Participatory Community Museum History 20

Museum 2.0

OCTOBER 23, 2018

We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. This project wove together many different participatory threads. Short story: we learned a lot. We wrote a toolkit about our process. What did we learn?

Issue 45

Issue Childhood Community Create 45

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. People love petting zoos.".

Museum 51

Museum Arts History Columbus 51

Museum 2.0

FEBRUARY 15, 2012

We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. This could be a serious research opportunity for someone interested in impact assessment, community attitudes towards the arts, and the role museums can play in transforming communities.

Museum 34

Museum Participatory Arts Attitude 34

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Artists work incredibly hard to produce their work. This isn't even participatory.

Design 45

Design Participatory Learning Instruction 45

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

MARCH 21, 2012

Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. The level of touching, especially of art, has increased. Engagement with local artists.

Museum 49

Museum Denver Artist Milwaukee 49

Museum 2.0

DECEMBER 15, 2014

Schools and other arts organizations are rising to the challenge. Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.”

Museum 52

Museum Blogger Cleveland Missouri 52

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. Riding the art couch through downtown Santa Cruz with two visitors and a dog while blasting the Jackson 5 was one of the highlights of my year. Visitors can comment on how we can improve or what they would like to see. Happening Couch. Here's a picture of it in action.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

DECEMBER 26, 2012

I LOVE the way the James Irvine Foundation presents their lessons learned from grant-making in the Arts Innovation Fund program. This is just a super-interesting review of an exhibition of damaged art. What happens to objects when they are no longer art? What happens to objects when they are no longer art?

Denver 33

Denver Museum Arts Participatory 33

Museum 2.0

JULY 23, 2019

Today, I wanted to think about participatory elements, something so essential to this blog. Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums. In this case, I find the most interesting ones to be made by artists.

Museum 35

Museum Participatory Interaction Classroom 35

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. Merilee Mostov and the Columbus Museum of Art. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise. History and science museums. I host dating games.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

JANUARY 18, 2012

There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. There's a huge difference between the edgy, DIY beauty of Candy Chang 's participatory urban artworks and the dayglow colors, exclamatory language , and preschool fonts of most museum interactives.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

MAY 3, 2017

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. Working with creative people taught me to think like an artist: observe, explore, dive in, look out. We develop the ideas. We develop the projects.

Develop 20

Develop Artist Participatory Blended 20

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County.

Museum 49

Museum Director History Teen 49

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I wrote The Participatory Museum in response to this energy--to put together case studies in the context of a design framework so we could talk as a field about what works and why.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. Six goals for MAH community programs.

Program 49

Program Community Design Museum 49

Museum 2.0

DECEMBER 14, 2011

We often avoid drawing as a community art activity because visitors can get really judgmental of their own abilities, and our staff just felt that this might be too hard. These are both busy people, and while they are very artistic, neither is a crack drawer. They wanted to drop the activity.

Participatory 43

Participatory Classroom Help Artist 43

Museum 2.0

OCTOBER 31, 2012

The Arts Dinner-vention Project - date TBD. This one was cooked up by Barry Hessenius, former director of the California Arts Council and public art blogger extraordinaire. Barry is asking the universe to send him names of "unheralded arts sector leaders" to be considered for an all-star dinner party in 2013.

Professional 35

Professional Develop Museum Arts 35

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. Showing that their voice matters.

Build 20

Build Community Museum Artist 20

Museum 2.0

FEBRUARY 25, 2015

The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show. creative placemaking design Museum of Art and History programs public space' multiple times per week.

Public 20

Public Activities Active Activism 20

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. It’s not unusual for us to meet with an environmental activist, a balloon artist, a farmer, and the Mayor of Santa Cruz all in one day. Large and small (or no) followings.

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

AUGUST 14, 2013

We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. He''ll be able to watch how certain activities evolve into coordination and what kinds of histories the people who most easily coordinate have in common.

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

OCTOBER 13, 2010

Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. Nothing warms my heart like seeing outtakes of a guy trying to scale the walls of MSI, or a man spinning a yarn about his family's long history sleeping in museums. Museum staffers.

Museum 34

Museum Contest Video Chicago 34

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Fabulous!" "But This is incredibly scary.

Audience 40

Audience Museum Oakland Participatory 40