ASU Lodestar Center

AUGUST 3, 2016

Also, the importance of telling your own story with your own voice. I was a graduate student at the Maryland Institute College of Art (MICA) when the school opened a satellite building in Middle East Baltimore, an under-resourced neighborhood, with the hopes of it serving as a hub for community arts.

Baltimore 40

Baltimore Student Arts Lecture 40

Museum 2.0

FEBRUARY 18, 2010

They exploded, speaking all in one voice: "I don't even like ordering food in a restaurant." "I They were nervous but ready for the challenge, and when I explained the idea of social objects (external objects that can be the basis for conversation) they got pretty engaged in the activity.

Life 21

Life Teen Culture Attitude 21

NTEN

AUGUST 3, 2011

One of their key objectives is address issues that affect teens and give them some tools to negotiate them. This opens up the field on what we as a studio can tell stories about and the ways in which we tackle those stories. This audience spends a great deal of time online, often playing games.

Game 68

Game Change Interview Broadcast 68

Museum 2.0

APRIL 7, 2009

The exhibit opens. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation. Museum invites community members to participate in the development and creation of an exhibit. It looks like a traditional exhibit.

Participatory 27

Participatory Design Difference Museum 27

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. The space is full of funky, period-ish furniture, everything touchable, everything open to sprawl on or hang out.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

APRIL 18, 2008

The back-channel was an especially active and important part of the conference this year. The Walker Art Center is turning its teen website over to the teens. You can drag a literal splitter bar across the page and view a community-created site blinged out by the teens or the business site for funders and professionals.

Museum 20

Museum Web Teen Flickr 20

Museum 2.0

NOVEMBER 7, 2010

At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. Eventually, they had an opening for "Exhibits and Programs Associate"--a low-level jack of all trades position supporting the department. It was going to be developed by contractors and overseen by Anna.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

AUGUST 7, 2008

Yes, the Exploratorium is also present in these arenas as a "talker" (more on that next week), but it is just one voice among thousands. When I watch the videos teens created at the Exploratorium and post on YouTube, I see the aspects of the exhibits they thought were most important to share with their classmates. and opportunity.

Museum 20

Museum Teen Second Life Discussion 20

EveryAction

MARCH 16, 2017

Invest in organizations like Women Made Gallery , American Women Artists , the Professional Organization for Women in the Arts , WGAW , and the National Museum of Women in the Arts which help give a voice and a future to female artists worldwide. Anika Rahman is a Bangladeshi-American lawyer and prominent voice in the ecofeminism movement.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

MAY 5, 2009

learning to enter open, personal relationships with participants. In the case of MN150, staff historians worked actively to verify and connect with contributors on any contentious topics. The room was suddenly and incredibly buzzing with hundreds of voices, hundreds of people giving each other ideas.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

JUNE 12, 2012

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. With one exception, no single activity cost more than $30 to produce/maintain. We cut it in the first week after opening. Some are conceptual (i.e. making a special gift).

Participatory 51

Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2009

American Open Challenge is GlobalGiving's second online giving contest. It's open to 501c3's serving U.S. Brian talks about how those of us active in the real-time Web experience an evaporation of attention span and our ability to digest and respond to everything that moves us. Global Voices Bloggers Mentor Others.

Nptech 91

Nptech Social Media Ning Media 91

Bloomerang

JULY 17, 2021

Full Transcript: Steven: You’ll hear a robot voice. So I can tell y’all that stuff, y’all, but I’ll tell you my most important job and how I really, really learned to hone my leadership skills was as solo mama to this teen who, my friends, she has the mack daddy of all summer jobs. Kishshana: Go ahead.

Management 94

Management Work Video Slides 94

Museum 2.0

APRIL 30, 2007

If you had one youth educator, would you expect them to develop and run overnights AND scout programs AND teen programs AND toddler programs AND outreach AND… of course not. And the more people get involved, the more diverse voices are reflected and the more staff feel connected to and empowered by the institution. Keep statistics.

Museum 20

Museum Advice Interview Web 20

Bloomerang

APRIL 2, 2021

COVID-19, even though things are opening up and hope is kind of on the horizon, it has changed how, and why, and how much we are online. Things are opening up. If you have a tween or a teen, I’m sure you’re familiar with TikTok. Put it on TikTok, wherever it is that you are active. But you can say actively.

Social Media 83

Social Media Trend Video Marketing 83