Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum Program Participatory Community 49

Museum 2.0

SEPTEMBER 9, 2010

Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. In this post, Jasper shares some lessons learned from a recent experiment to design a more social comment station.

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Museum Comment Experiment Participatory 34

Connection Cafe

MAY 29, 2014

Last week I had the opportunity to attend and present at the Association of Children’s Museums annual conference, #interactivity2014, with Julia Kennard, CFO from EdVenture, Carole Charnow, President and CEO from Boston Children’s Museum and Katie Boehm, Annual Fund & Events Manager from KidsQuest. So that’s the theory.

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Museum Interaction Associations Donor 33

Museum 2.0

SEPTEMBER 4, 2012

This morning, I checked in on the Pocket Museums on our museum's ground floor. After I took down all the "kick me" and "kick it" post-its covering the Pocket Museum title label in the men's room, I realized that this is the perfect example of an A-to-B test for gendered response to a participatory museum experience.

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Museum Difference Examples Participatory 47

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. In the meantime, here are some.

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Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.

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Museum Director Participatory Culture 55

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

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Museum Roles Game Participatory 51

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.

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Museum Participatory Interaction Classroom 35

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 17, 2009

The SXSW Interactive Festival (scheduled March 12-16, 2010 in Austin, Texas) is a mega huge social media industry event. There's quite a buzz right now about whether or not " Slacktivism " doing activism online, all the time - can effect change. A panel of experts will debate the pros & cons of couch potato activism.

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Comment Social Media Jordan Cancer 95

Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Forum One

NOVEMBER 3, 2022

The Davey Awards are sanctioned and judged by the Academy of Interactive and Visual Arts , a top-tier body of select professionals from the “Who’s Who” of acclaimed media, advertising, and marketing firms. in an interactive activity to consider challenging questions about race, identity, and economic justice over a meal.

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Award Washington National Drupal 77

Museum 2.0

JULY 8, 2015

I wanted to open up conversation about how we judge the relative ethics of various sources of museum revenue--all of which have moral grey areas. but it taught me even more about online interaction. 20 people commented on it. Some people actively play, share, collect, or gather online content. of game viewers commented.

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Game Museum Participatory Comment 20

Forum One

NOVEMBER 21, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Pacific Science Center. Silver – Science Website.

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Award Colorado Washington Children 46

Forum One

NOVEMBER 18, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Pacific Science Center. Silver – Science Website.

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Award Colorado Washington Children 46

Museum 2.0

OCTOBER 10, 2016

Museum technology nerds: this post is for you. I've been thinking recently about distributed content experiences--ways for people to interact with museum content (art, history, science, etc.) as they make their way through the world outside the museum. At the museum? but none of them are great. Who's tackling them?

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Museum Experiment Digital Podcast 20

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Some community artists even helped install the space.

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Denver Museum Arts Collaboration 35

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

NTEN

JULY 14, 2011

In the end, the site cataloged and accepted YouTube videos, plus allowed users to share and comment. Each interaction has helped to shine a national spotlight on the tragic frequency of LGBT suicide. The United States Memorial Holocaust Museum had 1100 pictures of children who were victims of the Holocaust. Most Jewish.

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Social Media Websites Integration Media 99

Museum 2.0

AUGUST 6, 2014

MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. Some of these experiments didn''t yield anything useful, but some were surprisingly helpful proxies for complex human interactions.

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Museum 2.0

DECEMBER 6, 2009

This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. The Denver Community Museum (DCM) was a grassroots operation in almost every sense. This post shares her reflections on the project, its design, and its impact.

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Denver Museum Community Participatory 29

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Ze was really hands-on with everyone, giving hugs, taking photos, jumping in to do activities with participants. The activities had a really low barrier to entry.

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Reflection Community Museum Participatory 43

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. Visitors can comment on how we can improve or what they would like to see. We actively seek participation and develop structured opportunities for visitors to collaborate with us.

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Platform Open Museum Participatory 41

Museum 2.0

AUGUST 8, 2012

A woman walks into your museum. Last time she had a kid with her, and he got chalk all over his hands from the mosaic activity they did with a volunteer. They wrote a comment about their experience that got turned into a bird by other visitors in the public sculpture hanging in the middle of the museum.

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Museum 2.0

SEPTEMBER 3, 2014

Whoever wrote this comment card: thank you. Each of these activities invited contribution on a different level. In my experience, offering many different forms of participation garners more quality interactions. design exhibition Museum of Art and History participatory museum usercontent' You made my month.

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Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We just started to try to live up to that vision, partnership by partnership, activity by activity.

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Audience Museum Participatory History 47

Museum 2.0

JANUARY 27, 2011

His foundation supports a private museum that is rarely open to the public. While there are many ways for museums to reach new audiences, when it comes to specialized knowledge, it's often a question of reaching the niche who care deeply about German watches from 1822 or the evolutionary shift in raccoon striping over time.

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Wikipedia Content Museum Artist 54

Museum 2.0

FEBRUARY 29, 2012

Last month, MAH curator Susan Hillhouse and I sat down and wrote an exhibition philosophy for our museum. Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history.

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Museum Artist Participatory History 38

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Please share yours in the comments. Different activities need different levels of materials to appear "open for business." I keep visitor comments in my office. If you don't need them, dump 'em.

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Design Participatory Learning Instruction 45

Museum 2.0

AUGUST 9, 2011

Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. Lisa was thrilled that her work was on display at the museum. We started a pretty fascinating (and yes, a little frustrating) dialogue about the puzzle and the question of what constitutes desired engagement in the museum.

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Museum Arts History Columbus 51

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This is the first time we've had an ongoing activity with a lot of materials (Memory Jars). A million thanks to them.

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Participatory Museum History International 44

Museum 2.0

MAY 15, 2012

Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. I peed, read the sign, and added my comments to the growing list on the wall. My colleagues are responsible, caring people who want our museum to be awesome.

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Culture Build Museum Articulate 53

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

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Museum 2.0

JANUARY 7, 2015

I''m entrenched in a project to build a creative town square in Santa Cruz connected to my museum. When we lose the public space that facilitates it--active sidewalks and thoroughfares--we lose the simplicity of anonymous collisions. My museum''s mission is to "ignite shared experiences and unexpected connections." And loved it.

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Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

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Museum Audience Program Artist 24

Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. When activities were not facilitated, people were often too timid to interact. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. These are all active social endeavors that contribute positive value to the social Web. And yet many museums are fixated on creators. Does that sound like a fun and rewarding casual activity to you?

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Participatory Experiment Museum Teen 50

Museum 2.0

FEBRUARY 26, 2009

This guest post was written by Ruben Huele and describes the scenario-based strategic process used at the Dutch Natural History Museum, Naturalis , to innovate the redevelopment of their permanent collection. Please share your own experiences with alternative strategic planning processes in the comments! Following the Museum 2.0

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