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Getting from “no” to “yes” for climate justice

Candid

Though it sounded cynical and harsh, it also rang true. It also explains how the McKnight Foundation is connecting its participatory democracy work with climate justice efforts in historically marginalized communities. . Making long-term investments, placing an emphasis on unrestricted support. . Not reinventing the wheel.

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Kids, Coercion, and Co-Design

Museum 2.0

There's a constant dialogue in participatory work about how to make peoples' contributions meaningful. I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. Non-Participation 6.

Design 49
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The Engaged Leader: A Strategy for Digital Transformation

Beth's Blog: How Nonprofits Can Use Social Media

As the book points out, while fast, frequent, and informal makes it all sound easy, there is an art to it. Sharing has to help spread authenticity, emotion, and point of view. The chapter includes some great reflection questions: What stories can you share to advance your top goals? This means sharing stories and visuals.

Digital 50
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17 Ways We Made our Exhibition Participatory

Museum 2.0

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. The exhibition is far from perfect, but it's a big step towards reflecting the "thriving, central gathering place" of our strategic vision. The Love Lounge I LOVE.

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Navigation by Recommendation: Lessons Learned from a Little Experiment

Museum 2.0

We talked to visitors and made and placed cards for about half an hour. This was reflected again in a great encounter I had at the Walter's Art Museum later in the weekend, when a silver-haired, well-coiffed lady (the perfect image of a traditional museum goer) told me "I get so annoyed by how quiet museums are. What would you do?

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New Models for Children's Museums: Wired Classrooms?

Museum 2.0

There’s a thriving debate about the role computers should play in children’s museums, with many professionals sounding the alarm about the negative impact of exchanging screen time for tactile environments. All of these have gone through a series of movements in the last 30 years reflecting cultural shifts and expectations.

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Brooklyn Clicks with the Crowd: What Makes a Smart Mob?

Museum 2.0

This highlights the fact that while participatory design is by no means exclusive to the Web, that is the place most of the current experimentation is happening. This may sound obvious, but we all fall victim to featuritis when we get seduced by the idea of live bodies. They kept the interface simple.

Museum 24