Museum 2.0

OCTOBER 29, 2009

Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.

Facilitation 32

Facilitation Reflection Museum Participatory 32

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

Museum 21

Museum Game Structure South America 21

Museum 2.0

MARCH 27, 2013

I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. A key aspect of this rung is the degree to which children are engaged in critical reflection. Non-Participation 6.

Design 49

Design Participatory Children Museum 49

Museum 2.0

NOVEMBER 18, 2014

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

Community 39

Community Story Museum Map 39

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). Some of these challenges were about mission fit.

Wikipedia 40

Wikipedia Arts Museum Images 40

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.

History 74

History Accessibility Museum Award 74

Museum 2.0

SEPTEMBER 20, 2010

Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.

Interview 46

Interview Director Museum Arts 46

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 4, 2009

Unlike Superstruct , which employed a very open-ended collaborative framework to invite people to imagine their circumstances in 2019 relative to several provocative scenarios, Signtific is a more focused, tight experience, both in content and format. question and allowed open response, it would not be as good.

Game 24

Game Experiment Participatory Museum 24

Museum 2.0

AUGUST 25, 2009

When you want visitors to spend a long time reflecting and sharing their thoughts, you need to design spaces for response that are comfortable and minimize distractions. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

Design 31

Design Goal Difference Platform 31

Museum 2.0

JUNE 5, 2009

I've been designing game-like experiences with museums for a long time. We rarely talk about this when we design museum exhibits. In 45 minutes, we were able to make some sophisticated observations about how to change the rules to reflect a wide variety of underlying values or goals. It had a very simple structure.

Game 21

Game Design Museum Interaction 21

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

MARCH 17, 2007

First, the competition's structure. The exhibition of the art pre-decision exposes people to the art and creates buzz around the prize, and, more importantly, it brings museum visitors into the decision process. Tags: exhibition Museums Engaging in 2.0 British artists under 50 can be nominated by, well, anyone (even you).

Artist 20

Artist Arts Museum Celebrate 20

Museum 2.0

MAY 7, 2007

I spoke to them on different days, so I've taken some liberty with structure here, but their words are maintained intact. The whole process of developing an exhibition tends to get stuck behind a museum's doors. There are people who have a lot to say about museums around the world--to have some outlet there seemed useful.

NSF 20

NSF Interview Case Study Museum 20

Museum 2.0

NOVEMBER 27, 2018

In mid-2019, I will transition out of my role as the executive director of the Santa Cruz Museum of Art & History (MAH) to focus full-time on leading OF/BY/FOR ALL, an emerging global movement to build more inclusive community institutions. But the museum needed a new direction, and the board took a risk on me. To make history.

Global 42

Global Local Museum Change 42

Museum 2.0

JUNE 16, 2020

Andrea has been a leader in the museum technology field. We are seated on a legacy of more than 25 years of comprehensive contributions to the museum education field, including formative and summative evaluations of how our exhibitions and engagements with various communities have performed. And it shows.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. But we do have ''and.''

Participatory 53

Participatory Museum Arts History 53

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation. Check out the other parts here.

Participatory 33

Participatory Museum Process Experiment 33

Museum 2.0

NOVEMBER 9, 2007

My interest in gaming in museums was ignited by working on Operation Spy, an immersive, narrative, live-action game experience at the International Spy Museum, and fueled by the CSI:NY virtual experience. The Open Source Museum project at The Tech is a grant-funded grand experiment. This is happening very, very quickly.

Open Source 22

Open Source Museum Game Open 22

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

Museum 20

Museum Personal Experiment Profile 20

Bloomerang

FEBRUARY 1, 2022

So first is how we can reflect on the importance of diversity to our board’s work, specifically fundraising. Again, how many of you have attended an event or go to a museum? And the way that I’m going to talk about these case studies is the purpose, the structure, and the outcome of each.

Leadership 64

Leadership Fundraising Gift Slides 64

EveryAction

MARCH 16, 2017

We also like to believe she was one of the first proponents of the "shine theory" with her quote, " There are two ways of spreading light: to be the candle or the mirror that reflects it. ". Chanel's designs revolutionized views on women in society and opened doors for modernization in France and worldwide. Murasaki Shikibu.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

MAY 14, 2007

Was it a museum professional or an outsider? I'm kneedeep in the final run-up to the opening of Operation Spy at the Spy Museum, but in the fleeting moments between disasters and near-disasters, I'm thinking about AAM. Several were created or conceived by a single person, often an artist/non-museum professional.

Life 20

Life Create Change Museum 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 13, 2007

I created this screencast back in September/October of last year, so this release has provided a great opportunity to meta reflect on the whole screencast creation process as well as consider how my views about the use of tagging have evolved. Again, shows me the power of open content and open source thinking. Introduction.

Screencast 50

Screencast Instruction Instructional Tag 50

Museum 2.0

MAY 28, 2014

I cut out from the meeting by myself to check out an exhibition called Open House, if These Walls Could Talk at the Minnesota History Center. If there was a way to engage these deep emotions in the context of science museums, then there is an opportunity to expand our impact. How did you make decisions about how to structure the story?

Help 45

Help Museum eBook Project 45

Museum 2.0

JULY 14, 2008

What’s in the crystal ball for museums and libraries? The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. What are the essential differences and similarities between libraries and museums?

Library 20

Library Museum Reflection Alternative 20

Museum 2.0

SEPTEMBER 15, 2009

There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It's not marketing hype.

Project 38

Project Museum Artist Map 38