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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" HUMANS ARE THE BEST AGENTS OF PARTICIPATION When I wrote the book, I was coming from the perspective of an exhibit designer. and "why?"

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Museum 2.0 Rerun: Inside the Design of an Amazing Museum Project to Capture People's Stories

Museum 2.0

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.

Museum 43
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Making Museum Tours Participatory: A Model from the Wing Luke Asian Museum

Museum 2.0

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

Museum 51
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New Approach, Historic Mission: Remaking a Factory Museum via Community Co-Production

Museum 2.0

But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?

Museum 53
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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

When I was in college, I spent almost all of my free time in the slam poetry scene. Some had no clear time limits or criteria for participation, and the poetry swung between brilliance and poke-your-eye-out horror. Wackos and experts all get the same amount of time. This is an issue we are actively grappling with at our museum.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. People were spending a long time working on them. This was used as a proxy for time and creative energy spent on the creation of jars. What was it?

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Participatory Moment of Zen: Diverse Visitor Contributions Add Up to Empathy

Museum 2.0

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. The suitcase collaborators contributed to the exhibition for months, through a sequence of outreach, discussion, writing, object sourcing, editing, and design. Some with a colored pencil. Some with a paella pan.