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Guest Post by Debra Askanase: Fill the Gap Campaign Crowdsourcing for Citizen Museum Curators

Beth's Blog: How Nonprofits Can Use Social Media

Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Please leave me a comment or if you're interested in contributing a post, please fill out this form. In essence, it is visible storage for the museum. We are storage, after all.

Museum 92
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How Nonprofit Leaders Create An Authentic Personal Brand on Intsagram

Beth's Blog: How Nonprofits Can Use Social Media

Genuine: It reflects their character, behavior, values, and vision. One of the best personal brands that I’ve seen on Instagram from a nonprofit leader is Thomas P Campbell the CEO of the Metropolitan Museum. He shares photos and reflections from business trips. Here’s what I discovered: Genuine. Visibility.

professionals

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How Different Types of Museums Approach Participation

Museum 2.0

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29
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What's Your Leisure Identity? Does it Bring You Into Museums?

Museum 2.0

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things. And the facilitator wants his friends and family to have a good time.

Museum 28
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A City and an Art Center Design the Future: Reflections on the Market Street Prototyping Festival

Museum 2.0

But I couldn''t fully imagine how a museum or an arts center could embody it. While "final" versions of these prototypes would need to stand alone on the sidewalk, the best prototypes are facilitated. Facilitation has a dual function: the artists learn what worked and didn''t, and visitors learn what the projects are all about.

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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

Arts 45
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Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

This post shares my reflections on the projects and five things I learned from their work. What I Learned Part 1: Facilitation is Powerful When I taught this class the first time, I put a real premium on the idea of designing participatory activities that were visitor-driven and required minimal or no facilitation.