Museum 2.0

JULY 6, 2016

FoodWhat's staff and teens have taught me a lot about what it really means to be relevant to people who are often overlooked or ignored. FoodWhat empowers teens to change their lives through farming and food justice. When Doron visits schools to invite teens to apply for FoodWhat, he gives a five-minute pitch on their terms.

Teen 25

Teen Arts Classroom Student 25

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." This seems like an appropriate time to share the story.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.

Participatory 27

Participatory Design Difference Museum 27

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

FEBRUARY 18, 2010

They exploded, speaking all in one voice: "I don't even like ordering food in a restaurant." "I For me, the experience changed my perspective on what teens want from social environments and encounters. Has your attitude toward interacting with strangers changed during your life, and if so, when and why?

Life 21

Life Teen Culture Attitude 21

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

Museum 20

Museum Teen Second Life Discussion 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

EveryAction

MARCH 16, 2017

Invest in organizations like Women Made Gallery , American Women Artists , the Professional Organization for Women in the Arts , WGAW , and the National Museum of Women in the Arts which help give a voice and a future to female artists worldwide. Shero Thought Leaders. Roxane Gay. Anika Rahman. Groups like the Lady Parts Justice , Ms.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. The exhibition or program is of high quality, and from the visitor perspective, it may look like museum as usual. An interactive changes that.

Participatory 48

Participatory Process Museum Children 48

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

Virtual 20

Virtual Museum North Carolina Evaluation 20

Museum 2.0

FEBRUARY 24, 2011

A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences. Community galleries look old-fashioned because citizen curators aspire to emulate the most traditional vision of a museum possible. But it's far more typical to focus on just one.

Voice 42

Voice Los Angeles Denver Museum 42

Bloomerang

APRIL 2, 2021

COVID-19, even though things are opening up and hope is kind of on the horizon, it has changed how, and why, and how much we are online. Now, this might be changing. Maybe it will change this summer. We’re trying to change hearts and minds. This is something that we know. We’re all going outside more.

Social Media 82

Social Media Trend Video Marketing 82