Museum 2.0

OCTOBER 24, 2012

What started as a fun personal project for her will hopefully become part of our permanent history gallery--a space we are trying to make more interactive over the coming years. Community members, artists, and organizations increasingly see our museum as a place where they can advance their own goals, and so they approach us.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County.

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Museum Director History Teen 49

Museum 2.0

MAY 9, 2012

It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. This woman is killing it when it comes to developing in-gallery interactive experiences around permanent collections. History and science museums. time to step it up.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

JUNE 24, 2010

It incorporates work by local artists, old and new construction, and is completely gorgeous. This immediately led to cross conversation. Again and again, she told personal stories of her interactions with the historic and monumental people and events she described. and then recounted some related fact or history.

Museum 51

Museum Participatory Model Seattle 51

Museum 2.0

AUGUST 14, 2013

The project didn''t go far due to the sensitivity most folks have around numbers and their weight, but it did launch a conversation with the researcher about mood and emotion that ended up becoming the museum''s first official Experimonth, Experimonth: Mood. Experimonth had the potential to generate new scientific knowledge.

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Fabulous!" "But This is incredibly scary.

Audience 40

Audience Museum Oakland Participatory 40

Forum One

DECEMBER 13, 2023

This tool was awarded five different awards for its interactive design and ability to communicate key health and livability data. Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole.

Celebrate 68

Celebrate Award Colorado Museum 68

Forum One

DECEMBER 13, 2023

This tool was awarded five different awards for its interactive design and ability to communicate key health and livability data. We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole.

Celebrate 46

Celebrate Award Colorado Museum 46

Forum One

MAY 17, 2023

American Jazz Museum Platinum – Cultural Websites Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.

Award 81

Award Museum Kansas City Drupal 81

Allegiance Group

SEPTEMBER 17, 2023

Crowdfunding Platforms Crowdfunding campaigns are becoming increasingly popular among individual ventures, independent artists, and nonprofits. You’ll be able to check how many people visited the page, how they got there, who donated, the amount of time they stayed on the page, and which content they interacted with.

Tools 52

Tools Effective Fundraising Donation 52

Museum 2.0

DECEMBER 2, 2015

They mounted an exhibition, “The Spirit Sings: Artistic Traditions of Canada’s First Peoples,” that sparked native public protests. Bob led a strategic planning process that articulated a deepened commitment to native people as “key players” in the development of projects related to their history and material culture.

Museum 20

Museum National Story Difference 20

Museum 2.0

MARCH 14, 2011

Welcome to Pine Point is a kind of virtual museum exhibition about the town, told from the perspective of Michael Simons, an artist who grew up in the nearby town of Yellowknife and visited Pine Point as a boy. It is, in short, the best multimedia history project I've ever seen, and I wish more museums were pursuing projects like it.

History 43

History Museum Sound Voice 43

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

DECEMBER 8, 2006

Today, a conversation with Elisa Giaccardi , from the Center for Lifelong Learning and Design at University of Colorado , Boulder. Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia).

Interview 20

Interview Museum Culture Sound 20

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 28, 2013

Last Friday, Media Impact Funders brought together technologists, journalists, philanthropists and innovators for a day-long conversation on the future of media and tech innovation. Presentations should cover 5 areas: (a) General overview: goal, history, timing of the failure; (b) What went right? (c) c) What went wrong? (d)

Learning 115

Learning Impact DC Culture 115

ASU Lodestar Center

JANUARY 17, 2015

As a representative of an organization with a global mission, it is important that I am a citizen of the world who is well-traveled, well-informed, and can converse with absolutely anyone. I found many parallels between the history and development of the design museum and of the MIM.

Professional 40

Professional Global Develop France 40

ASU Lodestar Center

JANUARY 7, 2015

As a representative of an organization with a global mission, it is important that I am a citizen of the world who is well-traveled, well-informed, and can converse with absolutely anyone. I found many parallels between the history and development of the design museum and of the MIM.

Professional 40

Professional Global Develop France 40

NTEN

NOVEMBER 30, 2011

Why are they the same size as the person whom I casually had a short conversation with at a conference I don’t even remember? As of Febuary 2011 however, they have added a feature that goes a step beyond: streetview history. Something like an interactive version of Charles and Ray Eames’ masterpiece Powers of Ten.

Storytelling 87

Storytelling Story Mobile North Korea 87

Museum 2.0

OCTOBER 16, 2013

Summertime concerts at the history museum? And then, you have to be able to calculate a conversion factor that relates the number of people who attend to the number for whom the mission is fulfilled. That means 10% is your conversion factor; if you want to sell 5 pairs of shoes, you need fifty people to walk through the door.

St. Louis 55

St. Louis Impact Museum Denver 55

Museum 2.0

JUNE 16, 2020

It is hard to describe the gratification of seeing families meaningfully engaging with the Asian interactives we prepared with many advisors that included local members of the Asian communities. The label did not address that the artist sexually abused her, gave her syphilis, and colonized her home.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." Why would I want to sit on a couch and engage in an open-ended, messy conversation with a stranger? Why would I want to talk about Iraq on a visit to an art museum?

Iraq 28

Iraq Challenge Museum Library 28

Bloomerang

NOVEMBER 13, 2021

But most importantly, we love for these sessions to be interactive, so feel free to chat in your questions and comments along the way. well, five areas of conversation revolve around, “What is impact reporting? Typically, if you’re starting a pilot program and you do not have your own history of success.

Report 82

Report Measure Process Impact 82

Whole Whale

DECEMBER 9, 2023

Borrow like an artist Steal content from your other platforms and see what similar organizations are doing to engage their audience. Follow conference and event hashtags — and consider following those that you aren’t attending as well — you can still add to the conversation. Follow up the next day with the answer.

Social Media 98

Social Media Ideas Media Social 98

Connection Cafe

JANUARY 5, 2016

Be part of our heroic history. Moving Beyond the Rhetoric in the New Year – December 2015 InterAction Newsletter. Deadline for InterAction’s14th Annual Photo Contest is January 15. A conversation with Lidia. Why I’m taking action for Zunar, a fellow artist. JUST RELEASED: Triple MATCH! We ♥ goats.

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email Fundraising Gift Children 20